I quattro dell'Ave Maria

giuseppe colizzi was a fine underrated director dead too early that invented the characters of Spencer-Hill. Differently from E.B.Clucher, Hill is more Eastwood-way then Trinità but the substance is the same. Colizzi was a well competent director, more american then italian, with strong sense of spectacule and correct with the particulars. In Italy is very underrated, I don't know why. "Ace high" is, probably, his best western. It's also hard to see his movies in tv. You can only see every summertime "Arrivano Joe e Margherito", but this is not his best. I hope one day critics rediscover the art of this modest, hard worker artigian of the screen.

This film essentially begins with a man named "Cacopoulos" (Eli Wallach) sitting in jail waiting to be hung for a murder he didn't commit. Fortunately, he manages to escape and then proceeds to rob two drifters named "Cat" (Terence Hill) and "Hutch" (Bud Spencer) of a large amount of gold that they had just acquired from a bank the day before. Needless to say, wanting their money back both Cat and Hutch set out in the same direction as Cacopoulous in an effort to track him down before he can spend all of it. However, once they catch up to him he agrees to return the money if they can help him get revenge on the people who set him up. Unfortunately, this proves to be more complicated than any of them initially imagined. Now rather than reveal any more I will just say that this film is a sequel to the movie "God Forgives...I Don't!" which is probably best to see first in order to gain a better understanding of the overall course of events. It is also followed by another sequel "Boot Hill" which was produced a year later. In any case, although the film contained some pretty good actors I thought that the plot took too many strange detours which caused the film to lose some of its coherence. Because of that I have rated the film accordingly. Average.

(aka: ACE HIGH)

Eli Wallach plays Cacopoulos, a generous bandit who gives away all he steals to those less off than he is. That is, until he steals $300,000 from bounty hunters Cat Stevens and Hutch Bessy (Terence Hill and Bud Spencer) who then come trailing after him all over the southwest (or in this case, Almeria Spain) and want their money back.

When they catch up with him, Cacopoulos let's them in on his primary motive. To get back at three men who double-crossed him 15 years before, letting him get caught and sent to prison. He already killed one, and the other was killed in a Mexican shootout earlier in the film. That only leaves Drake (Kevin McCarthy) and since Cacopoulos had already gambled all Hill & Spencer's money away in Drake's gambling establishment, it's only natural that they help Cacopoulos out in getting their money back.

Reluctantly, Hill & Spencer agree and with the help of circus tightrope walker Thomas (Brock Peters), they stumble onto the fact that Drake's establishment has the roulette wheel fixed, with lookouts in the ceiling and a magnet in basement room under the roulette wheel itself. Needless to say, Drake will get his just reward for ripping the town off with his fixed gambling tables and Cacopoulos will get his revenge. I won't say how so you'll have to see for yourself.

The first half of this film is pretty standard, but the second half involving Drake is where the film really distinguishes itself, imo. It turns into a caper yarn. It also has it's funny moments but isn't as humorous as Hill & Spencer's later spaghetti western; THEY CALL ME TRINITY (1971). Btw, this is their second appearance together, the first being GOD FORGIVES, I DON'T from the year before.

The anamorphic Paramount DVD uses an excellent print although I think the widescreen is a bit too cropped on both top and bottom. Sound is also good with English subtitles (if necessary) and another excellent score by Bruno Nicolai.

If you like the genre with a little humor thrown in, then you might like this one. I did. Above average.

7 out of 10 -

This early outing for Bud Spencer and Terence Hill sees the pair in fine form in a huge spaghetti western with loads of story, characters and tons of action to recommend it from the start. The meaty running time consists of dozens of plot twists, dupes, swindles and betrayals and the film never lets up from a spot-on pacing which holds the viewer's attention at all times. The three main ingredients for the film are drama, action and comedy and all are served up in spades. Obviously the Spencer/Hill relationship is played for laughs and both actors put in commendable performances; Hill as the Eastwood-style sharp-shooter, the intelligent member of the pairing, and Spencer as the clumsy but lovable oaf who's as strong as an ox and complements Hill's character perfectly.

The dramatic angle of the storyline comes in the sweaty form of Eli Wallach, reprising his role from THE GOOD, THE BAD AND THE UGLY as a bandit with a heart of gold who ends up being used and abused by those he considered to be his friends. Wallach's mission of justice makes up the bulk of the film and once again the actor puts in an excellent performance which hugely enhances the film. Writer/director Giuseppe Colizzi understands the old adage "if it ain't broke, don't fix it" in regard to Wallach's performances so gives the public more of what they have seen already in the Sergio Leone film and the result is no less successful. The script is unusually fine and lends plenty of comic banter and interplay to the scenes between the action sequences.

Speaking of action, there is plenty ranging from bloody boxing matches to more traditional shoot-outs, prison breaks, brawls and even a massive gun battle with a machine gun involved. The suspense is gradually upped for the genius climax, set in a dodgy gambling house as our heroes attempt to make themselves some cash by hiding in the loft and cellar and using the fixed roulette wheel for themselves with disastrous results. The film then plays its own ace by introducing arch-villain Drake, acted by American import Kevin McCarthy (INVASION OF THE BODY SNATCHERS) as one of those slimy villains you just love to hate, and the resulting climax is wonderfully exciting.

Great use of widely differing music is made throughout the film from epic-sounding vocals to waltzes at the end! Technically the movie is proficient with a more than adequate budget put to good use in the sets and costumes; solid, slightly artistic photography; and well-staged action. One of the best I've seen from Spencer and Hill and a film guaranteed to please fans of the genre.

When he escapes the noose, criminal Cacopoulos flees the charges against him and, on his way, robs two banker robbers – Cat Stevens (no, a different one) and Hutch Bessy. Unwilling to kill the two men, Cacopoulos heads off with the money while Cat and Hutch begin the long walk out of the desert. Getting back to civilisation, they vow to track down Cacopoulos and get their money back. They start their search for him but meanwhile Cacopoulos is also bent on revenge on those that betrayed him – and plans to get Cat and Hutch to help, whether they know about it or not.

Screened under the main English title of Ace High, I recorded this film on late night TV hoping for a typical spaghetti western. While that is pretty much what I got, I must confess to being a bit put off by how silly it was at times. I know it was meant to be a comedy of sorts but it didn't sit very well with the spaghetti western genre because it made aspects of that feel like they had been badly done, as opposed to done for laughs. The plot is solid enough but the running time is too long for the material to sustain, making many scenes feel dragged out beyond their intended time. The action (as in movement generally) also suffers because of this perceived slow pace.

The cast are suitable for the genre, but this is not the same as being any good. Eli Wallach has fun in the central role and his performance is good value. I couldn't shake the feeling that Hill had borrowed his performance from many other actors but hadn't been sure how to make it work for him; he didn't really have the screen presence required to carry off the character. Spencer is better in terms of presence but his performance is a bit wanting. The support cast are all so-so, which works within the genre and as always much of the dialogue has that strange bad ADR/bad dubbing feel to it that I think is a prerequisite for the spaghetti genre.

Overall this is an enjoyable enough spaghetti western but if you only know the Eastwood, "Fist Full" or Leone spaghetti films then you'll probably come away thinking this is a low-rent version of those (which I suppose it is). With all the trademarks and weaknesses of the genre, this one will most likely please fans but probably not the casual viewer.