Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se... Leer todoUn niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.
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- 1 nominación en total
- Minira
- (Japanese-language version)
- (voz)
- Minira
- (Japanese-language version)
- (voz)
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- (sin créditos)
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Opiniones destacadas
Much like "Casino Royale" was James Bond without Sean Connery, "Revenge" is Godzilla, sort of. One might look at it as a satire or spoof. It shows Godzilla; he fights and yells, but he isn't laying waste to anyplace in Japan, and *shudder* he's a dad. This is not the Godzilla I grew to love. That having been said, Godzilla does impart wisdom to his son Minya, and by extension to our movie's child.
The idea of fighting one's own battles is important, as well as having the courage to stand up for yourself and your convictions. The lessons taught by Godzilla (I can't believe I'm writing this) are ones needed by children, regardless of their circumstances. It's done in a way that is subtle and fun, yet effective.
On the adult level, however, I'm afraid that you're simply going to have to turn your brain off for this one. I could've sworn one of the bank robbers was Joe Pesci -- but I could be wrong. They are simply too buffoonish to be believed, but it is necessary to make them this way so that the ending can play out as it does. However, there is enough in them to make them more than two-dimensional (i.e., the one robber's drinking problem). It's "Home Alone" without Macauley Caulkin -- and that's a good thing.
Sterno says show "Godzilla's Revenge" to the children in your life.
Having all of the monster footage exist in the mind of a small boy almost justifies the stock footage in a way,as if he was remembering previous stuff he'd seen. The 'real'footage takes place in a much more realistic environment than usual,and addresses concerns that might mean a lot to young children-parents spending not enough time with them,loneliness,bullying,etc. Of course things like the son of Godzilla shrinking down to human size and talking irritate some older Godzilla fans,and none of the 'new'monster footage is particularly good,but some films one just has to judge by thinking of the target audience,and as a kid's film it's really quite good,perhaps a perfect film for parents to introduce Godzilla to their children!
People who claim Godzilla movies are all the same should see this and maybe the surreal Godzilla Vs Hedorah,both are very unusual and original variations on the kaiju formula.
Latterday entry in Honda's series of childish monster films, quickly shuttled to television. The film is kiddie/boy scout-oriented, with "Ultraman"-styled monster fights on Monster Island, where biggies from "Destroy All Monsters" congregate, including Godzilla, Manda, a new-styled Gamera and Minya, Godzilla's son who is boy-sized this time out. The story is dream-style and weak on plot, with flashy, pointless, modernistic techniu.
the most interesting of these side stories involves the boy's friend and neighbour, the typical mussy-haired scientist-tinkerer we find in most Godzilla films. In one scene worth the price of the movie (which I got on VHS at Giant Tiger for $4) our friendly neighbourhood scientist demonstrates his new invention, an integrated monitor and keyboard desktop computer. Keep in mind this is 1968/69, Xerox PARC was only just starting to toy with such ideas in a strictly-business domain, but here in Godzilla-land they are, as usual, decades ahead of the rest of us: IIRC, the boy recommends re-tooling the workstation ... so it will play not just one, but a variety of games! Toho invented the XBox! Back to the movie, it IS possible for older audiences to watch it, but you do need to suspend your belief just a bit more than the usual acceptance of 100-foot monsters.
So ... should a baby-gozilla be 4 feet high, blow smoke-rings and walk and talk? Absolutely. The key to watching this film is just as another reviewer noted, by keeping in mind that the entire film occurs inside the daydreams of a very young person. Given that, it all makes perfect sense, the plot, the dialog, the flashbacks and everything, and if you happen to actually BE a very young person, then it not only makes sense, but it enters your own life.
We were setting place-mats and pillows for Minya for months after they first watched this movie.
Minya fans will also be happy to know that the diminutive atomic monster returns as a principle character in the 2004 Final Wars, albeit with a non-speaking part :)
¿Sabías que…?
- TriviaDirector Ishirô Honda intended the movie to have a somber ending, but was forced by Toho to add the more cheerful final sequence in which Ichiro goes to school with the children. When the movie was re-released on home video during the 80s, Honda removed this scene, so the movie ends with Ichiro's mother crying due to not being able to spend more time with her son.
- ErroresA few of the jet aircraft that Godzilla are shown to bounce off his chest. However, an actual jet would be destroyed upon impact. This takes place during a dream sequence, so reality may not be the truth.
- Citas
Minira: Oh, it's you.
Ichiro Miki: What are you doing?
Minira: Nothing, I have no friends.
Ichiro Miki: Then you're just like me.
Minira: Why did you come back?
Ichiro Miki: You said you'd help me climb up on Godzilla's back.
Minira: Oh, right. I wonder where he is now?
Ichiro Miki: You're not with him all the time?
Minira: No, he gets mad.
Ichiro Miki: Why?
Minira: Godzilla says I have to learn to fight my own battles.
Ichiro Miki: He's tough on you, huh?
- Versiones alternativasThe Japanese laserdisc is uncut and fully letterboxed (2:35:1)
- ConexionesEdited from Kyô mo ware ôzora ni ari (1964)
- Bandas sonorasKaiju Machi
Performed by Tomonori Yazaki
(Japanese Version Only)
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Detalles
- Tiempo de ejecución1 hora 9 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1