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IMDbPro

Gojira Minira Gabara Ôru kaijû daishingeki

  • 1969
  • G
  • 1h 9min
CALIFICACIÓN DE IMDb
3.9/10
6 k
TU CALIFICACIÓN
Gojira Minira Gabara Ôru kaijû daishingeki (1969)
Home Video Trailer from Toho Film Company
Reproducir trailer1:56
1 video
90 fotos
AventuraAventura animalAventuras de dinosauriosFamiliaFantasíaFantasía sobrenatural

Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se... Leer todoUn niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.Un niño viviendo en la ciudad industrial de Kawasaki enfrenta su soledad a través de sus fantasías en la Isla de los Monstruos y su amistad con Minilla, el hijo de Godzilla. Todo mientras se enfrenta a bullies y un par de ladrones.

  • Dirección
    • Ishirô Honda
    • Jun Fukuda
    • Kengo Furusawa
  • Guionista
    • Shin'ichi Sekizawa
  • Elenco
    • Kenji Sahara
    • Machiko Naka
    • Tomonori Yazaki
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    3.9/10
    6 k
    TU CALIFICACIÓN
    • Dirección
      • Ishirô Honda
      • Jun Fukuda
      • Kengo Furusawa
    • Guionista
      • Shin'ichi Sekizawa
    • Elenco
      • Kenji Sahara
      • Machiko Naka
      • Tomonori Yazaki
    • 94Opiniones de los usuarios
    • 48Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos1

    Godzilla's Revenge
    Trailer 1:56
    Godzilla's Revenge

    Fotos90

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    Elenco principal26

    Editar
    Kenji Sahara
    Kenji Sahara
    • Kenkichi 'Tack' Miki (Ichiro's Father)
    Machiko Naka
    • Tamiko Mitsuki
    Tomonori Yazaki
    Tomonori Yazaki
    • Ichirô Miki
    Hideyo Amamoto
    Hideyo Amamoto
    • Shinpei Inami
    Sachio Sakai
    • Bank Robber Senbayashi
    Kazuo Suzuki
    Kazuo Suzuki
    • Bank Robber Okuda
    Shigeki Ishida
    • The Landlord
    Midori Uchiyama
    • Minira
    • (Japanese-language version)
    • (voz)
    Yoshifumi Tajima
    Yoshifumi Tajima
    • Detective
    Chôtarô Tôgin
    Chôtarô Tôgin
    • Assistant Detective
    Yutaka Sada
    Yutaka Sada
    • Train engineer
    Yutaka Nakayama
    Yutaka Nakayama
    • Guy Painting Billboard
    Ikio Sawamura
    Ikio Sawamura
    • Bartender
    Haruo Nakajima
    Haruo Nakajima
    • Gojira
    'Little Man' Machan
    • Minira
    Yû Sekita
    • Gabara
    Michiko Hirai
    • Minira
    • (Japanese-language version)
    • (voz)
    Yasuhiko Kakuko
    • Gabara
    • (sin créditos)
    • Dirección
      • Ishirô Honda
      • Jun Fukuda
      • Kengo Furusawa
    • Guionista
      • Shin'ichi Sekizawa
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios94

    3.96K
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    Opiniones destacadas

    packrat1

    My favorite Godzilla movie

    This is my fave Godzilla movie. My second fave is the one this movie takes clips from "Son of Godzilla".

    I like this movie because the story about little Ichiro is so sweet. I like how he learns lessons from Minya (baby Godzilla) about dealing with bullies. And the 'real life' danger the boy faces is both interesting and handled in a comical manner to appeal to children.

    But overall, it appeals tob this adult just because it's a cute story, with good actors.
    Angel_Meiru

    The Japanese version is better.

    Okay, alot of people said this film was the worst ever made, but I disagree. I say the English version released by UPA did the film NO justice what-so-ever.

    Here, let me give you all the run-down:

    Sound Effects: US version- They sound very weird and almost muted out. And the sounds that Ichiro's voice actress keeps making does not go with what the child star is saying.

    Sound Effects: Japanese version- Ah, now that I can hear better. I don't need to tune up the volume now!

    Picture: US version- Pan and Scan.

    Picture: Japanese version- Widescreen format. You get to see alot more on what's going on.

    Music: US version- Probably one of the few descent things. The theme song is quite upbeat and quite unusual. However, the music may be good, but does it really sound like a Kaiju Eiga soundtrack though?

    Music: Japanese Version- Some have thought of it being cutesy poo, but I liked it. Ichiro's actor's voice is soooooo cute! Fits the movie more.

    And most importantly......

    Minilla's voice: US version- GAAAAAAH! No, no, no, no, no! Is this what gave the Barney creator's their sinister idea? The voice actor gave Minilla-kun no justice!

