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Una antología aterradora que explora las diferentes encarnaciones de las fuerzas siniestras que nos atormentan. Estos escalofriantes relatos se sumergen en nuestros miedos más profundos, dej... Leer todoUna antología aterradora que explora las diferentes encarnaciones de las fuerzas siniestras que nos atormentan. Estos escalofriantes relatos se sumergen en nuestros miedos más profundos, dejando una huella indeleble en la psique.Una antología aterradora que explora las diferentes encarnaciones de las fuerzas siniestras que nos atormentan. Estos escalofriantes relatos se sumergen en nuestros miedos más profundos, dejando una huella indeleble en la psique.
- Nominado a 1 premio Primetime Emmy
- 2 premios ganados y 5 nominaciones en total
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Opiniones destacadas
Karloff's classic 60's 'Thriller' was a rare, haunting gem of some of the scariest horror stories, written by the best authors of the genre. It's 'trademark' was its logo lines that would come in and out before and after the commercial breaks.
Veteran directors such as John Brahm ("Hangover Square") employed dark, baroque german expressionism to evoke a creepy, ominous mood of paranoia. Newcomer, Jerry "Alien" Goldsmith's eerie soundtracks were unsettling and morbidly effective. (Wish it was available on CD).
Karloff's intros were congenial and sinister, and helped to set the stage for the truly suspenseful and frightening tales. He also appeared in a few episodes such as 'Premature Burial', 'Last of the Sommerviles' (with Martita Hunt from "Brides of Dracula") and 'Incredible Dr. Markeson' with Dick "Bewitched" York. The zombies and dank atmosphere of 'Markesan' seemed like a pre-cursor to "Night of the Living Dead." Ending was truly terrifying.
A pre-Kirk William Shatner appeared in two outstanding episodes; 'The Hungry Glass' with Russell "professor" Johnson and 'The Grim Reaper with Natalie "Lovey" Shaffer. Both were written by Robert "Psycho" Bloch and were genuine supernatural classics.
Robert Arthur wrote 'Prisoner in the Mirror' where researcher Lloyd Bochner ends up trapped in a mirror by evil magician Henry "The Body Snatcher" Daniell. The conclusion was unexpected and quite disturbing - something Hollywood would never have the balls to do today with all its "play it safe" and PC crap.
Feminists may find it interesting to know that THRILLER was one of the first shows that had a woman director. It was Ida Lupino, who did a marvelous job on superb episodes like 'La Strega'; that featured a pre-Bond Ursula Andress and Jeanette "The Big Heat" Nolan, who convincingly played the most horrifying witch imaginable. Had a very hard-hitting surprise ending that was not easily forgotton.
Mz. Lupino also created Hitchcockian suspense in Cornell "Rear Window" Woolrich's 'Guilotine', which has a true kicker ending. Fine performance from Robert Middleton as the sensitive romantically jilted executioner.
'Trio for Terror' was another great Lupino-entry which was a trilogy of three short horror tales; among them, "The Extra Passenger" which had the chilling atmosphere of J. Tourneau's "Curse of the Demon." Clever use of subtlety, which we no longer have today.
John "One Step Beyond" Newland directed Robert E. Howard's 'Pigeons from Hell' with Brandon De Wilde, who, with his young brother, spend a memorable night in a old run-down southern mansion. A true terrifying classic and a masterpiece of atmosphere.
There were many more exceptional episodes that need to be re-discovered due to their great, timeless classic merits.
THRILLER was a genuine one-of-a-kind show, and a soaring tribute to the horror genre. There were also many memorable crime episodes that are worth your attention as well; written by top people such as John D. MacDonald ("Cape Fear"), Lionel White ("The Killing"), Fredric Brown, Philip McDonald; etc. Some of the darkest film noir with the most downbeat of endings. Also, there were occasions where episodes would do a criss-cross of the crime and horror genres to great suspenseful effect.
Make it a top priority to check out this remarkable classic series which Stephen King also had the highest praise for.
THRILLER was (and still is) the best of its kind. Needs a revival and full DVD release. Check the thread on the 'Classic TV' message board.
Veteran directors such as John Brahm ("Hangover Square") employed dark, baroque german expressionism to evoke a creepy, ominous mood of paranoia. Newcomer, Jerry "Alien" Goldsmith's eerie soundtracks were unsettling and morbidly effective. (Wish it was available on CD).
Karloff's intros were congenial and sinister, and helped to set the stage for the truly suspenseful and frightening tales. He also appeared in a few episodes such as 'Premature Burial', 'Last of the Sommerviles' (with Martita Hunt from "Brides of Dracula") and 'Incredible Dr. Markeson' with Dick "Bewitched" York. The zombies and dank atmosphere of 'Markesan' seemed like a pre-cursor to "Night of the Living Dead." Ending was truly terrifying.
