Complot internacional

THE FILE OF THE GOLDEN GOOSE is a British/American spy production that seems to have been made as an answer to the popularity of the James Bond franchise. Thus there are the requisite fisticuffs and characters being kidnapped and held hostage by bad guys and the like. At the same time, the milieu and plotting feel slightly more realistic, with a John Le Carre influence working behind the scenes. The skullduggery works quite well and Yul Brynner is a likeable presence who bounces off supporting actors like Edward Woodward. I'm not sure anyone could take Graham Crowden's villain seriously, but generally this is watchable, if flawed, stuff.

A routine,uninspired secret agent thriller.What is not generally acknowledged is that this film is a remake of Anthony Mann's first-class 'B' Film Noir T-MEN(1947).The original had far more resonance and atmosphere(mainly because of Mann's effective direction and John Alton's moody monochrome photography).THE FILE OF THE GOLDEN GOOSE has touristy views of London,flat colour imagery,and unremarkable direction by Sam Wanamaker.Wanamaker,a fine actor,never really made it as a film director,and despite some reputable performers here,like Yul Brynner(in the old Dennis O'Keefe role),and Edward Woodward(in the doomed Alfred Ryder part),the result is a just passable time-waster.

While File of the Golden Goose is not a particularly well made film, it does have it's charms.

This is one of those films one reaches for when you don't really want to watch a movie.

Yul Brynner plays Secret Service Agent Peter Novak, who, after his girlfriend is caught and killed in the crossfire of bullets meant him, vows revenge on the counterfeiting ring responsible for the hit. In London, Novak and married policeman Arthur Thompson go undercover as surviving members of the infamous Golden Goose gang in order to infiltrate the counterfeiting ring.

I've always enjoyed this movie because Yul Brynner appears to be having such fun as he digs deeper and deeper within the gang, intent on getting to the unknown Head Man.

Charles Gray is suitably over the top in his performance as 'The Owl.' The homosexual distribution manager for the gang's counterfeit money.

All in all, it's pretty entertaining. Brynner's terse dialog and intimidation factor work very well.

Production quality is very good, from the opening of a boy and his dog at play on the beach to the finale at the mansion home of the gang's mastermind

My only complaints is the over the top sleaze in some places and the need for perhaps more fluid camera work during action scenes. It's almost like no one knew how to choreograph a film fight. Finally, the resolution of the identity of the 'Head Man' still falls flat, even after 40 years.

Still, this is a fondly remembered film still enjoyed.

But...if the gang had tried to kill Novak at the beginning of the movie, how could he expect to infiltrate them?

I think it is safe to say that if Yul Brynner is able to pull off a role in your film, it doesn't matter how weak the story, script, or anything else is... Brynner seems to make anything more entertaining.

U.S. secret service agent YUL BRYNNER is enlisted by Scotland Yard to infiltrate a forgery ring distributing phony U.S. currency in London. He joins a Scotland Yard man EDWARD WOODWARD in this story that appears to be a remake of T-MEN, a thriller from the '40s that starred Dennis O'Keefe in the Brynner role. This version starts in the same terse documentary style as the American film.

It's Brynner who decides the best way to capture the mob is to infiltrate them, with Woodward as his back-up, a man with a wife and two children. Brynner is motivated by revenge. His sweetheart was killed in America by men who meant to kill him. Brynner has his misgivings about Woodward. "A married man should be sitting behind a desk shoving papers." He's afraid Woodward won't be a good back-up for him since he refuses to carry a gun.

The London backgrounds add flavor to the story, but the script is a cumbersome one, lacking the tension of T-MEN. Dull stretches toward the middle of the story take away from interest for the overall story to have the desired effect. Sam Wanamaker's direction is much too sluggish for this kind of yarn. CHARLES GRAY does a nice job as "The Owl".

The storyline is so similar in detail to T-MEN that it's an example of how a 1940s film noir filmed in shadowy B&W can be so superior to this Technicolor remake shifted to London locales but otherwise much the same story, except for some minor changes toward the conclusion.

Summing up: Should have generated more suspense. A better editing job would have helped the sluggish pace of a film that is not without a certain amount of intrigue and danger.