CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
Durante unas vacaciones de verano tres jóvenes se vuelven muy cercanos. Cuando una chica poco atractiva intenta infiltrarse en la relación recién descubierta del trío, construyen una trama e... Leer todoDurante unas vacaciones de verano tres jóvenes se vuelven muy cercanos. Cuando una chica poco atractiva intenta infiltrarse en la relación recién descubierta del trío, construyen una trama elaborada que tiene resultados violentos.Durante unas vacaciones de verano tres jóvenes se vuelven muy cercanos. Cuando una chica poco atractiva intenta infiltrarse en la relación recién descubierta del trío, construyen una trama elaborada que tiene resultados violentos.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 4 premios ganados y 4 nominaciones en total
Conrad Bain
- Sidney
- (sin créditos)
Andrew Krance
- Town Hood
- (sin créditos)
Eileen Letchworth
- Dan's Mother
- (sin créditos)
Wayne Mayer
- Town Hood
- (sin créditos)
Maeve McGuire
- Younger Woman
- (sin créditos)
Ed Stevlingson
- Sidney
- (sin créditos)
Peter Turgeon
- Mr. Caudell
- (sin créditos)
Ralph Waite
- Peter's Father
- (sin créditos)
Lydia Wilen
- Waitress
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
You must see it uncut for the full effect. The conclusion at the beach is the whole point of the film, as Evan Hunter points out in his interview in "The Writer". I was agast the first time I saw it on commercial TV (late night).
This coming of age drama is about four friends living on an island who meet on the beach. As they discover sex and each other they are at times brave, kind and considerate. However at other times a darker side to their nature appears and they are cowardly, selfish and cruel. The characters' parents never appear in the movie and all verbal references to them are negative. We are left with the impression that these young adults are left to their own devices and they are growing up without morals. The film is shot in soft focus and the days are the perfect Summer idyll. The symbolism is a little unsubtle at times, but the performances are good. Catherine Burns received an oscar nomination.
Last Summer is a movie that you'll want to see alone, or with someone you fully trust. The plot is well-captured prior to my review, and it's truly not difficult to understand the story.
Rarely, a movie captures my interest from start to finish, and Last Summer happens to be in this category. Aesthetically, the movie was beautiful to see. The golden, hazy effects of the camera work, along with the beautiful colors of the sea and even the hues of each character's eyes were all visually stunning. As a fan of the 1970s, it is easy to see how this movie captures the era perfectly (even if it's from 1969).
The main standout, however, is the discomfort I felt from early in the movie, until the very end. If you are a sensitive person, the increasingly awkward and eventually deplorable situations will be hard to view. The bird injury and 'operation', the reception of Rhoda into the group, the treatment of Anibal, and the final scenes of the seagull and Rhoda - will likely conjure the thought of "how did this movie get into normal theaters?".
Themes of narcissism, animals as property, people as property, justice, and the polarity between morality and acceptance all stood out. The characters are a combination of affable and deplorable. It's interesting to see how they shift: initially, we all feel a little annoyed by Rhoda, but eventually, she becomes the person you'd most want to befriend (at least in my mind). She is the person you want your daughter to be, with exception of how she is treated. We also feel charmed by the sweetness of the two teen boys initially, which morphs into a loathing.
It was also interesting to see that every genuine sentiment displayed in this movie - guilt, compassion, joy, and justice - was bestowed upon the seagull. Rather than experiencing the unpleasantness of acknowledging their emotions, Sandy, Peter and Dan would prevent that by turning to fits of laughter instead.
While it is repetitive to comment on this, I can't help lauding the amazing talent of Catherine Burns. She truly had a gift for becoming a character, and stirring the hearts of even the most disconnected viewer. It's a tragic loss that she did not pursue additional acting, and also that she passed away at 73.
A minor observation: Barbara Hershey was unrecognizable to me; I appreciated that her character was a naturally beautiful young woman who seemed comfortable in her own skin. This same actress portrayed a mother of two young women with eating disorders in 2003 ("Hunger Point"), but in this movie, there is an appreciable amount of body-positivity that begins with her character.
