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Although this film wasn't a career high for either of these great performers it did demonstrate that there was majic between them. If you check Kerr's biography, this film isn't list on her film chronology. In fact, it is hardly mention on any other site other than IMDb's. I think it was because she appeared nude. She was 48 when this film was released. I think she is one of the greatest beauties that ever graced the screen.

a beautiful film.for the unique science of a great director to explore each possibility of story. for the art to discover the essence of a special sport. for acting- Deborah Kerr - Burt Lancaster is a splendid couple - , for the Scott Wilson performance, for Gene Hackman use of his character nuances. a film about passion made in admirable manner, with high precision.because it represents a gallery of portraits, decisions and opportunities, with the South melancholic spirit, with the force of a dangerous passion. one of films who preserves the flavor of lost age. and who propose a touching, profound story, a delicate view about life , duty and sacrifice.

Being an aviation enthusiast, but not a jumper - I was drawn to this movie. Burt Lancaster plays "Mike Rettig" in the sort of role he is best at, plenty of action, with an eye for a pretty face. The pretty face in this case being Deborah Kerr. Miss Kerr was approaching 50 years of age when this movie was made, but was able to been seen close-up and naked with Burt Lancaster in what what must be one of the few (if the only) scenes where Miss Kerr reveals all. A far cry from the many Nuns she has played in her career. Compare her in this with "Heaven knows, Mr Allison" with Robert Mitchum. Gene Hackman provides good support as the reckless carefree "Joe Browdy", seeking out the local haunts for loose women. William Windom brilliantly plays Kerr's isolated and betrayed husband. A good film that happily TCM repeats regularly - thank goodness!

Yes, the movie does miss greatness. But it is far from a failure. As a slice of American with fascinating characters (yes, I like and cared about them), this film is worth seeing. True, there are problems. The husband in particular comes off as emotionally dead, yet I have known of men like that. The wife (Deborah Kerr) comes off almost as hopeless; worse, it is never clear what she wants or what is driving her. Yet, here again I have known marriages like this. I suspect modern viewers will want to be shown the underly rage and desperation of these characters, which has to be present, but like Days of Heaven, they are muted. No doubt, It would have helped if the film had been longer. Nevertheless, it works with great photography and stunt work and is well worth a look. BTW for those who are interested (this is an R-Rated movie after all) even at 48 years, Deborah Kerr looks great nude. I know if I had been the husband in the movie, I sure would have kept trying.

As a very young boy in El Dorado, Kansas, I marveled when the film crews came to town from Hollywood to shoot this film, what is considered John Frankenheimer's `lost classic.' The story is sub-par: three barnstormers stop at a small Kansas town to put on a show and get involved in a less-than-intriguing soap opera with the occupants of a house where they are staying. What makes the movie work for me is the reoccurrence of so many memorable images from the town where I grew up, but for outsiders, the essence of small-town Kansas life is captured so purely you'll be transported to the peacefulness of a world where the arrival of daredevil skydivers is a Big Event.

Most interesting to note in this film are the back-stories. Scott Wilson was called in to replace an injured John Philip Law, who was originally cast as the young daredevil. Gene Hackman was still a fledgling, relatively unknown, and yet he managed to steal most of the scenes from the established Burt Lancaster. For the locals, this film still lingers in the memory. The Victorian home where the barnstormers stay still stands, and the screened in porch on the house's north side--built exclusively for this film by the visiting film crew--is still referred to by locals as the `MGM porch.' The fight song that the marching band plays throughout this film is still the fight song of the Butler County Grizzlies, the athletic team of the local community college. And even today, old-timers wonder whether or not that was really Deborah Kerr in the buff … or if a body double was used. Either way, you'll get a real feel for this community, an interesting first look at up-and-comers Gene Hackman and Bonnie Bedalia, and a fascinating series of sky-diving sequences that set the tone for many such scenes to come.