CALIFICACIÓN DE IMDb
6.1/10
2.8 k
TU CALIFICACIÓN
En una Inglaterra post-apocalíptica, la gente se transforma en objetos. Una chica embarazada en un tren conoce a un viajero y un médico mientras enfrentan un paisaje mutante.En una Inglaterra post-apocalíptica, la gente se transforma en objetos. Una chica embarazada en un tren conoce a un viajero y un médico mientras enfrentan un paisaje mutante.En una Inglaterra post-apocalíptica, la gente se transforma en objetos. Una chica embarazada en un tren conoce a un viajero y un médico mientras enfrentan un paisaje mutante.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
Opiniones destacadas
For some strange reason, I recorded this movie one afternoon when it aired and my brother still has it on tape. Hilarious. Ralph Richardson, MIcheal HOrdern, Dudley Moore and Peter cooke were incredibly funny, but Mona Washburne as Mother had us laughing mostly, such as when nurse marty Feldman informed her she had died while she was still very much alive. "Well, you can't argue with it. There it is in black and white." and especially when she was throwing the dishes and was called a 'slut'. "Get out of here, ya slut." too funny! Rita Tushingham gets a bit irritating as the youthful voice of reason, possibly what hurts this movie most, but Peter Cooke's dialogue is priceless. Absolutely priceless. Then of course, we have to pay homage to our Royal Family. Or as close as we can get. Mrs. Ethel Stronk, was it?
One of the two outstanding black, apocalyptic science fiction comedies -- DR. STRANGELOVE is the other. This one's got it's flaws, but it has more than its share of virtues, too, especially in the area of creativity.
Buried in the sheer oddity and downright perversity of the humour there is a deep pathos. People of all classes from Lord to lunatic try through activities and language to cling to a civilization represented by heaps of objects. The horrors of holocaust are tempered by humour arising mainly from the ridiculous pretensions of the cast. Every mainstay of British middle and upper class culture has been made absurd - some of the characters are busy mutating into absurd objects - a bed sitting room, a wardrobe, a parrot. The humour is zany, the one-liners often mixing double entendre, understatement and naievity with real pathos. Arthur Lowe as the pompous father, Mona Washbourne as the all-sympathetic mother can bring a lump to the throat.
The nearest rival to Milligan's and Antrobus' satire is to be found in Swift. Lampooning society after it has endured the very worst of tragedies and demonstrating through a torrent of absurdities, that human decency survives is something difficult to sustain in text, but this Fellini-like panorama could never be contained by the pages of a book. It almost defines one of the things which film can do best.
It is ragged and patchy - but a film which includes Harry Seacombe as a 'regional seat of government' defies conventional criticism!
The nearest rival to Milligan's and Antrobus' satire is to be found in Swift. Lampooning society after it has endured the very worst of tragedies and demonstrating through a torrent of absurdities, that human decency survives is something difficult to sustain in text, but this Fellini-like panorama could never be contained by the pages of a book. It almost defines one of the things which film can do best.
It is ragged and patchy - but a film which includes Harry Seacombe as a 'regional seat of government' defies conventional criticism!
After the grim realism of Peter Watkins' 'The War Game' this film marked the sixties' headlong retreat into total fantasy in which the Central Line still functions and radiation causes mutation into a bed-sitting room rather than boring old radiation sickness.
An amazing cast - including two Goons - make complete fools of themselves in the film in which Dick Lester blew once and for all blew all the professional capital he'd made directing the Beatles.
Ken Thorne's music like the rest of the film is likeable but far too emphatic.
An amazing cast - including two Goons - make complete fools of themselves in the film in which Dick Lester blew once and for all blew all the professional capital he'd made directing the Beatles.
Ken Thorne's music like the rest of the film is likeable but far too emphatic.
This is a movie that has followed me all throughout my life even though I have only watched it one time approx. 22 years ago. The classic British humor in this prepared me to enjoy other comedy such as Monty Python. I am new to the net and am desperately trying to purchase a copy of this masterpiece to dedicate to the now deceased friend I had watched it with years ago. Any suggestions would be appreciated.
¿Sabías que…?
- TriviaProducer and director Richard Lester is said to have been depressed that many of the outdoor locations were found so quickly, and needed so little modification.
- ErroresA London Underground train appears several times. The legend over the cab states 'Circle' as in Circle Line. But the Circle is a sub-surface line while the train depicted is London Underground 1962 deep line stock.
- Créditos curiososIn the opening credits, cast members are listed in order of height.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Bed Sitting Room?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta