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Alice's Restaurant

  • 1969
  • R
  • 1h 51min
CALIFICACIÓN DE IMDb
6.3/10
4.8 k
TU CALIFICACIÓN
Alice's Restaurant (1969)
A cinematic adaption of Arlo Guthrie's classic song story.
Reproducir trailer3:37
1 video
99+ fotos
SatireComedyDramaMusic

Una adaptación cinematográfica de la clásica canción narrativa de Arlo Guthrie.Una adaptación cinematográfica de la clásica canción narrativa de Arlo Guthrie.Una adaptación cinematográfica de la clásica canción narrativa de Arlo Guthrie.

  • Dirección
    • Arthur Penn
  • Guionistas
    • Arlo Guthrie
    • Venable Herndon
    • Arthur Penn
  • Elenco
    • Arlo Guthrie
    • Patricia Quinn
    • James Broderick
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    4.8 k
    TU CALIFICACIÓN
    • Dirección
      • Arthur Penn
    • Guionistas
      • Arlo Guthrie
      • Venable Herndon
      • Arthur Penn
    • Elenco
      • Arlo Guthrie
      • Patricia Quinn
      • James Broderick
    • 57Opiniones de los usuarios
    • 34Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 4 nominaciones en total

    Videos1

    Official Trailer
    Trailer 3:37
    Official Trailer

    Fotos153

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    + 147
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    Elenco principal34

    Editar
    Arlo Guthrie
    Arlo Guthrie
    • Arlo
    Patricia Quinn
    Patricia Quinn
    • Alice
    • (as Pat Quinn)
    James Broderick
    James Broderick
    • Ray
    Pete Seeger
    Pete Seeger
    • Pete Seeger
    Lee Hays
    • Lee Hays
    Michael McClanathan
    Michael McClanathan
    • Shelly
    Geoff Outlaw
    • Roger
    Tina Chen
    Tina Chen
    • Mari-chan
    Kathleen Dabney
    • Karin
    William Obanhein
    William Obanhein
    • Officer Obie
    Seth Allen
    Seth Allen
    • Evangelist
    Monroe Arnold
    • Blueglass
    Joseph Boley
    Joseph Boley
    • Woody
    Vinnette Carroll
    • Draft Clerk
    Sylvia Davis
    • Marjorie
    Simm Landres
    • Jacob
    Eulalie Noble
    Eulalie Noble
    • Ruth
    Louis Beachner
    • Dean
    • Dirección
      • Arthur Penn
    • Guionistas
      • Arlo Guthrie
      • Venable Herndon
      • Arthur Penn
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios57

    6.34.8K
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    Opiniones destacadas

    googlemorf

    More than just a hippie flick.

    After seeing all the negative criticism, I just had to say a few words in the films defence. ALICE'S RESTAURANT is unconventionally produced, but it DEFINITELY has themes running through out it.. It deals with some profound issues about the era, particularly the concept of the pursuit of happieness. Note the significant change in tone in the last section: The marriage ceremony and party at the end brilliantly convey the idea of the characters trying to "be free" and have a good time, but that if there is aimlessness in your life, there will be a sadness there and you won't know were it is comming from. True, it also helps if you like folk music (witch I do). I found the scenes of Arlo by his father Woody's bed side quite touching, especially when he is performing with Pete Seagar. And of course, seeing the ALICE'S RESTUARANT MASSECREE acted out is delightful.
    jt1999

    End of an era.

    As most students of 1960s filmmaking are aware, "Alice's Restaurant" was director Arthur Penn's unsuccessful follow-up to "Bonnie and Clyde." It was based on -- or rather inspired by -- a good idea: Arlo Guthrie's famous autobiographical song, which told the humorous and ironic tale of two run-ins with the "establishment," as we used to say, during a Thanksgiving in Stockbridge, Mass., and a subsequent draft board examination in New York City.