    Minilla's voice: Japanese version- Ahhhh, now that is BETTER! Sounds cuter and more child like. More fitting for Minilla. NOTE: The late Michiko Hirai, who voiced Sally Yumeno in an old school anime series called "Mahô tsukai Sally (aka. Witch girl Sally) did Minilla's voice in Japan.

    Overall: Get the Japanese version. It is more pleasant.
    7teledyn

    Trivia: The first home computer and game-machine?

    First off, I have to give this film a 7/10 not because I liked it, but because my youngest kids (4 and 6) loved it. You know the sort of movie that puts you to sleep but your kindergarten kids just soak right in? Films like Bionicles or HotWheels are better than a sedative, but this one isn't quite so bad thanks to the Godzilla footage and little side-stories the kids will ignore, but the adults will enjoy (admittedly not many of these, but at least they tried).

    the most interesting of these side stories involves the boy's friend and neighbour, the typical mussy-haired scientist-tinkerer we find in most Godzilla films. In one scene worth the price of the movie (which I got on VHS at Giant Tiger for $4) our friendly neighbourhood scientist demonstrates his new invention, an integrated monitor and keyboard desktop computer. Keep in mind this is 1968/69, Xerox PARC was only just starting to toy with such ideas in a strictly-business domain, but here in Godzilla-land they are, as usual, decades ahead of the rest of us: IIRC, the boy recommends re-tooling the workstation ... so it will play not just one, but a variety of games! Toho invented the XBox! Back to the movie, it IS possible for older audiences to watch it, but you do need to suspend your belief just a bit more than the usual acceptance of 100-foot monsters.

    So ... should a baby-gozilla be 4 feet high, blow smoke-rings and walk and talk? Absolutely. The key to watching this film is just as another reviewer noted, by keeping in mind that the entire film occurs inside the daydreams of a very young person. Given that, it all makes perfect sense, the plot, the dialog, the flashbacks and everything, and if you happen to actually BE a very young person, then it not only makes sense, but it enters your own life.

    We were setting place-mats and pillows for Minya for months after they first watched this movie.

    Minya fans will also be happy to know that the diminutive atomic monster returns as a principle character in the 2004 Final Wars, albeit with a non-speaking part :)
    3winner55

    not recommended

    This is really two films.

    One film is a kid's visit to Monster Island, where he witnesses a compilation of fight scenes from "Son of Godzilla" and "G. Vs. the Sea Monster". Some of this footage looks like out-take or alternate take material; the whole Gabara episode may well have been intended for "Son of" and excised, in the way that "Frankenstein Conquers the World" was to include a fight with a giant squid, some footage of which finding its way into "King Kong Vs. Godzilla".

    The second film is a story of a young boy of the working class in an overly-industrialized modern Japan, neglected by his parents, bullied in school, who finds himself kidnapped by a gang of bank robbers and has to learn courage and wit in order to deal with his situation.

    The first film is notorious as a "stock-footage" fiasco with a talking monster. The edits only make evident weaknesses in the original material.

    The second film is staggeringly depressing. When I first saw this, I wasn't sure how to respond, because certainly I wasn't looking for a grim expose of industrialized Japan. But the first episodes of this storyline, with its backdrop of empty lots and factory smokestacks billowing in the background, add up to a truly unpleasant experience.

    Finally, at the center of all this is one of the more annoying child actors of the period. Hard to identify with, and easy to wish away, I feel no sympathy with him at all as an individual, only as representative of the thousands of neglected children like him.

    It should be noted that the stock-footage here was filmed by the 'other Godzilla director', Jun Fukuda - so why does Ishiro Honda use it, why not use his own Godzilla material? A real enigma of a film, part overly serious tragicomedy, part self-lacerating rip-off.

    Obviously not recommended except for Godzilla completists.
    4IonicBreezeMachine

    Is it the worst film in the franchise? Probably. Is it deserving of its level of scorn? Bit more complicated

    Set at the end of the 1960s a young boy named Ichiro (Tomonori Yazaki) is a shy lonely boy who is often by himself due to his parents needing to work two jobs and is often a target for bullies such as Gabara (Junichi Ito) and his gang. Ichiro returns home after school to check in with his toymaker neighbor Minami (Hideyo Amamoto) who looks after him and then proceeds to dream about visiting Monster Island where Godzilla lives and going on adventures with Godzilla's son Minilla. When Ichiro comes across a driver's license in an abandoned building, he inadvertently crosses paths with two bank robbers who stole 50 million Yen.

