Philip Ransome, un niño mudo, vaga solo por los páramos. Un día encuentra un poni salvaje de ojos azules y se hacen amigos. Un Coronel retirado, una niña y un halcón mascota le ayudan a sali... Leer todoPhilip Ransome, un niño mudo, vaga solo por los páramos. Un día encuentra un poni salvaje de ojos azules y se hacen amigos. Un Coronel retirado, una niña y un halcón mascota le ayudan a salir de su caparazón, aunque no sin dificultades.Philip Ransome, un niño mudo, vaga solo por los páramos. Un día encuentra un poni salvaje de ojos azules y se hacen amigos. Un Coronel retirado, una niña y un halcón mascota le ayudan a salir de su caparazón, aunque no sin dificultades.
Opiniones destacadas
I give nothing away about the ending except to say it left an enormous and yet serenely gentle impression on me watching the first time as a child.
The Colnol played by John Mills (bless the great actor's memory) believes that wild animals may help to unlock the running-wild nature of the boy. Yet the strength of the story, for me, is much more than the love of a boy for a blue-eyed white colt. Most importantly I think the film presents the need of close attention to and understanding of a child who isn't 'normal', rather than thinking out of fear for their well being. The world is more beautiful for people like Phillip. I hope you will enjoy this film.
This was made shortly after the success of OLIVER! and saw Mark Lester's fame riding high. He's certainly a good choice for the role of the protagonist, but John Mills is even better in support, essaying the role of the kindly benefactor with skill and ease. Gordon Jackson and Sylvia Sims play Lester's exasperated parents and the former is particularly effective. Watch out for future Bond girl Fiona Fullerton as a kid, playing a girl who befriends Lester.
Inevitably, it's the creatures who end up being the most enjoyable characters in these productions, and the pony and the kestrel are undoubtedly the best things in the movie, lovable both of them. There aren't too many films set on Dartmoor and the cinematography brings out the best of the rugged locales, which I loved. There are the usual highs and lows, peaks of happiness and moments of tragedy, alongside one of the most gruelling climaxes I've seen in a film. It's well worth a watch if you're a fan of the genre.
In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.
Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.
I am hoping that someday this movie will be available for rental or purchase on DVD.
Regards,
Cassandra2
¿Sabías que…?
- TriviaFinal theatrical movie of Bernard Miles (Reg).
- Citas
Philip Ransome: [speaking for the first time, to the pony that is stuck in a bog hole on the moor] Philip! Philip! Wake up. Don't die now. You've got to help yourself.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Zwei Freunde fürs Leben
- Locaciones de filmación
- Dartmoor, Devon, Inglaterra, Reino Unido(made entirely on location on Dartmoor)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 40min(100 min)