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IMDbPro

Così dolce... così perversa

  • 1969
  • 1h 32min
CALIFICACIÓN DE IMDb
6.0/10
1.4 k
TU CALIFICACIÓN
Jean-Louis Trintignant, Carroll Baker, and Erika Blanc in Così dolce... così perversa (1969)
Ver Complete Lenzi/Baker Giallo Collection Official Trailer
Reproducir trailer3:12
1 video
41 fotos
HorrorMysteryThriller

Agrega una trama en tu idiomaAn unhappily married Parisian industrialist is pulled into a web of lust and deception after he seemingly rescues his new neighbor from her abusive boyfriend.An unhappily married Parisian industrialist is pulled into a web of lust and deception after he seemingly rescues his new neighbor from her abusive boyfriend.An unhappily married Parisian industrialist is pulled into a web of lust and deception after he seemingly rescues his new neighbor from her abusive boyfriend.

  • Dirección
    • Umberto Lenzi
  • Guionistas
    • Massimo D'Avak
    • Luciano Martino
    • Ernesto Gastaldi
  • Elenco
    • Carroll Baker
    • Jean-Louis Trintignant
    • Erika Blanc
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    1.4 k
    TU CALIFICACIÓN
    • Dirección
      • Umberto Lenzi
    • Guionistas
      • Massimo D'Avak
      • Luciano Martino
      • Ernesto Gastaldi
    • Elenco
      • Carroll Baker
      • Jean-Louis Trintignant
      • Erika Blanc
    • 26Opiniones de los usuarios
    • 24Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Complete Lenzi/Baker Giallo Collection Official Trailer
    Trailer 3:12
    Complete Lenzi/Baker Giallo Collection Official Trailer

    Fotos41

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    Elenco principal18

    Editar
    Carroll Baker
    Carroll Baker
    • Nicole Perrier
    Jean-Louis Trintignant
    Jean-Louis Trintignant
    • Jean Reynaud
    • (as Jean Louis Trintignant)
    Erika Blanc
    Erika Blanc
    • Danielle Reynaud
    Horst Frank
    Horst Frank
    • Klaus
    Helga Liné
    Helga Liné
    • Helene Valmont
    Ermelinda De Felice
    • Hotel Proprietor
    Giovanni Di Benedetto
    • Monsieur Valmont
    • (as Gianni Di Benedetto)
    Irio Fantini
    • Party Guest
    Dario Michaelis
    • Police Commissioner
    Renato Pinciroli
    • Porter
    Gianni Pulone
    • Press Photographer
    Lucio Rama
    • Party Guest
    Paola Scalzi
    • Helene's Friend
    Luigi Sportelli
    • Party Guest
    Beryl Cunningham
    Beryl Cunningham
    • Black Stripper
    Marcello Bonini Olas
    • Party Guest
    • (sin créditos)
    Anna Scalzi
    • Jean's Secretary
    • (sin créditos)
    Alessandro Tedeschi
    • Uomo Della Commissione
    • (sin créditos)
    • Dirección
      • Umberto Lenzi
    • Guionistas
      • Massimo D'Avak
      • Luciano Martino
      • Ernesto Gastaldi
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios26

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    Opiniones destacadas

    dbdumonteil

    Diaboliques II

    Caroll Baker :from Elia Kazan and John Ford to Umberto Lanzi:what a fall!to be fair,you must underline she played opposite Nicholson -quite well- in the overlooked "ironweed" ;this is not the kind of movie Jean Louis Trintignant must be very proud of !two years after Claude Chabrol's "Les Biches " in which he slept with two bisexual women too.

    The first part recalls a poor man's Chabrol,depicting the luxury world of the bourgeoisie .Trintignant ,a very earnest thespian,seems ill at ease ,but the women often strip bare ,to the viewer's great enjoyment.

    The second part is Lenzi trying to make his own "Diaboliques" :the heroine 's first name is Nicole ,like in Clouzot's classic ;it's almost absolute plagiarism -except for the mediocre ending- ,including the "clues" Baker scatters to frighten her mate and to make her believe that her dear husband might possibly be still alive .

    Take Dario Argento's movies instead:their screenplays ,though influenced by Hitchcock ,are much more exciting and original.
    4tomgillespie2002

    Plodding early giallo from Umberto Lenzi

    The giallo may have been pioneered by the great Mario Bava and spectacularly refined by Dario Argento, but Umberto Lenzi was developing the techniques and stylings we now know and love from the mid-1960s. Before he became known for schlocky horror trash like Eaten Alive!, Nightmare City and Cannibal Ferox, Lenzi was toying with rich socialites and exploring pulpy, dime-store stories that often involved ridiculous, labyrinthine plots, psychedelic interiors, and beautiful, untrustworthy women. These are all ingredients of the giallo, and some of these early Lenzi efforts hint at a director with an eye for kitschy visuals, something that certainly doesn't come to mind when you watch a native tribesman scalp a poor traveller in the despicable Cannibal Ferox. These eye-catching visuals are certainly present in his 1969 film So Sweet... So Perverse, but there isn't much else to hold the attention in this plodding soap opera.

