The Amazing Transparent Man

A title like "The Amazing Transparent Man" does have you seriously wondering on how poor the movie you are about to watch will be - - for a start, he can't even achieve invisibility (only transparency), so what is 'amazing' about that?

But the opening titles suggest you might get something a bit better than you were bracing yourself for. It's quite a good mood setting, with the music involving a cello grinding 4 repeating notes ominously. The other give away is that in the opening credits, the directors and producers names are shown in running-writing style - clearly both artists. And the opening prison escape bit is good, as well as the police checkpoint scene, and they involve some nicely framed external shots.

In fact its all looking like this might be a surprisingly enjoyable film, until the escaped safe-cracking crim Faust (played by Douglas Kennedy) has his first real indoor talking scene. And then you realize that for some reason only known to him, Mr Kennedy plays Faust like some "John Wayne" cowboy. Why a safe cracker would also be a swaggering tough guy who looks like he is ready to say "Ok Pilgrim" is a constant annoyance which does tend to cripple the film.

Anyway - - I don't think I'm giving much away to point out the early setup in the film when Krenner (the Bad Guy) says something like "Dr, make sure the radioactive material is kept away from the beam, or else we will all blow up", and then Dr Ulof repeating something similar back to Krenner five minutes later - - clearly, something is eventually going to go wrong along these lines much later in the film, and they really don't want you to miss it.

The other annoying thing about this movie is how quickly the characters (Faust, Krenner, Dr Ulof, Laura (the bad guys girl), and Julian (the bad guys hired help)) seems to keep swapping alliances and personality, all as a result of some simple statement that would even make a daytime soap opera blush.(eg: a "But your son is dead" has Julian swapping sides without a thought that "Hey, maybe she is lying because I have a gun pointed at her?").

So, the film is not too strong on the logic of how and why the characters act and respond. When combined with its over-earnestness, the final sentence uttered in the film, instead of being the deep and meaningful thought provoker the director and producer obviously intended, resulted in me chuckling for quite a while after the closing credits finished.

Ultimately - The Amazing Transparent Man is better than its title suggests, but not something to recommend.

Extremely compact (57 minutes) yet entertaining story of ruthless safe-cracker (Kennedy), sprung from gaol by a demented former military agent (Griffith) and his cheap-wine associate (Chapman), forced to endure radiation experiments that make him invisible in order to steal guarded uranium deposits so Griffith can build an invisible army to take-over the world. Street-wise Kennedy decides to turn his transparency into an opportunity to pull a bank heist, but things go awry when the invisibility wears off mid-way through the crime.

Griffith is an impeccably dressed, meek-looking but sadistic villain, keeping his associates subservient via various forms of duress, Chapman plays the life-of-crime broad, mistreated by Griffith (there's a great scene in which Griffith slaps her twice the second he calls "the dot on the i") seeing an opportunity to make it big with Kennedy's safe-cracking skills. Kennedy is the cornerstone, delivering an economical performance of a career criminal with no pride or patriotism, only a loyalty to his young daughter from whom he's forcibly estranged.

You won't get much in your special effects on this budget, nevertheless it's not a bad variation on the "invisible man" theme like an "Outer Limits" or "Twilight Zone" episode with real exteriors and a capable and reasonably distinguished cast. Look out for craggy-faced Pat Cranshaw ("Old School") as an inept security guard in an early film role.

A prisoner is freed by people who want him to do a job for them -- he doesn't know what it is, just that he'll be "free", but he finds himself the subject of a weird experiment. He eventually turns "transparent" because of radiation treatments, and the guys who are doing it to him are Nazis out to conquer the world with an invisible army (?!!!?). They want him to use his transparency to rob military bases of plutonium for building their army, but he eventually goes back to his stock and trade -- bank robbery. When his floating bag finally attracts notice, he starts to flash in and out of visibility -- cool scene. Decent photography, tight direction redeem this seeming 5 day quickie.

Another early black and white sci-fi film with some promise........at least in the beginning. Mad dictator "wanna be" springs bank robber from prison to use him in his plan for taking over the world with an invisible army. Sound outrageous? You bet! The sets are cheesy, the story is pretty stupid, the actors either overact or can't act at all, the ending is over the top.......these are all part of the elements that make low budget films fun to watch. Besides, it was directed by Edgar Ulmer, who did some fascinating work. But for some reason, this one is disagreeable.

There are holes in the plot as big as Rhode Island and there is something very sleazy about all the actors, even though a couple of them are mainstays of "B" films, and in the case of Ivan Treisault, "A" list big productions ("Notorious", for example.)And there is that constant bickering........it seems that 75% of the dialogue is shouted. The special effects......well, I've seen worse, much worse, even though you can see the wires. We've seen wires in films before. So what is it that makes this little programmer unpleasant? It just doesn't seem to gel but I don't know why. Maybe it was that Wurlitzer organ in the middle of the living room! So catch it on MST3K with Mike and the 'bots.....without them, it is pretty damn dismal.

Ah, now this one gets a bad rap here, but it's too short to be tedious and too cute to be annoying. At 57 minutes, you've got a nice compact sci-fi film that won't tax your brain too much (unless you try thinking about the plot).

Joey Faust gets busted from the barry hole by a dame, and gets taken to a farmhouse run by a mysterious and shifty ex-army guy who wants to use both Joey's lockpicking skills and a mad scientist's invisible ray gun to create an army of invisible men. That's good stuff right there.

After turning a guinea pig invisible, Joey kind of eventually agrees to go for it, and I liked that the moment he turned invisible he started beating the shifty guy up. Joey's out for an invisible score but he finds one problem - the ray's effects don't last that long. What's a career criminal to do? Find redemption by rescuing the mad scientist's daughter?

Never dull, full of banter and daft effects, punch ups and the mad scientist asking the audience a direct question I was too thick to understand, I really liked this little film. Loved the stock footage nuke blasts too!