Rarely, a movie captures my interest from start to finish, and Last Summer happens to be in this category. Aesthetically, the movie was beautiful to see. The golden, hazy effects of the camera work, along with the beautiful colors of the sea and even the hues of each character's eyes were all visually stunning. As a fan of the 1970s, it is easy to see how this movie captures the era perfectly (even if it's from 1969).
The main standout, however, is the discomfort I felt from early in the movie, until the very end. If you are a sensitive person, the increasingly awkward and eventually deplorable situations will be hard to view. The bird injury and 'operation', the reception of Rhoda into the group, the treatment of Anibal, and the final scenes of the seagull and Rhoda - will likely conjure the thought of "how did this movie get into normal theaters?".
Themes of narcissism, animals as property, people as property, justice, and the polarity between morality and acceptance all stood out. The characters are a combination of affable and deplorable. It's interesting to see how they shift: initially, we all feel a little annoyed by Rhoda, but eventually, she becomes the person you'd most want to befriend (at least in my mind). She is the person you want your daughter to be, with exception of how she is treated. We also feel charmed by the sweetness of the two teen boys initially, which morphs into a loathing.
It was also interesting to see that every genuine sentiment displayed in this movie - guilt, compassion, joy, and justice - was bestowed upon the seagull. Rather than experiencing the unpleasantness of acknowledging their emotions, Sandy, Peter and Dan would prevent that by turning to fits of laughter instead.
While it is repetitive to comment on this, I can't help lauding the amazing talent of Catherine Burns. She truly had a gift for becoming a character, and stirring the hearts of even the most disconnected viewer. It's a tragic loss that she did not pursue additional acting, and also that she passed away at 73.
A minor observation: Barbara Hershey was unrecognizable to me; I appreciated that her character was a naturally beautiful young woman who seemed comfortable in her own skin. This same actress portrayed a mother of two young women with eating disorders in 2003 ("Hunger Point"), but in this movie, there is an appreciable amount of body-positivity that begins with her character.
If you write screenplays, don't miss Catherine Burns's "speech" about her mother in Last Summer - a more powerful, evocative use of single-character dialogue in a film probably doesn't exist. While I enjoyed the rest of the film, it couldn't match this moment, and it's easy to see why CB was nominated for an Oscar.
I had the pleasure (if not outright fun), together with several of my friends at Fire Island Ferries, of participating in the production of this film. It was a fairly compelling and accurate portrayal of the late-60's counter-culture. Fire Island was certainly THE place to be during those summers.
Post-production, we were given the opportunity to preview it at a local theater. It quickly received an "X" rating due the explicit "rape scene" which was abridged to earn the "R" it carried when released. I wonder what circulation it got before the editing and re-rating. Are there any copies of the original ?
Post-production, we were given the opportunity to preview it at a local theater. It quickly received an "X" rating due the explicit "rape scene" which was abridged to earn the "R" it carried when released. I wonder what circulation it got before the editing and re-rating. Are there any copies of the original ?
¿Sabías que…?
- TriviaFeature-film debut of Catherine Burns, in a role that would earn her an Oscar® nomination as Best Actress in a Supporting Role.
- ErroresAfter the guys meet Sandy, when they take the thing out of the bird's beak, Sandy's hair changes its position considerably between takes.
- Créditos curiososThere are no opening credits beyond the noting of the film's producer (Emanuel L/Wolf) and distributor (Allied Artists). The film's title, cast, and production credits only appear at the end.
- Versiones alternativasOriginally rated X when it was first released in 1969. Cuts were later made to a graphic rape scene at the end of the film, and the MPAA gave it a R-rating. This latter version is the only one currently available on video.
- ConexionesFeatured in Indie Sex: Teens (2007)
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- How long is Last Summer?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 780,000 (estimado)
- Tiempo de ejecución
- 1h 35min(95 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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