El tercer sexo se divierte

I saw this via YouTube May 12, 2018. Not great, but also not as bad as some people say. It's a mildly diverting farce offering comedic bits of average cleverness that must have seemed more clever in 1969. "Stereotype" cannot begin to capture the degree of subtlety on offer here. Michael Greer's portrayal of the guys' landlord, Malcolm, just seems crazy today, but everyone else in the movie, whether straight or gay, male or female, old or young, civilian or military, is similarly broadbrushed. A farce will do that. The story ingredients combine the response of Vietnam era young men facing the military draft with the status of gay people as not "normal". This farcical recipe had the misfortune of being overtaken by events only a few years later. Centuries old customs and understandings, thought permanent without even having to think about them, changed very fast. The movie was released in the year of Stonewall. The draft ended January 1, 1973, the United States' involvement in the Vietnam war a few weeks after that. Later that year the American Psychiatric Association removed homosexuality from its catalogue of mental disorders. Gone in less than four years was the movie's gay vs. "normal" dialectic . Gone as well was the story's premise of a military draft. The focus of conflict between gays and the military shifted to that of barring gays wanting to serve in the armed forces. There is a limit to how much blame attaches to making what was at the time, strangely enough, a mainstream, financially successful R-rated movie. It's hard enough to make any movie, let alone one that can anticipate sudden changes in what plausibly appeared at the time of filming to be the established patterns of life, law, and thinking, however much things needed to change. And did.

I thought this was a terrific movie.I'm very sorry to say that Michael Greer of Fortune And Men's Eyes fame died last year of lung cancer.I was devistated.I was such a big fan of his.He was a great actor,and I read alot about him.He was a comedien as well as an actor.This was Greer's first movie,and he did a great job.This movie was made in 1969,about two men who escape the army by pretending to be gay.I thought it was very funny.I have not seen many 60's movies,very few actually,but this one was a great.Watch it,you'll love it!

So two guys try to convince the army that they are gay to avoid being sent off to war. Of course, they decide they have to move in together, next door to the queeny landlord. Michael Greer should have received SOME award for this work. Lawrence Casey and Christopher Riordan were pretty much just hired to spend the movie with their shirts off. Kevin Coughlin and his big blue eyes do a great job in a very believe-able role. Watch out - that drag queen at the party is the butchest one in the flick. On the DVD from Dark Sky Films, there is a funny bonus interview with director Bruce Kessler. The big difference between this film and ones like "Chuck & Larry" or "Partners" is that this one treats the actual gays living in their natural habitat with a lot of respect, albeit with some stereotypes (the pink, the nudes, the ascots). I understand... at that time, that's how you knew who was gay and who was not. Fun for the most part. They spend so much time worrying about getting caught by their family, friends, or the army, that its a little more serious than it needs to be. Also some frontal female nudity and butt shots. Hats off to the actors for having the guts to make it.

If you view this movie based on modern terms you will find it incredibly homophobic.

If you look at it framed in 1960s American upper middle class society, it gives you an idea of how people looked at gays.

This movie was made during a time where homosexuality was still illegal in many states.

If you ignore the dated ideas and over the top camp, it's an interesting look at the time.

I find the clothes and styles to be really cool.

The impact of this film recently became clear to me when I realized that having seen it only once, nearly 25 years ago, I was still thinking of it. It has become part of my internal landscape, and I tend to compare every comedic treatment of gays on film to my memory of The Gay Deceivers. It is rather sad to think that the best and probably most honest comedy about gay life in America was made so long ago, and in a time when homosexuality was still rarely hinted at in main-stream cinema. See this rare and wonderful film if you can -- urge your local film festival, art house or PBS station to acquire the rights to screen it. It deserves to be rediscovered by a new generation.