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6.0/10
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Agrega una trama en tu idiomaAristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.
- Dirección
- Guionistas
- Elenco
Hilary Heath
- Lady Elizabeth Markham
- (as Hilary Dwyer)
Opiniones destacadas
This movie was rather good, but it had a major flaw. Throughout the movie they hide one character's face. You know he is disfigured and considering how the people act when they see it you know it must be bad. I was expecting something like I saw in the movie "The Projected Man" (bad movie, but they did a good job with the face). Then finally when you see the face at the end, I wasn't all that impressed. The guy was not all that disfigured. However, I did enjoy how the movie played out as Vincent Price was good as was Christopher Lee. Though I find the opening credits funny when they say Lee is the guest star. How do you have a guest star in a movie? You are never quite sure where the movie is going at times and there are some twists and turns. In the end I had very little pity for the messed up brother, rather I felt sorry for Price's character that had done something wrong, but he had regret over it. The murders could have been done a bit better as they usually involved throats being slit and this did not look to good. For the most part it looked liked the killer was wiping blood on the people's neck. There is a rather interesting scene involving a brothel. Lots of cleavage and even a bare breast or two if you like that sort of thing. Overall I enjoyed it.
We have all kind of barbarities featuring in this dark and moody tale. Only the wicked pen of Edgar Allen Poe could have come up with a tale that blends voodoo, body snatching, medical experiments, brotherly betrayal and a taste of what most likely is the worst imaginable nightmare: being buried alive! Set in the second half of the 19th century, Vincent Price (oh, how I love this man) stars as a wealthy landlord who returned from Africa severely traumatized. His brother got cursed by the aboriginals there and now lives locked up in his room, heavily deformed. But he's still clever enough to plan an escape and pays some small crooks to have him appear dead. Due to several unfortunate events, the plan goes wrong and Sir Edward's supposedly dead body ends up in the laboratory of morbid scientist Christopher Lee (another man I love!)
The entire film carries some sort of unnameable eeriness. The depressing set pieces and colorless locations add a great deal to the sublime horrific atmosphere. All this, together with an intriguing and complex screenplay makes this movie yet another highlight in the careers of Vincent Price and Christopher Lee. Both icons of horror give away amazing performances and it's actually a damn shame they don't share many sequences together. This is a marvelous film from the time that horror still was the greatest genre in cinema. They simply can't deliver movies as good as this anymore. Maybe I'm giving it a little too much praise but you can't but agree with me that at least this kind of horror oldies demand a much wider attention span than the nowadays gore-junk. For that aspect alone, I feel obliged to give it a high rating.
The entire film carries some sort of unnameable eeriness. The depressing set pieces and colorless locations add a great deal to the sublime horrific atmosphere. All this, together with an intriguing and complex screenplay makes this movie yet another highlight in the careers of Vincent Price and Christopher Lee. Both icons of horror give away amazing performances and it's actually a damn shame they don't share many sequences together. This is a marvelous film from the time that horror still was the greatest genre in cinema. They simply can't deliver movies as good as this anymore. Maybe I'm giving it a little too much praise but you can't but agree with me that at least this kind of horror oldies demand a much wider attention span than the nowadays gore-junk. For that aspect alone, I feel obliged to give it a high rating.
This 1969 film heralded the first on-screen teaming of Vincent Price and Christopher Lee - shamefully, they only get one scene together (why couldn't the film-makers of the time put the horror masters together in a film successfully?).
Despite being beseiged by production problems - the writer Lawrence Huntington died shortly after completing the script and the original director, Michael Reeves was replaced by Gordon Hesler, due to his dependence on drugs and suicidal tendencies (he actually committed suicide in February 1969) - the film has a very eerie and atmospheric feel to it.
The plot is guilty of becoming too involved for its own good, but given there is always a general understanding of what is going on, the film does not suffer. Indeed, the period atmosphere is well-maintained and is supplemented by plenty of suspense and shock, not least due to the large content of scenes taking place during nightfall.
We are also cleverly kept guessing as to what Edward Markham's face is really like under the scarlet hood, and since this naturally becomes a preoccupation with the viewer, one is entitled to expect a horrific revelation at the end. It does come and depending on what you pre-judge his face to look like, I was not particularly disappointed!
Vincent Price and Christopher Lee's characterisations are not that pivotal and their performances tend to be just enough to carry the film through - they are really secondary, in a film stolen by Alister Williamson as the revenge killer.
Nevertheless, this film is well-worth a look, mainly due to it's originality and ambition.
