El clan siciliano

the music. and the acting. as inspired meet. a film who remains, after almost a half of century, more than seductive. for Ventura, Gabin and Delon, sure. but, more important, for the clear/precise definition of the rules of a genre. because it is a classic. like a diamond, each line is clear and impeccable. the family spirit , the work of stubborn policeman, the charming and vulnerable - in a specific way - criminal, the " Pater familias" who knows and proposes the rules and has the solutions. short, a film who I saw in many occasion. like the first time. because not only the story is fascinating but its many details who refresh memories and gives new clues. so , a great film.

Traditionally speaking, the influential and groundbreaking classics come from the States, while the raw and exploitative imitations come from Europe (more particularly Italy), but this time it's sort of vice versa. A number of years before there was Francis Ford Coppola's "The Godfather" – or any other major gangster/mafia film, for that matter – there was Henri Verneuil's "The Sicilian Clan". This is the saga of a criminal Italian family in Paris; covering up their clandestine affairs through running a business of electronic bar games. Following a very ingenious but dared and risky escape plan, the family recruits the over-ambitious gangster/convicted cop killer Roger Sartet; even though patriarch Vittorio Manalese is reluctant to trust him and in spite of tough copper Le Goff obsessively hunting him down. Sartet suggests a jewelry theft worth more than 500 million dollars, but the security precautions are insurmountable. Together with an old friend, Vittorio invents a magnificently infallible plan to raid the jewels during their transportation by plane between the exhibition in Rome and another one in New York. Everything goes according to plan, apart from a couple of obstructions, but then Sartet breaks the code of honor by messing around with Vittorio's daughter-in-law. "The Sicilian Clan" literally nearly burst from all the talent that is involved; in the cast with some of the greatest names of French cinema (Alain Delon, Jean Gabin and Lino Venturo) but also in the crew with the fantastic cinematography of Henri Decaë and the immortal soundtrack of Ennio Morricone. But the one thing that probably deserves the most praise and respect is the impeccable scenario, with all its small but intelligent and creative details. It took no less than three gifted writers (including the director) to adapt Auguste Le Breton's landmark novel, but the result is worth showing off with. Sartet's escape from the prison transport is a highlight and the whole plan for the jewelry heist is astoundingly wise. The suspense is present from the beginning but gradually also builds up further along the film. Verneuil terrifically plays out the cat and mouse game between Sartet and Le Goff and, by extension, the entire Manalese family. The story is full of headstrong and robust characters, active on both sides of the law, and the film undoubtedly owes a great deal of its success to the stellar acting performances. During the seventies, and more specifically after the releases of "The Godfather" and films like "Dirty Harry", the police/crime thriller genre boomed in Europe and literally hundreds of excessively violent mafia thrillers got unleashed upon the market. "The Sicilian Clan" relies more on story and atmosphere instead of on wild action, but the film nevertheless remains an important pioneer.

As one of the IMDb reviewers said, "The best feature of this film is the fantastic sound track by the genius composer Ennio Morricone". Morricone's catchy, wistful, longing, mourning and absolutely mesmerizing score elevates this typical (in a good sense) French crime noir to even higher level. I first heard it couple of years ago when I bought Morricone's "Once Upon A Time: The Essential Ennio Morricone Film Music Collection", a double disc superb collection. Even among legendary Morricone's scores, the music for "Le Clan des Siciliens" stands alone. It created a mood that mixed suspense, melancholy, danger, and regrets, and it made me fell in love with the movie that I had not even seen. Since I heard the score for the first time, I tried to find the film and finally I purchased a Region Free, NTSC, widescreen DVD with French, English and Russian Audio tracks and English subtitles. The film looks gorgeous and I was pleased with the clean and clear DVD transfer. I have been a fan of French crime/heist/noir/mystery of 1960-1980 films for long time and to see three of my favorite actors (Alain Delon, Jean Gabin, and Lino Ventura) who had made many classics of the beloved genres acting in the same movie added to my excitement. All three are excellent, and one of the advantages of the new DVD was the chance to see the film in its original French and to hear the real voices of three screen legends. Nobody could be cooler than Delon as Roger Santet, a convicted murderer, ruthless, violent yet irresistibly and dangerously charming, a "beautiful destructive angel of the dark street". Lino Ventura is reliable and convincing as a chief of detective inspectors who had vowed to hunt Santet down. Aging Jean Gabin, one of the most beloved French actors with the wide acting range who could play successfully the characters as diverse as inspector Maigret and Pépé le Moko is wonderful as Vittorio Manalese, the father and "the Godfather" of the Sicilian Clan, the family which is tied by blood in more ways than one. Vittorio certainly lived by an old wisdom, "Keep your friends close but your enemies closer."

Picture talks about a tough criminal convict -Alain Delon- who escapes and contacts a Siciliens clan ruled by an intelligent old man - Jean Gabin - to prepare a spectacular heist ; then they're pursued by an obstinate Police Inspector - Lino Ventura - . Meanwhile , the ex-con falls in love with a family member -Irina Demick- .

Film runtime is overlong, however is neither tiring , nor boring but amusing as the suspense and thriller is continuous . From the beginning to the end , the action pace is fast movement and for that reason is entertaining. The movie has great loads of action, emotion, drama, tension and intrigue. Actors' interpretation is excellent . Alain Delon as a cold and two-fisted delinquent is top notch . Jean Gavin as a serious and clever Paterfamilies is magnificent . Lino Ventura as a stubborn Police Inspector is awesome. Irina Demick as an attractive lover is enjoyable and enticing. Colorful and atmospheric cinematography by Henry Decae is simply riveting . Special mention to musical score by Ennio Morricone, it's sensitive and extraordinary with a feeling leitmotif . The motion picture was well directed by Henri Verneuil. The film is considered a French classic movie and one of the biggest about hold-up/mobsters genre. The flick will appeal to French noir cinema buffs and Alain Delon fans . Rating : Above average. Outstanding and worthwhile watching.

Another strong thriller by a man who ,although despised by the French "intellectual" critics ,made movies which still hold up very well today ;people are happy to watch for the umpteenth time "La Vache Et Le Prisonnier" "Melodie En Sous -Sol " or this "Clan Des Siciliens " Henri Verneuil was perhaps the only French director of the sixties to come near to the American know-how.His three stars ,Jean Gabin,Alain Delon and Lino Ventura have enough charisma to grab today's audience.Add a solid screenplay ,with never a dull moment,great scenes (particularly the sequences on the plane),a sense of humor (the brat's gaffe ,revealing auntie is having an affair with Delon)and Ennio Morricone 's brilliant score and you have a very entertaining flick ,which you 'll watch again in ten years with the same pleasure.