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5.2/10
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Agrega una trama en tu idiomaA 38-year-old American writer of pornographic novels discovers the difficulties of being married to a 16-year-old British schoolgirl.A 38-year-old American writer of pornographic novels discovers the difficulties of being married to a 16-year-old British schoolgirl.A 38-year-old American writer of pornographic novels discovers the difficulties of being married to a 16-year-old British schoolgirl.
Sheila D'Union
- Naive English School Chum
- (as Sheila Dunion)
Opiniones destacadas
Well, there's Charles Bronson near his prime and heaps of nice female limbs in this film, so there is that going for it, regardless of your sex or preference, I suppose. There are other visual attractions besides the leads, though - some nice settings and camera work.
The problem is that, whilst the basic plot itself is somewhat plausible, it's just not handled to the depth that it could be. Bronson does a passable job as the writer who tries to be Hubby but ends up feeling more like Daddy half the time, but it is not his best effort by far. He really does better in thrillers like "Telefon". Susan George (as well as most of the actresses playing her friends/peers) comes off as being fairly vacuous, and acts more like she's 11 than 16. Perhaps this is meant to help us share some of Bronson's character's discomfort - but then he married her because she guilts him into it, or he guilts himself? Or what? I'm not buying it. Perhaps if there were some genuine deep chemistry and passion between the two, but I don't get that. The entire relationship comes off more like a long, uncomfortable play-date.
Okay, maybe it's supposed to - but then, what's the point?
And whilst as a male with the typical appreciation for the female form I can't say I really object strenuously to this, but hey - she wears a miniskirt in *every* scene, even in NYC in the wintertime? C'mon...
The soundtrack is also fairly hokey, even given when this film was made, and makes it feel even more contrived.
I gave this film a 6 of 10 because it's pleasant enough entertainment for the I've-no-date-tonight circuit, and because I'm a Bronson fan, but no higher because it really never draws in the viewer, and fails to make any lasting statement or impression.
The problem is that, whilst the basic plot itself is somewhat plausible, it's just not handled to the depth that it could be. Bronson does a passable job as the writer who tries to be Hubby but ends up feeling more like Daddy half the time, but it is not his best effort by far. He really does better in thrillers like "Telefon". Susan George (as well as most of the actresses playing her friends/peers) comes off as being fairly vacuous, and acts more like she's 11 than 16. Perhaps this is meant to help us share some of Bronson's character's discomfort - but then he married her because she guilts him into it, or he guilts himself? Or what? I'm not buying it. Perhaps if there were some genuine deep chemistry and passion between the two, but I don't get that. The entire relationship comes off more like a long, uncomfortable play-date.
Okay, maybe it's supposed to - but then, what's the point?
And whilst as a male with the typical appreciation for the female form I can't say I really object strenuously to this, but hey - she wears a miniskirt in *every* scene, even in NYC in the wintertime? C'mon...
The soundtrack is also fairly hokey, even given when this film was made, and makes it feel even more contrived.
I gave this film a 6 of 10 because it's pleasant enough entertainment for the I've-no-date-tonight circuit, and because I'm a Bronson fan, but no higher because it really never draws in the viewer, and fails to make any lasting statement or impression.
Miniskirt fans, this is for you! It's 1969, and we're watching a precocious Susan George in schoolgirl miniskirts, happily chatting away, burning breakfasts and generally being a teen, while Charles broods, and wanders through this flick, like he doesn't quite know how to handle a chick that's old enough to be his daughter. This is an update on the Lolita theme but has none of the sexual tension of Nabokov. Simply, a great flick if you like to fantasize about hooking up with a babe 20 years younger than you. Unfortunately, the version produced by "Passion Productions" (where did they get THAT name???), is of murky quality; if you find another (even the VHS version has to be better!), buy it. I think a better flick was the one with William Holden. At least he had FUN!
Charles Bronson stars as an American author in his thirties living in England who marries his 16 year old girlfriend Susan George. They move to NYC and suffer through the shocking predicament that people don't understand their relationship and that they don't really get along all that well anyway. A fantastic supporting cast ... Honor Blackman, Jack Hawkins, Trevor Howard, Robert Morley ... are consistently wasted in this really annoying comedy. I usually love George, but she is nails- on-a-chalkboard annoying here.
Susan George as Twinky( what a weird name?) is a convincingly vacuous 16 year old British virgin who seduces a 32 year old American writer of pornography (Charlie Bronson). Must be unusual for Bronson cause he never kills or hits anyone. The plot is simple but the whole effect of mini skirts, long legs and blonde hair on Twinky plus the contrast of short black rugged Bronson as Scotty is funny and watchable. Bronson being loving and patient with the annoyingly bouncy playfulness of a 16 year old kid who is 'good in the sex' department is worth the time.
If Vladimir Nabakov had been born 40 years later (and had been 20-something in the British Mod era), he might have devised a story similar to this: an erratic but amusing, sometimes sincere romance concerning a 38-year-old writer of pulp novels in love with a brash 16-year-old London schoolgirl. Comedy-drama stars Charles Bronson and Susan George (who was 19 during shooting), and was the third film from director Richard Donner, who reportedly clashed with Bronson during the production (and didn't direct another feature until 1976's "The Omen"). "Twinky/Lola/London Affair" has expressive eyes and ears, but Donner doesn't quite know how to wrap things up, leading to a weak finale. Well-made and edited, however, and full of energy and appealing scenes. Fine acting by the leads, particularly Bronson in an early leading role. British-Italian co-production was released throughout Europe in 1970, but didn't reach the US until 1971 (barely) before being shown on television in December of that year. **1/2 from ****
¿Sabías que…?
- TriviaAccording to an interview with Richard Donner, he was reportedly asked by Charles Bronson if he wanted to direct the film, and was delivered a script, read it and thought it was interesting and eventually directed it. However, Donner felt he was still not experienced enough to direct a film, nor did he did get along with Bronson at all, as they thought differently about how the film should have been.
- Versiones alternativasTo receive an 'A' certificate the UK cinema version was cut by the BBFC to remove some sex references in Twinky's diary and dialogue mentioning the Pagoda Position. The 1989 video featured the same cut cinema version though both later DVD releases were shorter re-edited prints. The 2001 Delta DVD featured the U.S print (known as "Lola") and the 2006 Orbit release (once again titled "Twinky") restored the original cinema cut scenes.
- ConexionesReferenced in Michael Craig (2022)
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