Mayerling

Omar Sharif and Catherine Deneuve were both so splendid and believable in their roles. The sets were superb. The script and acting were top drawer. Part of the pathos of the movie is that it was based on a true story. Seldom is it hard for me to find a drawback to a movie. This movie is one well worth seeing more than once. It was hard to find the video, but I did, and purchased it immediately. History buffs will be enthralled. Romantics will be satiated. Just can't say enough in praise of the movie.

This movie is perhaps one of the most beautiful movies I have ever seen-both literally and figuratively! I've never seen a more beautifully photographed movie. The use of location settings and outdoor photography is second to none. The costumes and settings show that the producers obviously didn't skimp on quality. They're breathtaking and almost rate their own review. Aesthetically I can't remember the last time I saw such a beautiful film. Dramatically it drags a bit at times but overall is a very compelling tale, made all the more poignant because it is based on events that actually took place. Omar Sharif and Catherine Deneuve are remarkable as the doomed lovers. Their final scene together, as they talk while she's falling asleep is magnificent. It's obvious why Deneuve has had such a love affair with the camera over the years. She's absolutely flawlessly photographed(no other woman with the exception of the late Sharon Tate even comes close). You can see why a man would be driven to give up an empire for her. As an added bonus the great Ava Gardner came out of semi-retirement to play Sharif's mother and gives this movie an added touch of class(not that it needed any more). If you're a fan of costume dramas or doomed love stories then this movie is for you. Quite simply it combines the best elements of both genres. A treat.

Mayerling is supposed to be a story of love and passion set in the backdrop of political turmoil in the austro-hungarian empire. The problem is there is very little passion in this movie. Catherine Deneuve, which I usually love, and Omar Sharif give such wooden performances that it is hard to imagine they would die of love. Ava Gardner is about as bad and James Mason does hardly better. Only James Robertson Justice and Genevieve Page seem to believe in what they are doing.

As far as the political story, you will not know very much more of the state of the empire after seing the movie. Characters drop by Omar Sharif once a while without enlightening us very much about their problems and goals. The only redeeming values are production values which are quite good. Better watch the original French movie with Charles Boyer and Danielle Darrieux.

Set in 1888 , the royal Rudolf , Crown Prince of Austria/Hungary (Omar Shariff) , is fettered on all sides . He's a doomer and dissolute romancer who was never up to ruling anyways , being extremely bored and tired . His father , the emperor Francisco -Franz- Joseph (James Mason) , is a domineering and tyrannical ruler . Rudolph's politics are more liberal than his father's, but he knows his views carry no weight . Rudolph agreed to marry a princess to sire an heir , then spends his nights as a playboy . Meantime , Rudolf has almost an unhealthy infatuation with his mother, the Empress Elizabeth , Sissi (Ava Gardner) , she has largely been an absent figure from Vienna and thus his unfortunate life is almost invisible at the royal court . In 1888, Rudolf , heir to the Austro-Hungarian empire, falls for by Marie Vetsera . He meets Marie Vetsera (Catherine Deneuve) and sees her at a theatre , she , 17 , a baroness's attractive teenaged daughter . She is resolute, smitten, and wants nothing in return for her love . He's already a problem to the Crown because of his political ideas ; and a love affair with someone not of royal blood breeches protocol . As the Crown doesn't allow and the emperor further neutralizes Rudolph by making him inspector general of the army , sending him afield for months at a time . As Rudolph falls deeply for the commom-born Mary Vetsera , despite his political marriage . The Prime Minister is alarmed; he contrives to have her sent away. Rudolf sinks into dissipation, then he takes part in a student revolt for the liberation of Hungary , but things go wrong . When she returns , the lovers will handle the opposition of society and their families . Rudolf and Marie Vetsera fight to find a way for them to be together . Both of whom are tragically smitten by a difficult and complicated romance that causes a moral opprobrium in high aristocracy and Hapsburg kingdom . No one woman could satisfy him...until he fell in love.

