Cage of Evil

In CAGE OF EVIL, police detective Scott Harper (Ron Foster) investigates a big diamond heist that also includes a murder. As Harper delves deeper into the case, he becomes romantically involved with Holly Taylor (Patricia Blair) the girlfriend of one of the thieves.

Meanwhile, Harper is passed over for a promotion causing him to rethink his career path. He's ultimately presented with a choice that could hurl him headlong into darkness.

This is a solid crime drama with a noir-ish edge. For lovers of hard-boiled detective stories...

Pretty good little "B" crime movie. Granted the plot was nothing new but movies are still being made with the same story. Ted Knight was a riot. It seemed like he tried to steal every scene he was in (which wasn't that many). I like the narration, it made the story seem better. I guess this film would be a good candidate for MSTK but certainly wasn't awful. Our hero/antihero? was a little stiff and his slang didn't quite jibe with his stiff suits and clean cut demeanor. It was funny watching "squares" cut loose though. Recommended time filler but not a whole lot of action. Gotta watch out for that plumber though.

Los Angeles police detective Ron Foster is assigned to a diamond heist. He falls in love with the heister's girl friend, Patricia Blair, who helped set up the job. Never mind, she's a perfectly nice girl, and there are also the diamonds, as Foster finds himself trapped in this brightly-lit noir.

It's one of almost thirty films directed by Edward L. Cahn over a three-year period, so if you're looking for a masterpiece, this ain't it. What you have is the bones of a good story, some performers who do their best with nonsense, and a behind-the-screen crew that could have managed something pretty good, were they given time and money: camera man Maury Gertsman, Grant Whytock supervising the editing. But with the studio system collapsing, people needed work, and when B-producer Robert Kent came a-calling, a man without a job could hardly say no. So everyone worked for a couple of weeks, and then went scrounging for the next dead-end job.

Cage of Evil (1960)

** (out of 4)

Routine and rather lifeless crime picture has Detective Scott Harper (Ben Foster) getting assigned to a diamond heist, which left one man dead. The detective starts to investigate showgirl Holly Taylor (Patricia Blair) who has a connection the big crime boss but soon the two fall in love and the detective decides to go bad and get the diamonds for himself. CAGE OF EVIL features just about every cliché you can imagine from the crime genre and by the time it's over you'll be slightly entertained but there's still no question that you've seen this type of thing so many times before and this here doesn't add anything new. I mentioned being slightly entertained and the main reason for this is that the detective is simply so stupid and makes so many stupid mistakes that you really can't help but be entertained by how many dumb things he does. I mean, it's easy to believe that he'd turn bad after being passed over on a promotion but at the same time he just makes one mistake after another. A detective should know how to work around the system but this guy makes such boneheaded mistakes that even a newborn baby wouldn't do something of the things he does. Another problem is that director Edward L. Cahn really doesn't bother building up any real drama or suspense. The entire film comes off rather flat and it appears that the director was just wanting to get everything on film, on budget and he didn't stretch to try and do anything special. The story itself is pretty familiar stuff but the final ten minutes do start to pick up and lead to a nice ending. CAGE OF EVIL really isn't recommended to anyone except for those who must see every crime pic from this era.

TCM Noir Alley host Eddie Muller spent about ten minutes during his intro to "Cage of Evil" trying to convince me that I would hate it. And then he came back after the movie was over and tried some more. Seriously, why? I really liked this movie. It's certainly no worse than any number of other B noirs I've seen over the years.

This one stars a cast of people I've mostly never heard of, led by good looking Ron Foster and fetching model-turned-actress Patricia Blair. Foster, a police officer looking for a promotion, gets himself in a fix over a dame, as such men will in movies like this, and spends the movie becoming increasingly desperate for a way out. It's a cheap, raggedy film, and when it comes to B noirs, I wouldn't have it any other way.

Grade: A-