Beatrice Cenci

I recently watched the Italian film 🇮🇹 Conspiracy of Torture (1969) on Tubi. The story centers on a castle ruled by a tyrant who abuses his daughter, mistreats his wife, and is no better to his servants. When the daughter devises a plan to kill her cruel father and free the family from his grip, the question becomes: can she trust her co-conspirators, or will they betray her when it matters most?

Directed by Lucio Fulci (The New York Ripper), the film stars Tomas Milian (Traffic), Adrienne Larussa (Terror at Alcatraz), Georges Wilson (The Longest Day), and Ignazio Spalla (Sabata).

The film evokes the feel of a Hammer production, with its gothic castle setting, period costumes, and atmosphere of moral decay. The cast gives solid performances, and the characters are entertainingly drawn. As expected in the genre, there's no shortage of beautiful women and flashes of horror nudity. The torture scenes are creatively staged, featuring unique contraptions and memorable kills. While the practical effects are minimal and the blood looks like red paint, the film maintains a consistent level of tension and intrigue throughout.

In conclusion, Conspiracy of Torture is a well-executed period horror film, full of gothic flair, striking women, and engaging twists. I'd give it a 7/10 and recommend watching it at least once.

A terrificly executed period piece from the Godfather of Gore, Beatrice Cenci(1969) is a masterpiece of tragic beauty. This movie is a contradiction to the accusation of Fulci as a misogynist from his later films. Adrienne LaRussa does a nice job in conveying the almost gentle nature of the female protagonist. George Wilson as the father does a good job in portraying someone truly evil. Cries of death to the director were shouted in a theatre due to the film's anti-catholic nature.

The Catholic church is presented in the film with absolute disdain. In fact, they are seen as greedy and hypocritical. Beatrice Cenci(1969), along with The Witchfinder General(1968) are probably the best films dealing with the late middle ages. The direction is nearly perfect, and the story is well done. The film revolves around a labyrinth of flashbacks in the style of Reservoir Dogs(1992). The main source of influence seems to been The play version of The Cenci by Artoud, Antonin as well as the five act play by Percelly Shelly.

There are two films that Beatrice Cenci(1969) compares with. One film is Don't Torture A Duckling(1972) which also deals with Catholic repression. Another film is The Devil's Honey(1986) which deals deals with a woman's urge to be an independant woman. Beatrice Cenci(1969) is not only overlooked by Fulci supporters but by Fulci distractors as well. This movie shows that Fulci was capable of more ambigious and personal films then the many ones that he direct in his career(Its too bad as he had the talent that would have made him one of the best directors of his generation in Italy).

Those expecting a typical horror movie will be disappointed, as the horror depicted here is the Catholic Church's use of torture in the Middle Ages, and their greed. Fulci doesn't flinch from presenting the evil that was the church in that time.

Those who do not like period pieces may find this film dull, but Fulci does a great job producing a work that is both beautiful and interesting.

Adrienne Larussa was beautiful and did a very good job as the title character. Her father, played by Georges Wilson, was an evil man who kept her locked up. Wilson does a very good job portraying someone you really want to see die.

You have to love a strong determined woman. Even in the face of torture by the church, she remained strong.

Definitely not a movie for faithful Catholics.

I have to say that a lot of effort and great work has gone into producing such a fine Blu-ray print. I once tried to watch this some time ago and it was just too washed out but this is wonderfully sharp and colourful - a real treat for the eyes. Trouble is I must have lost concentration now and again what with all the Latin, the religious ceremony and the general historic recreations, for I seemed to miss the back and forth time lapses and got terribly confused. Got the lengthy torture scenes loud and clear and eventually caught up but this is not an obvious pleasure but certainly a magnificent looking number for Fulci completists.

I read the 12 reviews (at this time), and not much to add really. It really feels like the 16th century. There is something special about the detail put in to the costumes and set designs. The acting is really 1st class, and Fulci really works them to get convincing performances. The story line deserves a lot of credit, this being a 1969 flick. Its non-linear structure is maximised to full effect. Sadly its literally unheard of, despite coming out 2 years before The Devils (1971). Would have thought the controversial content, would have at least have kept it in the spot light over the years. Its a fine period piece, and I can see why Fulci was proud of it.