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IMDbPro

Érase una vez en el oeste

Título original: C'era una volta il West
  • 1968
  • B
  • 2h 46min
CALIFICACIÓN DE IMDb
8.5/10
371 k
TU CALIFICACIÓN
POPULARIDAD
716
27
Érase una vez en el oeste (1968)
UK Trailer
Reproducir trailer3:02
1 video
99+ fotos
Adventure EpicDesert AdventureEpicPeriod DramaQuestSpaghetti WesternWestern EpicDramaWestern

Un misterioso extraño con una armónica se alía con un famoso forajido para proteger a una bella viuda de un despiadado asesino que trabaja para el ferrocarril.Un misterioso extraño con una armónica se alía con un famoso forajido para proteger a una bella viuda de un despiadado asesino que trabaja para el ferrocarril.Un misterioso extraño con una armónica se alía con un famoso forajido para proteger a una bella viuda de un despiadado asesino que trabaja para el ferrocarril.

  • Dirección
    • Sergio Leone
  • Guionistas
    • Sergio Donati
    • Sergio Leone
    • Dario Argento
  • Elenco
    • Henry Fonda
    • Charles Bronson
    • Claudia Cardinale
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.5/10
    371 k
    TU CALIFICACIÓN
    POPULARIDAD
    716
    27
    • Dirección
      • Sergio Leone
    • Guionistas
      • Sergio Donati
      • Sergio Leone
      • Dario Argento
    • Elenco
      • Henry Fonda
      • Charles Bronson
      • Claudia Cardinale
    • 913Opiniones de los usuarios
    • 170Opiniones de los críticos
    • 82Metascore
  • Ver la información de producción en IMDbPro
  • Película con mejor calificación n.º 52
    • Premios
      • 6 premios ganados y 5 nominaciones en total

    Videos1

    Once Upon A Time In The West
    Trailer 3:02
    Once Upon A Time In The West

    Fotos379

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    Elenco principal58

    Editar
    Henry Fonda
    Henry Fonda
    • Frank
    Charles Bronson
    Charles Bronson
    • Harmonica
    Claudia Cardinale
    Claudia Cardinale
    • Jill McBain
    Jason Robards
    Jason Robards
    • Manuel 'Cheyenne' Gutiérrez
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Morton
    Paolo Stoppa
    Paolo Stoppa
    • Sam
    Woody Strode
    Woody Strode
    • Stony
    Jack Elam
    Jack Elam
    • Snaky
    Keenan Wynn
    Keenan Wynn
    • Sheriff
    Frank Wolff
    Frank Wolff
    • Brett McBain
    Lionel Stander
    Lionel Stander
    • Barman
    Livio Andronico
    • Bit part
    • (sin créditos)
    Salvatore Basile
    Salvatore Basile
    • Member of Cheyenne's Gang
    • (sin créditos)
    Aldo Berti
    Aldo Berti
    • Member of Frank's Gang Playing Poker
    • (sin créditos)
    Regina Elena Bisio
    • Old Woman in the Tavern
    • (sin créditos)
    Joseph Bradley
    • Train Station Master
    • (sin créditos)
    Frank Braña
    Frank Braña
    • Member of Frank's Gang Smoking Pipe at Auction
    • (sin créditos)
    Marilù Carteny
    • Mourner at Brett McBain's Funeral
    • (sin créditos)
    • Dirección
      • Sergio Leone
    • Guionistas
      • Sergio Donati
      • Sergio Leone
      • Dario Argento
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios913

    8.5370.7K
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    Resumen

    Reviewers say 'Once Upon a Time in the West' is acclaimed for Sergio Leone's masterful direction, stunning landscapes, and Ennio Morricone's iconic score. Strong performances by Henry Fonda, Charles Bronson, and Claudia Cardinale are highlighted. The film's slow-burning intensity, moral ambiguity, and unforgettable characters cement its status as a classic. Despite some critiques on pacing and length, its artistic depth, complex storytelling, and influence on the Western genre are widely recognized.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    10daxsir

    Art

    This is my fav film. It is more like watching a piece of art. The look is fantastic. The director does a perfect job. The acting is wonderful. The story is not the strongest ever but it should be watched to experience it. If your a film lover you can't fail but admire this film.Charles Bronson is the perfect broody loner. Henry Fonda surprises everyone by giving a strong performance as a bad guy. The close up of his eyes is stunning. The camera work and close ups have never been done better. The music is as good as anything you will find in a movie. Throw in the scenes when you first see Henry Fonda. The scene at the railway station which the water dripping on the hat. The sound of the spinning water tower. To me the closet movie to ART i have ever seen and i have seen a lot of films.
    9mattywoh

    I Never Get Tired Of Watching...

