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IMDbPro

All the Right Noises

  • 1970
  • PG
  • 1h 32min
CALIFICACIÓN DE IMDb
6.0/10
520
TU CALIFICACIÓN
All the Right Noises (1970)
ComedyDrama

Un técnico de iluminación teatral casado con dos hijos pequeños tiene una aventura con una actriz adolescente.Un técnico de iluminación teatral casado con dos hijos pequeños tiene una aventura con una actriz adolescente.Un técnico de iluminación teatral casado con dos hijos pequeños tiene una aventura con una actriz adolescente.

  • Dirección
    • Gerry O'Hara
  • Guionista
    • Gerry O'Hara
  • Elenco
    • Tom Bell
    • Judy Carne
    • Edward Higgins
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    520
    TU CALIFICACIÓN
    • Dirección
      • Gerry O'Hara
    • Guionista
      • Gerry O'Hara
    • Elenco
      • Tom Bell
      • Judy Carne
      • Edward Higgins
    • 15Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos16

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    Elenco principal28

    Editar
    Tom Bell
    Tom Bell
    • Len
    Judy Carne
    Judy Carne
    • Joy
    Edward Higgins
    • Ted
    Rudolph Walker
    Rudolph Walker
    • Gordon
    John Standing
    John Standing
    • Nigel
    Olivia Hussey
    Olivia Hussey
    • Val
    Oscar James
    • Guard
    Chloe Franks
    Chloe Franks
    • Jenny
    Gareth Wright
    • Ian
    Bob Keegan
    • Len's Father
    Gordon Griffin
    • Terry
    Lesley-Anne Down
    Lesley-Anne Down
    • Laura
    • (as Lesley-Ann Down)
    Chrissie Shrimpton
    Chrissie Shrimpton
    • Waitress
    Peter Burton
    Peter Burton
    • Stage Manager
    Charles Lloyd Pack
    • Stagedoor Keeper
    Otto Diamant
    Otto Diamant
    • Conductor
    Yootha Joyce
    Yootha Joyce
    • Mrs. Bird
    Marianne Stone
    Marianne Stone
    • Landlady
    • Dirección
      • Gerry O'Hara
    • Guionista
      • Gerry O'Hara
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios15

    6.0520
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    Opiniones destacadas

    7christopher-underwood

    She was like an innocent young child

    A very small film that likely has seem only a be small number of people and a tiny theatrical release. Except for the young fifteen your old Olivia Hussey who had had the most amazing experience in Italy with Zeffirelli and Romeo and Juliet that made her famous across the world. She was like an innocent young child except she was older than her years, smoking a cigarette on TV and falling into a romance with Tom Bell in the film. His is fine, as is Judy Carne as his wife and the story is likeable enough though it his to see there is not anything that earth crashing.
    7richardchatten

    "You've got it all sorted out, haven't you?"

    Far from the saucy romp suggested by the title, it's actually a very subdued triangle drama against a well drawn theatrical backdrop. Seen over fifty years later it's even more poignant than it doubtless seemed at the time since Tom Bell and Judy Carne are both now long dead and Olivia Hussey seventy-one years old.
    6ThingsAreLookingUp

    I only watched the movie for Olivia Hussey

    After seeing Romeo and Juliet I wanted to see more of Olivia Hussey's work, in this film she is really perfect in this role of Lolita with the youthful beauty, maybe too youg because she plays a 15 years old who has an affair with a man twice her age! So of course the film is from the late 60s / 70s when it was not a big deal. But I admit that apart from this plot of scandalous and forbidden love story, is the wife going to catch them and all, the movie was a little boring.
    lazarillo

    It is what it is

    This is a late 60's/early 70's example of British "kitchen-sink realism" that began in the late 50's with films like "Saturday Night, Sunday Morning" and really continues up into the present day with the films of Mike Leigh and Ken Loach. Strangely, the late 60's/early 70's Swinging London era was an especially fertile period for these films, even though many of them--"Up the Junction", "Deep End", "I Start Counting"--were so provincial and working-class British, you'd never guess that anything extraordinary was happening in London at the time.

