The Challenge

The setup for "It Takes A Thief" really doesn't make a lot of sense--and that is a huge problem. It begins with Jim (Anthony Quayle) falling for Billy (Jayne Mansfield). He doesn't realize that Billy is a cold and calculating sort--and she is setting him up. She convinces him to join in on a heist and he agrees. Now here is the part that makes no sense at all--Jim is responsible for hiding the money and then someone in the gang lets the cops know he was in on the crime and he's sent to prison. Why turn Jim in to the police? Jim would either return the money to the authorities OR he'd sit on it until after he's out of prison--and that could be years. It simply makes little sense. And for some time you aren't sure if Billy did this or perhaps Kristy--the brooding gang member who appears to have an extremely close relationship with Billy.

Regardless, several years pass and Jim has now done his time--and the money is still hidden. He has no intention of returning to his life of crime--even though the old gang is pressuring him to do so because they want the loot. When he refuses to cooperate with them, the gang turns up the pressure by kidnapping Jim's son. At the same time, the police are keeping an eye on Jim because they, too, want the money as well. With all this pressure on him, what is he to do?

Aside from a main plot idea that makes little sense, "It Takes a Thief" has several other things working against it. The big one is the odd casting of Mansfield considering the film is set in England. Plus, the pairing of the distinguished actor, Anthony Quayle with Jayne Mansfield is just plain weird. Finally, the DVD print is pretty bad--making the viewing experience less than stellar. It's really sad because apart from the weird casting strange plot about Jim being turned it, it's a very good noir sort of film. The film has a lot of tension and the scenes involving the search for the kid late in the film were awfully good.

If someone else played Billy instead of Jayne Mansfield it could've been better. Lots of good characters actors here to keep it going and quite violent considering. Anthony Quayle was as good as usual.

There are many really good British noir films that exploit the seediness of post-war London, set around Soho and involving realistic underground criminality and making very watchable drama out of 1950's London low-life.

But this isn't that kind of film.

For some reason, the producers decided to make a Hollywood type noir - ignoring the excellent genre work done by other British producers and creating a totally unbelievable poor-mans version of a movie that should have had Bogart and Raft in it but instead had a collection of totally out-of-place British actors - and - Jayne Mansfield.

Mansfield whispers - Marilyn Monroe style - her way through the part and it is obvious that her attempt at a sultry voice has to be overdubbed for many of her scenes. The rest of the cast try their best to be American gangsters (at one point Anthony Quayle actually calls somebody a "dirty-rat") and betray their true acting ability in a poor attempt to be something they aren't.

The cinematography is good - lots of moody lighting, clever angles and the direction is sharp, closely cut with some good set scenes. But you always feel that this is a British attempt at making a film that is totally un-British.

The film gets better as it progresses as the story takes over and Quayle's excellent performance lifts the film out of its misery into something that is finally worth watching. But you always feel that Quayle is on a damage reduction exercise trying his best to rescue the awful script and Mansfield's execrable acting and try and create something worthwhile. Regrettably, the forces of mediocrity win out.

When you watch a British crime film from the 1950s you expect that the gang boss will be played by Herbert Lom,or Martin Benson or maybe Eric Pohlman,but Jayne Mansfield!\whereas Joan Crawford is a tigress when she is a gang boss,Eg Johnny Notorious,Mansfield is a pussycat.She has all the toughness of a rotten tomato.Once the going gets tough she gets going and Carl Mohne takes over.The best she can do is simper in a variety of wigs and a different outfit for every scene.She simpers a song in a sort of Monroe imitation.She is in short dreadful.Quayle plays against type as her crook lover who went to prison but kept the loot.If you were to take Monroe out of this film you would have a good film.Nevertheless when Mansfield is off the screen the film is quite entertaining.

This film contains a surprisingly high level of violence; in particular the kidnapping scene where the boy's grandmother is beaten up. Even nowadays when gory violence seems to be the norm, it mainly happens to men and I think most film producers would hesitate before depicting a helpless old lady being beaten senseless in prolonged and graphic detail, in this case made more realistic and believable by good acting from Barbara Mullen. The same thug who beat her is later arrested in his bedroom by the police sending in a dog followed by three heavies who give him a savage beating before driving him to the station where he is threatened with more unless he gives the location of the boy. Whether her acting is good or bad the producers probably wanted Jayne Mansfield as added glamour which she provides by looking stunning particularly towards the end when she sings in her club. Overall this is an exciting and entertaining thriller.