Based on the tragic and voluptuous romance between Rudolf and Baroness Maria Vetsera . No doubt meant to be a sweeping combo of a deep love story and politics about the separation of Austria and Hungary , forming the Austrian-Hungarian Empire , ala ¨Doctor Zhivago¨style . Main cast is pretty good , Omar Shariff plays the philander and seducer Prince with no crown and Catherine Deneuve is ideal as the tragic heroine , she is not only exquisitely gorgeous , she is alive as well . They are well accompanied by a very good support cast , such as : James Mason as Emperor Franz-Jose , Ava Gardner as Empress Elizabeth , Sissi , James Robertson Justice as Edward , Prince of Wales , Geneviève Page as Countess Larish , Andréa Parisy as Princess StephanieI , Ivan Desny as Count Hoyos , Maurice Teynac , Moustache , Fabienne Dali , Jacques Berthier , Charles Millot , Véronique Vendell , among others . The film provides lavish settings , brilliant cinematography and spectacular scenarios with bustling balls and lots of extras . Terence Young is equally acceptable at conveying the tidal wave which consumes the Hapsburg court , as well as love, passion and distresses that drowned the heir to the throne . Of course , it is extremely romantic and novelettish , sometimes in Barbara Cartland rubbish style , resulting to be really tedious and overlong , at times ; watching the 1936 retelling by Anatole Litvak , being much better shot and played . However , the picture turns out to be passable , though at the time it was a real flop at boxoffice.

It packs glimmer cinematography by cameraman Henry Alekan , Terence Young's regular , shot on location in Venice, Veneto, Italy , Mayerling, Lower Austria, Vienna, Austria , Paris Studios Cinema, Billancourt, France . As well as atmospheric musical score by Francis Lai , including classical music , such as : P. Morgenblaetter (Morning Paper) Composed by Johann Strauss , Radetzky-Marsch Composed by Johann Strauss Sr. , Giselle Composed by Adolphe Adam , The Waves of the Danube Composed by Iosif Ivanovici and Spartacus Suite Written by Aram Khachaturyan . The picture was professionally directed by Terence Young , being made with skill and commitment enough , displaying quite a few visual opulence and estimable production design .

There are several renditions about these deeds : ¨Tragedy in the House of Hapsburg¨ 1924 by Alexander Korda with Emil Fenyvessy , Kálmán Zátony , María Corda . The classic and best ¨Mayerling¨ 1935 by Anatole Litvak with Charles Boyer , Danielle Darrieux , Vladimir Skoloff , Jean Louis Barrault . ¨From Mayerling to Sarajevo¨ 1940 by Max Ophüls with Edwige Feuillère , John Lodge , Jean Worms , Jean Debucourt . ¨The secret of Mayerling 1949¨ with Jean Marais as L'archiduc Rodolphe d'Autriche-Hongrie , Dominique Blanchar as Marie Vetsera , Claude Farell as La comtesse Marie Larisch , Jean Debucourt as L'empereur François-Joseph . ¨Maria Vetsera¨1956 with Rudolf Prack as Rudolf , Christiane Hörbiger as Baroneß Mary Vetsera , Winnie Markus, Lil Dagover. Mayerling 2013 with Mara Galeazzi as Mary Vetsera and Edward Watson . And remade in 1967 for TV , among others .

Everyone agrees with this movie's virtues: its sets, costumes, and recreation of the era--all of which are impressively gorgeous. Kenneth Brannagh mentions that the look of the this film version influenced the setting/production design for his version of HAMLET (check out his audio commentary of the DVD, chap. 19). So MAYERLING has had its influence.

And, yes, quite a few of us recognize its shortcomings. Frankly, it doesn't possess the passion/romance one expects. Perhaps both Sharif and Deneuve are too intelligent to be believable for a romantic suicide, but whatever it is, somehow the oomph one hopes for is missing. Nevertheless, it's still fascinating, and while not as involving as the Boyer version, it's got more historical detail and background.

And yes it's worth comparing/contrasting with THE ILLUSIONIST.