    For whatever reason (perhaps there was a law?) every appealing young Brit actress of that era seemed to have to make at least one movie where she has a romance with a man old enough to be her father. Judy Geeson got stuck with Rod Steiger in "Three Into Two won't Go" and her younger sister Sally Geeson REALLY got stuck with Norman Wisdom (the UK's answer to Jerry Lewis) in "What's Good for the Goose". Susan George got romantically paired with the somewhat older Michael York in "The Strange Affair" and the much older Charles Bronson in "Twinky". Haley Mills avoided this IN MOVIES, but in real-life married her much older director Roy Boulting. And art actually imitated life for Jane Birkin as she went to France to have an on-screen AND off-screen romance with middle-aged French singer Serg Gainsbourg in "Slogan". This movie was apparently the May-December quota film for Olivia Hussey, the teenage star of Zeffereli's "Romeo and Juliet". It's more believable than most because she's paired with the 30-ish Tom Bell, who's conceivably still youthful and handsome enough to attract the interest of a teenager. And Hussey's character is a very precocious fifteen-going-on-sixteen and from an upper social class. She's an aspiring actress and he's a married theatrical electrician with two kids and an elderly gambling-addict father.

    This is one of the most realistic of the British realist films perhaps because nothing really melodramatic ever happens. Unfortunately, that's also makes it rather boring, aside from the excellent performances by leads Hussey and Bell, and to a lesser Judy Carnes as the Bell character's unsuspecting(?)wife. I suppose that might also make it MORE of a male fantasy in that it doesn't necessarily end in divorce, scandal, and a lengthy jail sentence, but there actually isn't much of a sexual element to this either as most of the physical romance occurs off screen. It's not a bad film by any means, but it's one of those films that just kind of is what it is.
    7parry_na

    Easy viewing kitchen sink drama.

    This is a fairly uneventful 'kitchen sink' drama in which a married man has an affair with a 15-year-old girl. Very much of its time, it is still a surprise to see how his relationship with the young girl is treated so wholesomely as a romance between two very likeable people, while the unsuspecting (?) wife is equally appealing. Personable, funny, charming and generous - even the two young children are lovely - and as a viewer, you don't want anyone to get hurt, which is inevitable considering the man's pretty shocking behaviour.

    The affair comes close to being discovered from time to time - whether it does or not, I'm not telling - but there's no huge drama here as every eventuality occurs gently, which is rare for such a usually gritty '70s genre.

    The acting is what shines mostly here. Tom Bell is Len, the most flawed character, alongside his dad (Robert Keegan); Judy Carne is Len's wife Joy, a happy and charming actress, and Olivia Hussey plays young Val, whose clear-skinned, wide-eyed appeal is far from the wanton temptress you may expect.

    With no real villains to hiss, things could get a little dull from time to time were it not for the characters, but I enjoyed this. My score is 7 out of 10.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      For a movie whose whole plot revolves around age difference, it is interesting to note that the actor who plays Tom Bell's dad was less barely 9 years Tom's senior.
    • Errores
      The pinball machine that Len and Val play in the pub is a 1966 Gottlieb "Cross Town" whose maximum displayable score is 1,999. Len cannot have scored the three thousand, three hundred and thirty three that he claims.
    • Citas

      Len: What are watching this rubbish for? Sports Report's on the other side

      [changes TV channel]

      TV Commentator: So it's a corner to Chelsea. Hollins to Cooke to Osgood; across the goalmouth to Tambling... and it's a goal! A great goal to Chelsea... goal to Chelsea!

      Len: Way-heh!

      TV Commentator: ...Chelsea had left it too late; though they piled on the pressure...

      Len: Would you believe it, eh? Getting done by a bunch of slags.

    • Conexiones
      Featured in Guide to the Flipside of British Cinema (2010)

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    Preguntas Frecuentes14

    • How long is All the Right Noises?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • enero de 1973 (Estados Unidos)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Wszystkie właściwe posunięcia
    • Locaciones de filmación
      • Londres, Inglaterra, Reino Unido
    • Productoras
      • Max L. Raab Productions
      • Si Litvinoff Film Production
      • Trigon Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 32 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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