    Handsome, jet-setting socialite Jean Reynaud (Jean-Louis Trintignant) enjoys a lavish lifestyle of cocktail parties and shooting ranges, but he has grown bored and frustrated with the lack of passion in his marriage to the beautiful Danielle (Erika Blanc). To counter this, Jean sleeps with anybody who happens to catch his eye, including his friend Helene (Helga Line), and his head is turned by the woman who has just moved upstairs, Nicole (Carroll Baker). When he hears screams coming from above, he rushes to Nicole's aid, learning that she is stuck in an abusive sexual relationship with her husband Klaus (Horst Frank). As they spend more time together, the couple inevitably fall in love, yet whenever they escape for a weekend, Klaus always manages to track them down. After a night of passion, Nicole reveals that she and Klaus have actually been paid a hefty sum to lure in and eventually kill Jean, but that the one doing the hiring has not yet revealed themselves.

    With such a cool-sounding title (yet another famous trait of the gialli), there is nothing sweet and little perverse about the film itself. Argento eventually set a high standard for story-telling and the slow-building of tension within a vital set-piece, and the likes of Lucio Fulci and Sergio Martino added gory violence and a graceful style into the mix, but So Sweet... So Perverse is frustratingly tame, failing to ignite much interest in the plot or generate any excitement when events take a more sinister tone. Where Lenzi ultimately excels is in the glossy cinematography and dazzling interiors, which are garish enough to amusingly satirise the world of these detached characters and their materialistic lifestyles. Images of sun-drenched locations, expensive suits and beautiful, provocative women add a sleazy glamour and seductive glaze to the film, a hedonistic way-of-life Lenzi is happy to indulge as he shrewdly condemns it. It isn't quite enough to prevent So Sweet... So Perverse from becoming little more than a curious cinematic artefact, that ultimately paved the way for better directors to come along and take this new genre by the scruff.
    lazarillo

    Great Giallo! (I think)

    This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve.

    It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem?

    Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .
    Dethcharm

    "Look, I'm Exhausted By Your Stupid Suspicions!"...

    A zillionaire (Jean-Louis Trintignant) strays from his frigid wife Danielle (Erika Blanc), winding up in an affair with a woman named Nicole (Carroll Baker). All goes well until Nicole's ex-lover Klaus (Horst Frank) starts creeping around.

    SO SWEET... SO PERVERSE is a twisty giallo from Director Umberto Lenzi. The story seems to take its cues from DIABOLIQUE. While not quite as masterful as that film this movie does have its memorable moments, especially during the finale.

    Ms.' Baker and Blanc are as beautifully beguiling as ever, and Frank is extraordinarily sinister! He's always been a good heavy, and uses his skills well here...
    6Jeremy_Urquhart

    It is what it is.

    Wikipedia calls this a giallo film, which I don't entirely see. I guess giallo doesn't have to be horror, but still. I guess the closer it leans into giallo stuff, the better So Sweet...So Perverse. There are some really feverish and bizarre scenes that play out in a zone that's somewhere between dream and nightmare. When things get more focused on the drama (all around a scheme that involves murder and infidelity), it's appropriately silly and heightened. It doesn't push those things too far, to the point where the film starts becoming an accidental parody of itself, but it comes fairly close in any event.

    I came away from it not feeling hugely enthusiastic, but for some of its offbeat energy, a few sequences, and an undeniable sense of style, I also can't call it bad.

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    Orgía de amor y muerte
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Second part of a trilogy also including Orgasmo (1969) and Paranoia (1970).
    • Errores
      Aerial shots of Jean skiing behind a boat show the stunt double jumping the wake, and skiing, one-handed, far to the side on the open water, switch back and forth between close-ups of Jean-Claude Trintingant, but in the close-ups he is always in the wake, both hands on grips, directly behind the boat.
    • Citas

      Black Stripper: Taking your clothes off isn't any problem, you know, when there's enough loot.

      Monsieur Valmont: They say she can be great when she's tight.

    • Conexiones
      Featured in Yellow Fever: The Rise and Fall of the Giallo (2016)
    • Bandas sonoras
      Why
      Sung by J. Vincent Edwards (as J. Vincent Edward)

      Music by Riz Ortolani

      Lyrics by Norman Newell

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    Preguntas Frecuentes14

    • How long is So Sweet... So Perverse?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 31 de octubre de 1969 (Italia)
    • Países de origen
      • Italia
      • Francia
      • Alemania Occidental
    • Idioma
      • Italiano
    • También se conoce como
      • So Sweet... So Perverse
    • Locaciones de filmación
      • Punta Ala, Castiglione della Pescaia, Grosseto, Tuscany, Italia(scene by the sea)
    • Productoras
      • Cedic
      • Flora Film
      • Rapid Film
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 32 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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