13 fantasmas

William Castle set out to make a fun, spooky, scarey picture for anyone who ever believed (or wanted to believe) in ghosts, and the result, 13 GHOSTS, is a marvelous and memorable little picture, that even after 40-odd years, still has creeps, scares, thrills and fun galore.

If at all possible, see it the way it was meant to be seen- - -with proper Ghost Viewers-(available with the DVD edition) -so you can experience Illusiono, by which you can actually see the ghosts in Ectoplasmic Color!

The plot, acting and production values may be unsophisticated, but what matter?- -The important thing is THE GHOSTS- -and they are all there as promised, including the mysterious thirteenth ghost- -and a wonderfully familiar witch (who was delighted to play the part)- -

This is a great movie for kids (and adults) who love ghosts and spooky stuff, but are not at all ready (or desirous) of watching a movie full of gore, putrescent language or non-stop violence.

You'll remember the ghosts, the fun and the thrills, for years to come.

13 Ghosts is a real classic haunted house style ghost story. Films like this wouldn't do very well these days (hence the reason the remake is so different) as the chills mostly come in the form of wind whistling through windows and pots being thrown off kitchen shelves; things which wouldn't scare people anymore. However, it's delightful to see a film like this - especially one directed by one of the kings of horror entertainment; William Castle. 13 Ghosts works from the assumption that its audience wants to believe in ghosts; and the result is a cheerful little flick that Castle manages to steer away from patronisation and keep firmly within the realms of the fun horror film. The story is halfway between a tale of ghosts and a story about mad science, and we follow a family who find themselves between a rock and a hard place when the repossession men take their furniture and the father's uncle dies, leaving them his house. However, he dabbled in the occult; and the house that he's left his nephew's family is filled with ghosts!

Hot on the heels of his successes with Vincent Price starring films, The Tingler and House on Haunted Hill; 13 Ghosts is another gimmicky film with over the top special effects, and once again Castle does a great job of entertaining the audience. The plot doesn't have a lot of originality, but it doesn't matter because it's successful where it counts. The family are shown as the classic American set up of a father, mother, daughter and son; and they're all very easy to get on with, which makes both of the 'evil' subplots easy to buy into. The special effects are one of the most notable things about this film. William Castle clearly doesn't subscribe to the idea of 'less is more', and 13 Ghosts shows that quite clearly. The ghosts here leave nothing to the imagination, and I was very happy with that as the main reason I don't usually like ghost stories is that they take too long to get going. This one doesn't suffer from that, and although it's a bit silly at times - 13 Ghosts is a real good time, and comes highly recommended to all!

Schlockmeister William Castle's "13 Ghosts" is one of his classic horror films of the late 1950s/early 1960s. Castle was known, at least during this time, for gimmicks - the gimmick for this movie was special glasses to see the ghosts.

Absent-minded paleontologist Cyrus Zorba (Donald Woods), not to be confused with the Dr. Zorba played by Sam Jaffe on the Ben Casey TV show, inherits his eccentric uncle's house. His uncle Plato Zorba collected ghosts. 11 ghosts, including a killer Italian chef, a headless lion tamer and his lion that for some reason is split in half, a few flaming ghosts, and, for ghost #12, the late Plato Zorba.

Uncle Plato (apparently suffocated in a canopy bed) was discovered by his housekeeper Elaine Zacharides, played by the late, great Margaret Hamilton (best known as the Wicked Witch of the West in "The Wizard of Oz". Before Uncle Plato died, he converted everything he owned into cash and hid it in the house. His attorney, Ben Rush (Martin Milner) knows that there is a substantial amount of money, but he doesn't know where it is.

There are a few interesting things to ratchet up the scare factor - Ouija board that tells the Zorbas and Ben that one of them will be harmed, different ghosts causing objects to float in the air, these weird specs that light up inside the frames, a creepy housekeeper, a séance, and a hidden stash of cash.

Filmed in "Illusion-O". It's not a great film and by no stretch of the imagination is this on the same level as many other films from 1960, like "Spartacus", "The Apartment", or even "The Bellboy, but it definitely has its place in history.

13 Ghosts is produced and directed by William Castle and written by Robb White. It stars Charles Herbert, Jo Morrow, Rosemary DeCamp, Martin Milner, Margaret Hamilton and Donald Woods. Cinematography is by Joseph Biroc and music by Von Dexter.

When the Zorba family inherit a house from the recently deceased Dr. Plato Zorba, they think their luck has turned for the better. But pretty soon it becomes evident that Plato was known to be a dabbler in the supernatural and the house is haunted by a number of ghosts…….

By the time of 13 Ghosts' release, William Castle was well into his stride as a showman producer. Following on from The Tingler, one of his best films that featured his best gimmick (Percepto), he brought to his target audience Illusion-O, basically a two coloured viewer that the audience could use if they did or did not want to see the ghosts in the film, a subtitle flashed on the screen prompted use of the viewer. Unlike The Tingler, 13 Ghosts isn't a good enough film to be considered better than the gimmick that accompanied it. Yet there's a glorious sense of fun about the film, anyone under the illusion (o) that Castle was trying for a serious horror to scare the teenagers, could do with listening to Von Dexter's score for some of the ghostly goings on. Wonderfully tongue in cheek, the whole thing is played for nervous smiles rather than shrieker schlock.

The effects used (red images in a black and white movie) are more than good enough for tone and purpose of this particular production, in fact if you watch in the dark in the right frame of mind, then the ghosts do have a creepy enough vibe to them. The narrative, while hardly taxing for the brain, does contain a couple of surprises, while the presence of the wonderful Margaret Hamilton (Wizard of Oz's Wicked Witch of the West) is a major plus point, especially since she closes the picture down with eyebrow shifting glee. Critics across the years have always been hard on the film, and for sure it's weak in direction, writing and a high percentage of the acting, but it was a hit at the box office. There was a market for it back then, and there still is now, you just gotta be into fun and in an undemanding horror/comedy mood.

Just above average for a cheeky chiller blues lifter. 6/10

I was 8 years old when this movie came out. We saw it as a family at the Baseline Drive-in. At the time it really scared me and my siblings. I just saw it recently on video and my impressions now are of course different. What I remember were the special glasses that you had to use to see or not to see the ghosts. William Castle at the time was the PT Barnum of horror movies and this was one of his latest gimmicks. Probably what I remember the most was finding for weeks afterward the discarded special glasses in our families orange grove since we lived about 1 mile from the drive-in and our road was on the way home for many people. My dad couldn't stand trash on our property and would pay each of us 5 cents for each one we brought to him.