Éxodo

I saw Exodus when it first came out in 1960. I lived in a New Jersey community with a large Jewish population and many of this population were Holocaust survivors. I also read the book in 1964 and although the movie couldn't include all of the events in text, it did give people an idea of the struggle to form a Jewish Homeland. I recommended it recently to a Palestinian young woman to give her some idea of this struggle by Israel to survive in a hostile environment. I also suggested that she read the book. In a world in which some people prefer ideas condensed, the movie at least gave some idea of the formation of a new country. Paul Newman was every Jewish girl's dream husband and every mother's son-in-law in my neighborhood, Sal Mineo was convincing in his anguish, the others did what they could. I would recommend it to people who aren't familiar with the events leading to today's difficulties in the Middle East. Perhaps Exodus should have been filmed like the Godfather movies. A movie depicting the past and the present lives of the characters could have helped. Hollywood wasn't in that mind frame in the 1950's and 1960's and that's too bad.

1. This is a movie, folks. Yes, based on a novel, but it was just that - a novel. Uris didn't claim to be writing a history textbook. As with all memorable literature, he tweaked some facts and embroidered his landscape with memorable fictional characters (although yes, many were based on real-life people.) So it's not appropriate to criticize either the novel or the book for not getting every historical fact absolutely right.

2. This is a MOVIE, folks. Based on a novel, but it's still a movie. Which meant that the actors were cast for a variety of reasons, one of which was solid bank-ability at the box office. To those who complained that Eva Marie Saint is too old in this film, I'd like to remind them that she was only a few months older (in real life) than Paul Newman was. And having her a bit older than the character in the novel is fine, since she brings a different life perspective than someone in her 20s would have. Especially since she was playing a widow. just mho.

3. What has depressed me is that this IMDb discussion of a movie has brought out the Haters. I don't mean people who hated the movie; I mean people who hate Jews and the State of Israel. Apparently, no amount of art, or even actual history, will ever be enough for some people to stop hating, to get them to stop looking for every possible opportunity to malign any group of people they get something -- however perverse or destructive -- out of hating.

4. My personal opinion of this movie is that it's an excellent MOVIE. It entertains. It teaches us a few basic facts about the creation of Israel that most of us never learned in school. It is well-cast, well-acted, well-directed, and well-photographed. In addition, it has a great score throughout the film (not just the very memorable main theme.) I saw it at a movie theater when I was fairly young, and I've probably seen it on TV over a dozen times since then. I also read the novel (a long time ago), but if I've learned anything over the years, it's that movies and novels are different animals that can't fairly be compared page-for-page, so to speak. Heck - ever read "Gone With The Wind?" In the novel, Scarlett has one child with each of her husbands, but in the movie, she only has the one child, with Rhett. But no one complains about it because it's a damn good movie. And so is "Exodus." It's damn good movie.

Adapted from one of the best books of the last century, Otto Premenger's "Exodus" (1960) had all the components of an exiting, deeply moving masterpiece. It was made by a very talented and celebrated director ("Laura" , "Anatomy of a Murder"); most scenes of the film were made in locations where the original events had occurred; one of the best ever American actors(Paul Newman) played the main character, Jewish hero, a fearless Freedom fighter, Ari Ben Canaan; Sal Meneo gave an absolutely compelling performance as Dov Landau, a young man, a boy really who had survived the horrors of Auschwitz, the only survivor of a big family from Warsaw. Ernst Gold won an Academy award for his truly magnificent musical score. Sadly, "Exodus" is not a masterpiece – it is an overlong, heavy handed, and rather unimpressive movie that caused satirist Mort Sahl to say, "Otto, let my people go" as he watched the film's 220-minute preview. Ironically, with all this running time, the best, the most inspirational parts of the book did not make it to the film. Among them are historical events dealing with the origins of ghetto system, pogroms in Russia, the long and fascinating journey of two brothers from a small Russian town to Palestine by foot, the ideas of Theodor Herzl, the birth of kibbutzes in Palestine, and enormous labor of kibbutznicks to make the land fertile, to grow plants and trees where the desert, rocks, and swamps had been, as well as the tragedy of European Holocaust and dramatic story of United Nations voting for partition of Palestine in 1947 and the war of the infant state against its multiple and hostile neighbors for the right to exist and be an independent country. I watched the movie just before I left for my trip to Israel a few weeks ago and I took the book with me there. Reading the book while be able to see the places it describes with such passion and love, to see the land that is called "promised land" or "Holy land" WAS one of the most emotional and unforgettable experiences in my life, watching the movie was not. It is just an illustration to the fantastic book – no more, no less. IMO, the book deserves the same treatment that Puso's "Godfather" had received – it should've been adapted into several movies, not just one. Like in Godfather, Part II, the scenes of the past and present should've alternated, given the viewers deeper insight in the events and the passions and politics behind them. Or even better, perhaps "Exodus" should've been adapted into TV mini-series format where every important character would've had enough time for his/her story.

I liked this film, but didn't love it--mostly because the original novel by Leon Uris is so much better that I can't help but feel disappointed. In addition, having the film star so many "guest stars" made it seem a bit like an Irwin Allen picture instead of a serious film about the foundation of Israel in 1948. However, in its favor, the musical score is striking. And, even if the plot is diluted a bit and didn't need all the cameos, it still is immensely entertaining.

What I would really love to one day see is a mini-series based on the book--as there is just too much plot to shove into one film--even a long film like EXODUS. The writing and emotion was so exceptional in the book and I'd love to see it captured more completely. But next time, stop putting very American actors in the leads--Paul Newman, Eva Marie Saint, Lee J. Cobb and Sal Mineo were all fine actors but the film needed people in the leads--not movie stars.

Otto Preminger's presentation of Leon Uris' novel "Exodus" tried to evoke comparisons, in its trailer, to "Gone with the Wind" and "The Birth of a Nation". Those films overcome ideological flaws, and remain genuine, undeniable classics. Despite the starry cast and sweeping grandeur, "Exodus" fails to achieve its epic intentions. Mr. Preminger, coming off the superb "Anatomy of a Murder", gives it a long and dull direction. Paul Newman (as Ari Ben Canaan) and Eva Marie Saint (as Kitty Fremont) are quite unconvincing, in the leading roles. Still, there are some good characterizations, and nicely staged scenes.

The film offers two obvious, award-garnering career moves: Sal Mineo's masterful supporting performance, and Ernest Gold's beautiful musical score. Mr. Mineo (as Dov Landau) won a "Golden Globe" as "Best Supporting Actor"; and, arguably, he also deserved the year's "Academy Award". His subplot, played with pretty blonde newcomer Jill Haworth (as Karen Johansson), is far and away the most interesting story, thanks to Mineo's acting work. Mr. Gold's "Exodus" theme is also outstanding, selling well over a million copies of the Ferrante and Teicher version alone; it won not only an Oscar, but also a Grammy as 1960's "Song of the Year".

****** Exodus (12/15/60) Otto Preminger ~ Paul Newman, Eva Marie Saint, Sal Mineo