    Thirty-three long years later, seeing this cultural artifact from the late '60s is less like watching a story unfold than stepping into a time machine. The good, bad and tragic aspects of that turbulent era are all represented here, and the past -- as observed from our tainted and narcissistic age of SUVs, AIDS and the Internet -- seems positively innocent. And -- with a few obvious exceptions -- idyllic.

    The 1960s may have been a tumultuous era, but those years embodied one crucial concept sorely missing from today's society: youthful idealism. Way back when -- before a six-figure salary became the college student's holy grail, when saving the world was more important than earning a law degree -- young people were actually passionate -- about freedom, about peace, about the long- term prospects for humanity. If that passion has not completely vanished, it has certainly been redirected -- and not, in my view, toward a positive or productive end.

    Whether Penn's film works or not as a cinematic adaptation of Guthrie's song, whether it successfully mixes deadpan humor (hippies vs. bureaucratic clods) with tragedy (the dark side of drug use) seems almost irrelevant now. The movie succeeds in capturing a remarkable moment in time, a short period when the future may have been uncertain, but there was still a brilliant ray of sunshine at the end of the tunnel -- and a youthful force propelling us toward it.

    The hippie movement may have been naive, but it was a movement nonetheless, and a positive form of rebellion. As seen in the film, young people often used the word "peace" instead of "goodbye" -- not just as a pleasant sentiment at the end of a conversation, but as a serious reminder of what was important -- that nothing was more vital than global, harmonious accord, to "live as one." That spirit may have died with John Lennon; it may have left this Earth with Jerry Garcia. In any case, it's pretty much gone now, and already -- except, perhaps, within a few small, nostalgic circles -- nearly forgotten.

    Today, the concepts of "peace" and "love" seem hopelessly quaint. The era of Flower Power has long since passed, and most young people would readily agree that All You Need is Cash -- the majority of them knowing infinitely more about money markets than peaceful coexistence. Teenagers who once joined together to enjoy music, freedom and a sense of community (Woodstock) have been replaced by a disenfranchised generation who angrily rape, steal and burn (Woodstock '99). Somewhere along the line, the hopeful enthusiasm of folk music and rock'n'roll gave way to the fury of punk, rap and hip-hop. Freeform artistic expression (Prog-Rock, Pop Art, tie-died clothes, experimental filmmaking) was discarded in favor of nihilism and self-mutilation (Industrial/ Goth-Rock, Heavy Metal, piercings and tattoos). The ray of hope faded. "Make Love, Not War" degenerated into "Show Us Your Tits." The "us" decade ('60s) became the "me" decade ('70s). And now -- God help us -- we are firmly entrenched in what surely would've made the founding fathers wish they'd never been born: the"whatever" century.

    This apathetic new millenium has ushered in not a glorious Odyssey of space exploration or a Brave New World of modern medicine -- but terrorism, fear, ignorance and intolerance. Politically, Ashcroft's medical marijuana raids and "President" Bush's environmental atrocities likely cause even die-hard liberals to fondly recall the days of Tricky Dick! Who could have ever imagined?!

    And so "Alice's Restaurant" is another tragic arrow through our empty, modern- day heart -- a damning reminder of just how low this country has sunk, how far a nation of bloodless, soulless opportunists has strayed from the garden. Think of it! Once, this country poured its life blood into electing leaders who would end war and famine; now, we waste millions trying to impeach them for receiving blow jobs.

    Jim Morrison was 35 years ahead of his time. The '60s -- in retrospect -- was the beginning. And this, now, is the end.

    Peace.
    Felix-28

    Watch it on its own terms

    This movie is generally not highly regarded. Criticisms refer to the lack of plot or "aimlessness" and draw unfavourable comparisons with the song.

    It is hardly ever appropriate to criticise a film by comparing it with the source from which it is derived. The film is a work in its own right, and it is no criticism to say that it is not like something else. There is no reason why a comic song should not be used as the basis for a tragic movie. The only such comparison that has any validity is one which uses the source work as a basis for demonstrating how a weakness in the derived work could have been avoided; or conversely, one which contrasts a virtue in the derived work with a corresponding deficiency in the source work.

