El carnicero

In my ongoing program of finally seeing films I should have seen years ago, tonight I watched "Le Boucher" on VHS. After two minutes of it, I wasn't sure I could bear to watch any more. And there was no overt cause for my uneasiness! All that was being shown was a simple country wedding banquet--yet there was such a palpable sense of unrest and evil that I felt like crawling down into the sofa to escape from it. And this relentlessly oppressive atmosphere persisted through the entire film.

How Claude Chabrol managed this seeming magic is beyond my comprehension. He instantly draws the viewer into a world very similar to Hitchcock's, but without the comic relief that Hitchcock unfailingly put into his films. Without the relief of tension that comedy affords, the experience of the film becomes almost unbearable--but I managed to sit through this entire short masterpiece, marveling at how a skilled director can create so much nerve-wracking suspense with so few means.

I was especially impressed by the film's totally unpretentious nature. The lighting is downright amateurish (on purpose, I'm quite certain), there are no special effects whatever, the dialogue is simple and straightforward: and in a theatrical setting, I think I would have been about scared out of my pants.

I can see why Chabrol has been called "the French Hitchcock." The honor is well and truly deserved.

Le Boucher is a lesson in suspense from French director Claude Chabrol. There is very little in the way of action in this film; but it doesn't matter, because the director knows how to handle suspense, and so despite the fact that there isn't much going on; the film is always interesting. In fact, many modern directors could benefit from watching this film. Through a detached atmosphere and an isolated French setting, Chabrol has created a movie seething with tension, and in a way that always allows the audience to fully take it in. The fact that the movie is beautifully photographed helps the film tremendously, as even if even less happened in the film - the visuals alone would elevate it above the norm. The plot follows the friendship between a local butcher and the school's headmistress, Helene. The pair grow to like each other in the midst of a local maniac mutilating girls in their village. As a birthday present, Helene presents her friend with a lighter; but things turn awry when the teacher discovers the latest victim...with the lighter she bought her friend at the scene of the crime.

Le Boucher stars Stéphane Audran in the lead role. This beautiful actress is superb at providing the lead, and also fits into the film brilliantly as she bodes well with the exquisite cinematography. The film is obviously a product of the time in which it was made, as the visuals are similar to a lot of other mystery films being released around the same time. The plot takes obvious influence from the Clouzot French classic 'Les Diaboliques', but this is not merely a rip-off - Le Boucher has a style all of it's own. Jean Yanne stars opposite Audran as the title character, and he too is excellent in his role. He creates just the right ambiguous atmosphere around his character, which ensures that the tension is instilled as it should be and the climax is believable. Le Boucher will no doubt annoy many due to the fact that not a lot happens, but unlike other films where nothing happens, such as The Blair Witch Project, there is always enough suspense here to ensure that the film doesn't become boring. On the whole, this is a great little thriller and comes with high recommendations.

In the village of Tremolat, Périgord, the lonely headmistress Helene Daville (Stéphane Audran) befriends the local butcher Paul Thomas (Jean Yanne), who has a trauma of war, in the wedding party of her colleague Leon Hamel (Mario Beccara). In spite of their friendship, they do not become lovers since Helene is still recovering from the disillusion of her last relationship. In Paul's birthday, Helene gives a lighter to him as a gift. During the excursion with her class to a cave in the woods, Helene finds the last victim of a serial killer that is stabbing young women in the area. She realizes that the woman is Leon's wife and she finds Paul's lighter in the crime scene but she hides the evidence from the police. When Paul visits her, she discovers that he still has the lighter and she feels relieved. However, when Paul paints the ceiling of her house, she makes a discovery that affects her sense of security.

The unknown gem "Le Boucher" is a dark, intriguing and suspenseful love story by Claude Chabrol. The plot is completely unusual and very simple, it is not tagged by an specific genre and can be resumed in the storyline; however, the screenplay, direction, performances and camera work make the difference. The opening scene shows a beautiful area in the countryside of France where the plot takes place. Helene is a fascinating character with her contradictory and ambiguous behavior and relationship with Popaul. Their chemistry is also perfect. My vote is eight.

Title (Brazil): "O Açougueiro" ("The Butcher")

Note: On 06 February 2011 I saw this film again on DVD.

Note: On 06 December 2024, I saw this film again.

Delicate-precise portrait of a small community, admirable force of silence, an imposible love story and the tension as fine embroidery. A great film for the art of exploration of nuances of Claude Chabrol. , for the great performance of Stephane Audran and, off course, for the special Popaul by Jean Yanne .

Who died yesterday or yesterday yesterday, actually. And one of the best part also of Stéphane Audran [with LA FEMME INFIDÈLE [also directed by Claude Chabrol - France 1968]... I totally agree with the commentaries displayed here, especially with the first one written in 1999 from Houston, if I remember well... Jean Yanne was a popular and successful director of comedies but, well directed as he is there by Chabrol, he was a high-class comedian. This part, if he had done only this one, would be good enough for having him. remembered. This original French version of the JACK THE RIPPER theme (though no prostitute is involved so far) is one of the most original of the history of movies from the beginning till today. LE BOUCHER has not at all the "baroque" aesthetic and "crescendo" dramatic aspect of the masterpieces of British Horror movies directed by Robert S. Baker and Monty N. Berman (1958) or James Hill or Peter Sasdy or even by Sir Alfred in FRENZY... but it is a full continent in itself - as well as, though in a totally different way, LES NOCES ROUGES or NADA by the same director. Chabrol is, in fact, one of the best directors of French cinema from the 60's to the 70's : after it is decreasing level after 1975 but sometimes going well again (LA CÉRÉMONIE)...