Despite being beseiged by production problems - the writer Lawrence Huntington died shortly after completing the script and the original director, Michael Reeves was replaced by Gordon Hesler, due to his dependence on drugs and suicidal tendencies (he actually committed suicide in February 1969) - the film has a very eerie and atmospheric feel to it.
The plot is guilty of becoming too involved for its own good, but given there is always a general understanding of what is going on, the film does not suffer. Indeed, the period atmosphere is well-maintained and is supplemented by plenty of suspense and shock, not least due to the large content of scenes taking place during nightfall.
We are also cleverly kept guessing as to what Edward Markham's face is really like under the scarlet hood, and since this naturally becomes a preoccupation with the viewer, one is entitled to expect a horrific revelation at the end. It does come and depending on what you pre-judge his face to look like, I was not particularly disappointed!
Vincent Price and Christopher Lee's characterisations are not that pivotal and their performances tend to be just enough to carry the film through - they are really secondary, in a film stolen by Alister Williamson as the revenge killer.
Nevertheless, this film is well-worth a look, mainly due to it's originality and ambition.
"The Oblong Box" is about what you'd expect. Like "Witchfinder General" (aka "The Conqueror Worm") the previous year, a lot of it seems to be going for shock value. Vincent Price plays a 19th-century nobleman keeping his disfigured brother locked in a room...only then the brother manages to escape. There's some violence (although I wouldn't call it gore) and no shortage of women with bug-eyed, frightened looks on their faces.
As with the other 1960s horror flicks based on Edgar Allan Poe stories -- although this one is not part of Roger Corman's series -- the movie only uses the title and is otherwise unrelated to the original story. There's certainly nothing special about the movie, except that it was the first pairing of Vincent Price and Christopher Lee. Otherwise, Corman's movies are the ones that I recommend.
Also starring Rupert Davies, Peter Arne, Sally Geeson and Hilary Dwyer.
As with the other 1960s horror flicks based on Edgar Allan Poe stories -- although this one is not part of Roger Corman's series -- the movie only uses the title and is otherwise unrelated to the original story. There's certainly nothing special about the movie, except that it was the first pairing of Vincent Price and Christopher Lee. Otherwise, Corman's movies are the ones that I recommend.
Also starring Rupert Davies, Peter Arne, Sally Geeson and Hilary Dwyer.
We tend to diminish some movies which doesn't fits in ours pre-established concepts, The Oblong Box is one of this case, an exotic picture mixing gothic horror and sorcery from Africa, however has many qualities to overcame a possible low points, the story is about two brothers from British aristocracy Julian Markham (Vincent Price) who maintain imprisoned at your room Edward (Alister Williamson), such fact took place at Africa where they had profitable business, actually Edward fortuitously killed a native child, by this his face was disfigured by voodoo's ritual, at England under order of Julian his lawyer brings from Africa a native sorcerer to try heal his brother, but he was misleading by the greed lawyer, Edward is hit by poison dart, he states as dead and buried alive, but the body snatchers unearth him to sell to Dr. Newhart (Lee) just for scientific purposes, somehow Edward wake up and made an agreement with the Doctor to stay there, in exchange of money to keep his research ongoing, to make his revenge Edward uses a scarlet hood, the producers put a mundane atmosphere on movie as at brothel's house, offering plenty of slight nudity scenes, spicy sequence, further has a twist on final that worthy waiting for, valuable and underrated!!
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.5
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.5
¿Sabías que…?
- TriviaThis film was banned in Texas during its theatrical release.
- ErroresWhen Sir Edward murders Heidi the prostitute, the special effects knife clearly sprays blood onto the actresses' neck well before it actually touches her.
- Citas
Dr Neuhart: I might find myself buying your pretty little body one day for a guinea or two.
- Versiones alternativasThe MGM DVD is the complete uncut version running 96m. Previous USA VHS releases were only 94m whilst the old UK VHS was trimmed further to 91m (87m in pal). The UK VHS was missing:
- about 1m out of the pre-credits sequence (various small trims)
- a scene in which Vincent Price and Hilary Dwyer walk in a garden talking about Africa
- The murders of Carl Rigg and Uta Levka were abridged
- Ute Levka's brief nude shots were missing
- a short scene in which Christopher Lee administers a tonic to a patient was removed. The USA VHS restored some of this missing footage but Levka nudity was still missing, her death was slightly abridged and the short Lee scene was missing. The 2008 Optimum DVD features the full uncut version.
- ConexionesFeatured in Nightwatch Presents Edgar Allan Poe: The Oblong Box (1973)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Oblong Box
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
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- Presupuesto
- GBP 70,000 (estimado)
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By what name was La caja siniestra (1969) officially released in India in English?
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