El dulce cuerpo de Deborah

Occasionally suspenseful but basically rather lukewarm sub-Diabolique-goings-on, which has a flashy direction, some elaborate twists, impressive music score and a deliberately murky and grim style in the usual French-Italian manner. It suffers, however, from a maddeningly illogical narrative, platiduous dialogue, too many slow patches and surprisingly uninspired ensemble acting.

"Smalling"

Deborah and Marcel (Carroll Baker and Jean Sorel) are young and in love. We know this due to their shower scene, which may be the most awkward, passionless scene of its kind.

When Marcel learns of the tragic fate of his ex-mistress, Suzanne, we are treated to the "motorcycle / cow disaster" flashback sequence. Then, Marcel and Deborah hurry to Suzanne's decrepit villa, where Deborah receives a threatening phone call that couldn't possibly have been made.

THE SWEET BODY OF DEBORAH is a rather tame giallo. For her part, Ms. Baker is stunning, whether she's cutting a rug at the dance club in her green mini-skirt, or playing a game of lawn twister in one of her magnificent bodysuits!

Though it's drawn-out and convoluted, the wicked triple-twist finale makes it worth watching...

Some may not love this but I had a difficult to find this with subtitles and do love it. Carroll Baker had a several of these giallo films with Umberto Lenzi with So Sweet...So Perverse and Orgasmo, both in 1969 and the first with Jean-Louis Trintignant and the other Lou Castel. In this film of Romolo Guerrieri though is made in 1968 and made The Double (1971) but never had much success as most. This lovely The Sweet Body of Deborah is as good as any might with Baker with Jean Sorel and Luici Pitilli (who was in the film with The Great Silence, I see last night) and if the story is a bit strange, the bonkers fashions and dancing (and a twister game!) there is always the wonderful Nora Orlandi score. Great fun.

"The Sweet Body of Deborah" has a very slow start, but once it get's going, it's a decent mystery/crime movie which can entertain you during it's runtime. However, it should be noted that even though the movie has style and isn't amateurishly made or acted, it isn't anything special. There is also a scene where main characters play twister. That cringe has to be seen to be believed. All in all, I give the movie 6.5/10! It's an OK movie for genre fans, but isn't something everyone should see, unless you are largely attracted to Caroll Baker...

"Il Dolce Corpo di Deborah" is a lushly filmed romantic thriller, starring Carroll Baker and Jean Sorel, certainly one of the most beautiful on screen couples of all time. In fact everything about this production is gorgeous, from the actors and the magnificent interiors and fashions, to the absolutely fantastic film score from Nora Orlandi. All this combined elegance makes for an intoxicating viewing experience that takes the audience into an opulent world, where nobody is quite what they seem. Mistakenly labelled as a 'giallo' film, but this is hardly a giallo, so I don't understand the connection. There are no violent, stylish murder set-pieces to mention at all. So those looking for a giallo will most likely be disappointed, and I think that contributes to the films rather low score here. Instead we have a film more in the vein of Luchino Visconti; a study of deception and betrayal, and greed, among the beautiful "jet set," in opulent and exclusive surroundings. This reminded me of Visconti's "Conversation Piece" for instance. Filmed throughout Switzerland, and then the French countryside, this is escapist cinema at it's finest, with an intriguing story that unfolds at a leisure, elegant pace. It possesses the unique Euro-style film making that is most impressive here. "Il Dolce Corpo Di Deborah" is a classic in it's own right.