The Angry Silence

to anyone who lived through these times and these types of factory settings this film resonates.

The Burke character of the communist agitator invokes criticism of left bashing but anyone who had experience of the British motor/engineering industry in these times knows that it is much closer to the truth than many people want to believe.

However to those that think the film has right wing bias you only have to look at how the useless fat cat directors are portrayed (having no knowledge of the business they are taking large salaries from), hardly an advertisement of capitalism. Plus even the "sympathetic" management end up not supporting the worker who supported them, as bad as the agitator in their own way.

Good performances all round, outstanding from Richard Attenborough, Pier Angeli, an unusually good turn by Michael Craig and dependable Bernard Lee as the dim union man manipulated easily by the agitator.

A style of film-making gone now but interesting social commentary of the times. Recommended for social historians and affectionados of good acting.

Filmed in Ipswich, this screenplay, challenging in its time, gives a clear portrayal of British Industrial relations during the time 'We never had it so good.' Alfred Burke's agent provocateur with his sinister telephone calls does just enough to suggest that the cold war was blowing through British engineering. Attenborough's innocent at the power lathe is nicely offset by the underrated Michael Craig as his friend and lodger forced to go along with the Union's decision to send the strikebreaker to Coventry. Good location shooting and the knowledge that things were not so very different in reality makes this a handy movie from several perspectives. Viewed with 'I'm Alright Jack' you can gain a fair impression of Britain in the days of Black and White Television

This film doesn't seem to be very well known but it has a lot to offer.

I've seen 50s/60s comedies based around factories but I can't remember many serious dramas like this. The plot holds few surprises but that leaves plenty of room for us to judge the acting, and I'd say it's consistently good. Richard Attenborough and Pier Angeli are a great combination as the young married couple - it's a shame Pier made so few films in English.

A lot of scriptwriters could do worse than watch this film and learn its lessons about how to tell a story in 90 minutes. And this is a good film for classroom use - leads nicely into a discussion of peer pressure and bullying.

I saw this film in my first year in law school in New York in 1991. A prior comment calls the film "right wing." Unfortunately, given the subsequent events in Britain in the 1970s and contemporary events in Detroit right now, it is prescient. Lord Attenborough's character faces a labor high noon many encounter in a union shop. One older worker in the film wants only to make a product that he is proud of. A pride that forces in the union movement obstruct. Anyone compelled to join a union by organizers who hire on only to unionize, will appreciate this film. I know. I've been there -- twice. White collar and blue collar jobs. That the film was made at all is amazing. But this often grim picture does have a comedic sibling -- the equally brilliant I'M ALL RIGHT JACK with Ian Carmichael and Peter Sellars. See both and you will understand what happened to Britain as well as too much of industrial America. If corporate greed has a partner, it is union executives who throw their members under a bus to save their jobs. THE ANGRY SILENCE should be required viewing for anyone who believes that political films -- not politicized films -- have a place in Hollywood. Heartbreaking story, economic direction, and brilliant acting. In dramatic black and white. The screenplay won a BAFTA Award for Bryan Forbes.

"The Angry Silence" can be read in two ways: one, it is a pretty accurate depiction of the way union relations were run in the late 1950s and the shadow of the far left; or, it is a propaganda piece for the far right and nothing like the truth. There are strong arguments for both camps to be correct.

What struck me about the film was the central performance from Richard Attenborough as the lone worker standing up against bullying and blackmail from his trade union colleagues. One scene in particular which takes place in the canteen is a masterclass in screen acting of its type, and there are also good scenes between Attenborough and his screen wife, played by Pier Angeli, and his work colleague and lodger, played by Michael Craig.

Bryan Forbes always seemed to be veering off in different directions with the various movies on his CV, and this is an odd one. Whatever your politics, it is a good film and provokes a reaction. Whether the reaction is one which matches the reality has to remain open to question.