    On its own terms, "Alice's Restaurant" succeeds very well as a movie. The song on which it is based does no more than provide a sequence of events around which the movie is constructed. It is not a narrative; it is a portrait of a particular time and a particular section of American society. It meanders, but it is never tedious; there is always something interesting to see on the screen. It demonstrates how that section of society, or the representatives of it with whom the film is concerned, although rejecting many of the rules by which American society has historically been governed, nevertheless accepts that society's basic values and cannot avoid the consequences of the rejection of some of the rules. It is not a great movie, but it is a very good one.

    I rate it as about 7.5 out of 10. The film that I find most similar to it is the French film "Round Midnight"; not because of its subject-matter, but because of its dreamy, unhurried mood.
    9j-knutsson

    One groovy flick

    This excellent film was written by my late screen writing teacher Venable Herndon, but I saw it and fell in love with it long before I took his class.

    It manages to be both good humored and effortlessly profound at the same time. The recruitment scenes are hysterically funny. I miss movies with this laid-back quality. A lot of people are adverse to this type of loose narrative structure, but since almost every flick and TV show has such a rigid structure why can't the rest of us have a couple of films to ourselves.

    The final shot of Alice's Restaurant with all its beautiful ambiguity has affected me more than the final shot of the "Searchers" every time I've seen it. It manages to celebrate something and take it with a grain of salt at the same time. Hurrah for the director of photography!

    A beautiful trip all round.
    8SinjinSB

    The #1 Thanksgiving Movie

    I remember back in the 80s my Mom rented this movie and from the cover and title I didn't think I'd like it. Not only did I like it, but I now watch it every Thanksgiving season. I've always liked Arlo Guthrie's music and the soundtrack is excellent, featuring the title track which tells this true story. It's quite a fun movie, laced with moments of very serious elements like Woody, Arlo's dad, in the hospital. The scene in the hospital with Arlo and Pete Seeger singing the Car Car song to Woody in the hospital was very heartwarming. The characters are all colorful and enjoyable to watch and very typical of the folk scene in the late 60s, just before I was born.

    ***1/2 (Out of 4)

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    Argumento

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    • Trivia
      After discovering that the character "Officer Obie" was modeled after him, actual Stockbridge (Massachusetts) Sheriff William Obanhein demanded that he play the role himself. His reason: "If anyone is going to make a fool out of me, it might as well be me!"
    • Errores
      32'45'': Flipped shot: the bulb is on Officer Obie's right, and the word "chief" on Obie's hat appears like in a mirror. Two shots later, the bulb is on the left, and the hat reads "chief" in normal letters.
    • Citas

      Arlo: Group W is where they put ya if you may not be moral enough to join the army after committin' your special crime. There was all kinds of mean, nasty ugly-lookin' people on the bench there. There was mother rapers... father stabbers... father rapers... Father rapers! Sittin' right there on the bench next to me!

    • Versiones alternativas
      Originally rated "R" when released in 1969. In 1970 the film was re-edited to be re-rated "GP" by the MPAA.
    • Conexiones
      Featured in Arthur Penn (1995)
    • Bandas sonoras
      Pastures of Plenty
      Written by Woody Guthrie

      Performed by Pete Seeger (uncredited) and Arlo Guthrie (uncredited)

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    Preguntas Frecuentes27

    • How long is Alice's Restaurant?Con tecnología de Alexa
    • What is "Alice's Restaurant" about?
    • Is "Alice's Restaurant" based on a book?
    • Is Alice's restaurant a real place?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de agosto de 1969 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Ресторан Еліс
    • Locaciones de filmación
      • Lenox, Massachusetts, Estados Unidos(Cranwell Prep School)
    • Productoras
      • Elkins Entertainment
      • Florin
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 13,991,240
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 51 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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