    I won't go into the story, but it's true, I never tire of this movie---At first i thought Charles Bronson wouldn't be able to keep up with acting heavyweights Henry Fonda and Jason Robards, but Bronson's physical abilities, combined with his minimalist close-ups practically steal the show---His goodness came through in the close-ups toward the movie's end, I thought it was Charles Bronson's greatest screen work.
    10daniken

    No western has ever come close to this one....and no western ever will.

    I can't quite find the words to even come close to describing the pure brilliance of this movie. When this movie was made, the western genre was dominated by the big hollywood studios. The western was taken by these studios and transformed into an opportunity to portray classic superheroes like John Wayne and Burt Lancaster in their fight against all sorts of smalltime crooks and outlaws in smalltime stories and smalltime towns. It was a genuine effort to portray 'Americanism', the American Way, along with a romanticised view of the west as 'Frontier country' where good always triumphed over bad and where the life was hard but honest. It was the American Way.

    And then came this film. The title, 'Once Upon A Time In The West' must have seemed to mean nothing more than 'just another western' to the unexpecting viewers at the time. Oh boy were they wrong. With this movie, Sergio Leone singlehandedly redefined the western genre and no American western would ever match the brilliant spirit in which it was made. While the story is basically the same as in any other western, it is the WAY in which it is presented that so clearly distances this western from others. Whereas other westerns are simply stories that are designed to entertain, this movie is an emotional masterpiece that will move your heart. Sergio Leone takes the ordinary western and replaces words with looks, and conversations with feelings and emotions. With his brutal but honest portrayal of the sheer hardness of life and death in those times he thoroughly destroys the old romantic idea of the west as a 'generally-hunky-dory-kind-of-scene with the occasional bad guy and indian' and replaces it with an eerie, dark, hot and dry place where life is cheap and only the strongest will survive.

    I cannot adequately convey in words the way in which Sergio Leone deepens and defines the characters by pure means of visual persuasion. It starts with the three gunman in the beginning of the movie, waiting for some reason at a train station for someone or something that obviously is going to be on the next train. No explanation, no conversation; not a word is said. Even the stationmaster is ushered into captivity without a single audible threat. Then comes the waiting... Any other director would have skipped directly to the moment of arrival, but Sergio Leone takes minutes of boredom and translates it into a visual feast, deepening the characters that are portrayed and making them more human, more real to the viewer, while at the same time encompassing us with a deep dark sense of foreboding. This way in which the story is not just augmented but in times completely replaced by the sheer visual drama, is perfected by the absolute fantastic music, directed by Ennio Morricone. Who needs words and explanations when the combined forces of cinematic mastery and heart-tearing music are not just able to carry the story, but pick it up and push it up to such heights of excellence that it has no equal in it's genre?

    Another great feat that adds to the power of this movie is the minimalistic way of portrayal of the characters as real, emotional people. Not a single word is said that isn't required for the understanding of the story, yet the characters feel more true than those in movies where whole conversations are added merely to explain their motives. Instead of words, the camera focuses on the characters...so that you can simply read the emotion off their faces. Often no explanation is given other than than a mere facial expression. No superheroes or supercriminals, just real, desire-laden, traumatised, obsessed people that act upon motives inherently understood by the viewer.

    All in all this is without a single doubt in my mind the greatest western of all times, and even though Sergio Leone has made many more mindblowing, heart-shattering westerns like this one, like 'A Fistful of Dynamite', 'The Good The Bad and The Ugly', and 'For a Few Dollars More', none could equal 'Once Upon A Time In The West' in sheer magnitude of perfection. Western has never been the same since....

    I only wish I'd have been there in 1969 when the movie was new and see it, for the first time with fresh innocent eyes and an unexpecting mind..just like 2001: A Space Odyssey (also of 1969, a year of legends).

    A tip for those who have never seen this movie: Bribe, beg, borrow, or steal yourself into possession of a Videobeam and Hifi-audio equipment if you can't find a cinema that is showing this movie. Turn the audio up WAY HIGH (never mind the neighbors) and prepare never to be the same again.........