    Although Toho Studios had considered putting the Godzilla series to rest after Destroy All Monsters, the successful export of Destroy All Monsters to countries abroad most likely helped persuade Toho to continue the series. After a deal to co-produce an animated series with Filmation fell through (similar to Toho's deal with Rankin-Bass regarding King Kong Escapes' ties with the cartoon The King Kong Show), Toho continued with the mindset of producing an additional Godzilla film aimed at children that would be produced quickly and cheaply through use of stock footage. The film proved to be a decent performer at the time making about as much as Destroy All Monsters had made (and likely more profitable due to a reduced budget) but critical and audience reception has remained tepid to put it generously with many often declaring it the worst Godzilla movie. Objectively speaking, All Monsters Attack/Godzilla's Revenge falls short of the standards one expects from a Godzilla movie and yet at the same time I can't fully dismiss it either.

    To get things out of the way: Yes, all the problems you've heard about this movie are true now and they were true then. The movie's brazen recycling of stock footage from the last three Godzilla films is massively excessive and the fact that much of the "plot" takes place in dream/fantasy sequences robs the movie of any real sense of stakes or weight for much of the time since we know it's a dream. Then of course we have Minilla who now speaks (with a gratingly silly voice in the American dub) and has the personality of being a cowardly simpleton alternating between hackneyed "Gee gosh" dialogue and his braying and squealing he had in the prior two films. There is some new monster footage featuring Godzilla and Minilla fighting against a new creature called Gabara and while Gabara's design isn't great it's good enough even if the fights feature a lot of flailing slapstick from Minilla.

    So yeah, the actual monster element of this monster film isn't that great but at the same time I can't fully dismiss it. Despite the film having a clearly tighter budget, that frugalness does actually kind of work to the film's benefit in depicting contemporary Japan in the real world sequences. This is where I feel that director Ishiro Honda deserves some slack because Toho wanted a cheap children's movie using stock footage and they were going to get it, at least Honda tries to add some semblance of weight and substance to what could've been a purely cynical cash grab. As the film was made during a time of economic hardship in Japan where rising living costs necessitated both parents taking jobs leading to a rise in latchkey kids, you do get a sense of the times in which the film was made with how Ichiro and several other children are basically left to fend for themselves. While the plot where Ichiro comes across and foils two bank robbers has more than an air of the fantastical to it, you can see Honda trying to make an empowerment story for children in overcoming their own personal "monsters" and having that strength within themselves. Does that make the movie underrated? I won't go that far because the lackluster production values coupled with a sometimes confused script (such as the ending sequence where he beats his bullies only to befriend them through a mischievous prank) have issues that are hard to ignore, but given the time and situation surrounding this material this isn't as bad as it should be especially when compared to similar films like Gamera: Super Monster or Space Warriors 2000.

    All Monsters Attack is clearly originated from cynical executives looking to sucker people into something with low costs and low effort, but at the same time that cynicism isn't coming through in the writing or direction. If you're looking for a Godzilla movie to watch this isn't one you should see as there are far better examples, but it also doesn't deserve as much scorn as I first thought.

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    Argumento

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    • Trivia
      Director Ishirô Honda intended the movie to have a somber ending, but was forced by Toho to add the more cheerful final sequence in which Ichiro goes to school with the children. When the movie was re-released on home video during the 80s, Honda removed this scene, so the movie ends with Ichiro's mother crying due to not being able to spend more time with her son.
    • Errores
      A few of the jet aircraft that Godzilla are shown to bounce off his chest. However, an actual jet would be destroyed upon impact. This takes place during a dream sequence, so reality may not be the truth.
    • Citas

      Minira: Oh, it's you.

      Ichiro Miki: What are you doing?

      Minira: Nothing, I have no friends.

      Ichiro Miki: Then you're just like me.

      Minira: Why did you come back?

      Ichiro Miki: You said you'd help me climb up on Godzilla's back.

      Minira: Oh, right. I wonder where he is now?

      Ichiro Miki: You're not with him all the time?

      Minira: No, he gets mad.

      Ichiro Miki: Why?

      Minira: Godzilla says I have to learn to fight my own battles.

      Ichiro Miki: He's tough on you, huh?

    • Versiones alternativas
      The Japanese laserdisc is uncut and fully letterboxed (2:35:1)
    • Conexiones
      Edited from Kyô mo ware ôzora ni ari (1964)
    • Bandas sonoras
      Kaiju Machi
      Performed by Tomonori Yazaki

      (Japanese Version Only)

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    Detalles

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    • Fecha de lanzamiento
      • 20 de diciembre de 1969 (Japón)
    • Países de origen
      • Japón
      • Estados Unidos
    • Idioma
      • Japonés
    • También se conoce como
      • All Monsters Attack
    • Locaciones de filmación
      • Kawasaki, Kanagawa, Japón
    • Productoras
      • Toho
      • United Productions of America (UPA)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 9 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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