Agrega una trama en tu idiomaFrancesca, a 17-year old school girl, has a vivid dream of making love to Enrico, a 37-year old divorced architect and family friend. She turns her dream into reality by meeting Enrico durin... Leer todoFrancesca, a 17-year old school girl, has a vivid dream of making love to Enrico, a 37-year old divorced architect and family friend. She turns her dream into reality by meeting Enrico during a regular school day.Francesca, a 17-year old school girl, has a vivid dream of making love to Enrico, a 37-year old divorced architect and family friend. She turns her dream into reality by meeting Enrico during a regular school day.
- Dirección
- Guionistas
- Elenco
Juanita Faust
- Maria Grazia - amica di Francesca
- (as Janita Faust)
Oliviero Prunas
- Eddy - il fratello di Francesca
- (as Oliviero Dani)
Gisella Arden
- L'infermiera della vecchia principessa
- (as Gisella Ardens)
Opiniones destacadas
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships.
If Catherine Spaak, beautiful and innocent, acts with brio, the quality of the supporting cast makes the movie. From a fifty-year-old indebted socialite who is having too much fun for her daughter's taste to a jaunty gigolo who turns out to be eaten by unreciprocated love, the minor characters entertain, delight, and subtly teach valuable lessons to both Francesca and the audience.
This film's unpredictability is refreshing. Whether written or filmed, coming-of-age stories often fail to surprise or intrigue the audience. In I Dolci Inganni, most characters seem at first to be crazily entertaining walking clichés, but they later astonish the audience by revealing their depth and their inner struggles. If love is widely accepted as a common human need, it can be expressed in mysterious, unsettling, incomprehensible ways. The variety of its forms in the movie gives the spectator an opportunity to reflect on his or her own endeavors and dreams.
This movie will seem slow paced to Gen-Xers, but anybody interested in human nature should see it.
If Catherine Spaak, beautiful and innocent, acts with brio, the quality of the supporting cast makes the movie. From a fifty-year-old indebted socialite who is having too much fun for her daughter's taste to a jaunty gigolo who turns out to be eaten by unreciprocated love, the minor characters entertain, delight, and subtly teach valuable lessons to both Francesca and the audience.
This film's unpredictability is refreshing. Whether written or filmed, coming-of-age stories often fail to surprise or intrigue the audience. In I Dolci Inganni, most characters seem at first to be crazily entertaining walking clichés, but they later astonish the audience by revealing their depth and their inner struggles. If love is widely accepted as a common human need, it can be expressed in mysterious, unsettling, incomprehensible ways. The variety of its forms in the movie gives the spectator an opportunity to reflect on his or her own endeavors and dreams.
This movie will seem slow paced to Gen-Xers, but anybody interested in human nature should see it.
Truly the greatest film that no one seems to know about (at least here in America) but certainly a profound one, as well as my personal favorite.
This is perhaps the most compassionate and artful debut role ever made for a young actress to shine. So, we should be thankful that the stars aligned for it to go to Catherine Spaak, perhaps the single most beautiful woman ever to grace the silver screen. (Here, of course, she's an adorable teenage girl, whose precocious mannerisms are sure to win audience's hearts.)
I wont spoil anything; give this a chance. Its a masterful expression of all the ways in which people hurt each other in the process of love, and are bitterly disappointed by life, all wrapped in a deceptively simple premise. All the best movies teach an important lesson of the craft, and I Dolci Inganni is the gold standard example of efficiency: how to say the most with the smallest runtime, pack the most subtext into a straightforward narrative and fully explore the depth of a most simplest theme.
This is perhaps the most compassionate and artful debut role ever made for a young actress to shine. So, we should be thankful that the stars aligned for it to go to Catherine Spaak, perhaps the single most beautiful woman ever to grace the silver screen. (Here, of course, she's an adorable teenage girl, whose precocious mannerisms are sure to win audience's hearts.)
I wont spoil anything; give this a chance. Its a masterful expression of all the ways in which people hurt each other in the process of love, and are bitterly disappointed by life, all wrapped in a deceptively simple premise. All the best movies teach an important lesson of the craft, and I Dolci Inganni is the gold standard example of efficiency: how to say the most with the smallest runtime, pack the most subtext into a straightforward narrative and fully explore the depth of a most simplest theme.
¿Sabías que…?
- TriviaCatherine Spaak was only 15 at the time of filming.
- ErroresTwo different buildings are used in the ending scene as Francesca's residence where Enrico drops her off in his car. The building clearly has no glass lobby in the long shot. It has a glass lobby in the close up shot.
- Bandas sonorasArrivederci
di Umberto Bindi (as Bindi), Giorgio Calabrese (as Calabrese)
Edizioni Ariston
cantata da Don Marino Barreto Jr. (as Marino Barreto Jr.)
dischi Philips 1959
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Detalles
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
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By what name was I dolci inganni (1960) officially released in Canada in English?
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