    I (obviously) gave this movie a 10 because no matter how hard I try I can't find anything less than perfect about it.
    10bgkerfant-09664

    A masterpiece

    It's hard to believe this movie is from 1968. Very modern way of filming for the time. Sergio Leone gave time to each scene... something that new directors seem afraid to do... Great story about the last days of an era. Amazing music and the originality of linking a specific melody to each main character. And all these close-up to character's eyes... Just a wonderful movie.
    8secondtake

    Hey, it's slow on purpose. Is that a good thing? When it's this gorgeous, yes.

    Once Upon a Time in the West (1968)

    On the heels of "The Good, The Bad, and The Ugly," is this equally sprawling and archetypal Western, this time with less obvious dubbing, and Henry Fonda as a kind of tie in to Hollywood's hero paradigm. It's indescribably beautiful, one of the most gorgeous Westerns ever photographed, indeed a model for good visual directing and cinematography in any genre. That alone makes the almost three hours a pure pleasure.

    But it's not a fast movie in any other way. It can't be. It depends on lingering over delicious details, small ones, shot up close in startling detail and ever deadpan looks and steely eyes. Nothing is believable and it's not meant to be. It's not even a fable, quite, but more a celebration of being inside an incredible film, as strange as that sounds. Not that the scenes are not believable--even the very last shots of the makeshift town and the railroad being built is about as realistic as it gets. Great stuff.

    Plot? You might, at times, wonder where the plot went. There are lots of bad guys, and you're not totally sure there's a protagonist, unless the one woman in the movie is the center of our concerns, even if she is clearly a bystander to it all. When it gets clear, in the last twenty minutes, it's again archetypal (and has echoes of the over the tops showdown in "Good Bad and Ugly"). A small bit of slow motion (not needed normally in a movie where everything is slow already) makes clear this is the key moment in the film, the thing that made the rest of it, with all its confusing and violent layers, sensible.

    For my money, I'd love all this incredible visceral stuff, the sounds and sights, filled in with some kind of deeply felt conflict, not a purely dramatic one. I watch and am shocked, or swept away, or impressed, or dazzled, but I'm actually never moved, not from the heart. And there are plenty of aspects here that should really move us--including feeling for the woman's plight, rather than simply recognizing that it is, after all, quite a plight.

    Still, another landmark Sergio Leone movie.

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    Argumento

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    • Trivia
      Henry Fonda originally turned down the role of Frank. Director Sergio Leone flew to the United States and met with Fonda, who asked why he was wanted for the film. Leone replied, "Picture this: the camera shows a gunman from the waist down pulling his gun and shooting a running child. The camera pans up to the gunman's face and...it's Henry Fonda" (until then, with one exception, Fonda had only been cast in "good guy" roles. Leone wanted the audience to be shocked).
    • Errores
      As Frank and his gang ride away from the train, tire tracks are visible in the dirt.
    • Citas

      Harmonica: [facing three men] And Frank?

      Snaky: Frank sent us.

      Harmonica: Did you bring a horse for me?

      Snaky: Well... looks like we're...

      [snickers]

      Snaky: ...looks like we're shy one horse.

      Harmonica: [shaking head] You brought two too many.

    • Créditos curiosos
      The opening credits appear over the three gunmen waiting at the train station.

      The film title itself appears at the end of the film.
    • Versiones alternativas
      Frank's line upon giving Harmonica his namesake varies from version to version. The Italian translates to "play something for your brother," but the most common English version is "keep your loving brother happy," and the German translates to "play me the song of death." The German movie title was inspired by this line.
    • Conexiones
      Edited into The Clock (2010)
    • Bandas sonoras
      Danny Boy
      (1913) (uncredited)

      Written by by Frederick Edward Weatherly

      Hummed and sung a cappella a bit by Simonetta Santaniello

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    Preguntas Frecuentes23

    • How long is Once Upon a Time in the West?Con tecnología de Alexa
    • Is this movie based on a book?
    • What are the differences between the international DVD cut and the Italian DVD cut?
    • What are the differences between the older and newer international cuts?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de diciembre de 1969 (México)
    • Países de origen
      • Italia
      • Estados Unidos
    • Idiomas
      • Italiano
      • Inglés
      • Español
    • También se conoce como
      • Había una vez en el Oeste
    • Locaciones de filmación
      • Monument Valley, Arizona, Estados Unidos
    • Productoras
      • Rafran Cinematografica
      • San Marco
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 5,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 5,321,508
    • Total a nivel mundial
      • USD 5,435,312
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 46 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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