A pre-Kirk William Shatner appeared in two outstanding episodes; 'The Hungry Glass' with Russell "professor" Johnson and 'The Grim Reaper with Natalie "Lovey" Shaffer. Both were written by Robert "Psycho" Bloch and were genuine supernatural classics.
Robert Arthur wrote 'Prisoner in the Mirror' where researcher Lloyd Bochner ends up trapped in a mirror by evil magician Henry "The Body Snatcher" Daniell. The conclusion was unexpected and quite disturbing - something Hollywood would never have the balls to do today with all its "play it safe" and PC crap.
Feminists may find it interesting to know that THRILLER was one of the first shows that had a woman director. It was Ida Lupino, who did a marvelous job on superb episodes like 'La Strega'; that featured a pre-Bond Ursula Andress and Jeanette "The Big Heat" Nolan, who convincingly played the most horrifying witch imaginable. Had a very hard-hitting surprise ending that was not easily forgotton.
Mz. Lupino also created Hitchcockian suspense in Cornell "Rear Window" Woolrich's 'Guilotine', which has a true kicker ending. Fine performance from Robert Middleton as the sensitive romantically jilted executioner.
'Trio for Terror' was another great Lupino-entry which was a trilogy of three short horror tales; among them, "The Extra Passenger" which had the chilling atmosphere of J. Tourneau's "Curse of the Demon." Clever use of subtlety, which we no longer have today.
John "One Step Beyond" Newland directed Robert E. Howard's 'Pigeons from Hell' with Brandon De Wilde, who, with his young brother, spend a memorable night in a old run-down southern mansion. A true terrifying classic and a masterpiece of atmosphere.
There were many more exceptional episodes that need to be re-discovered due to their great, timeless classic merits.
THRILLER was a genuine one-of-a-kind show, and a soaring tribute to the horror genre. There were also many memorable crime episodes that are worth your attention as well; written by top people such as John D. MacDonald ("Cape Fear"), Lionel White ("The Killing"), Fredric Brown, Philip McDonald; etc. Some of the darkest film noir with the most downbeat of endings. Also, there were occasions where episodes would do a criss-cross of the crime and horror genres to great suspenseful effect.
Make it a top priority to check out this remarkable classic series which Stephen King also had the highest praise for.
THRILLER was (and still is) the best of its kind. Needs a revival and full DVD release. Check the thread on the 'Classic TV' message board.
I was 11 years old when I had the fortunate (though for the sleepless week that followed I didn't think I was so lucky) when I saw the episode 'The Hungry Glass'...of course, being a kid generated its own fright quotient. Certainly 43 years later I could see the same show and laugh at it---maybe. I'll just say this, the sight of the spectres in that damnable mirror has never quite left me...much like the Banshee outside Darby O'Gill's door which I saw at about the same period in my life, causing me to wonder if mere acting can ever work up such emotional involvement again. Or as we age does life's humdrum banish true horrors to some remote chamber we've lost the key to?
This humble fan of Boris Karloff's Thriller will side with the great horror writer Stephen King who calls "Thriller" the scariest show ever on television. Well, I will back off a little from Mr. King as "One Step Beyond" get's my vote as scariest TV show followed by "Ghost Story/Circle Of Fear", but "Thriller" ranks right up there with the aforementioned two. It's been a while since I have scene many of these episodes as they really haven't run anywhere on TV that I has acces too. Most of my memories come from the 1970's when local station WOR-TV aired the show. Recently I saw an episode on video entitled "The Premature Burial" and man, even at age 30 plus, it scared the pants off of me and made the goosebumps rise! Erie intro by Boris Karloff, moody black and white photgraphy, creepy scripts and big name stars make this a TV gem! I cannot recall the name of this particular episode but I believe it was directed by and starred Ray Milland and it was about "Jack The Ripper". I haven't seen it in years but I still remember it from seeing it in the 70's. scary and proof positive that this show was memorable and has staying power. Highly recommended!
This was one of the first television "horror anthology" shows. It came on before Twilight Zone and Night Gallery and Tales From The Crypt. Boris Karloff was a wonderful host. He probably scared more people then any other horror star in history. He hosted the show and also acted in it on occasion. I saw the episodes in syndication and didn't think they had aged at all. They had the highest quality horror writers turn out the best scripts and it clicked magnificently. One episode I remember was one with Dick York were Boris was a mad scientist and turned Dick's wife into a zombie before he could rescue her. The final scene showed him screaming in horror at the sight of his zombie bride. I saw that episode as a nine year old and it scared the bejesus out of me. Another episode was one called Yours Truly Jack The Ripper based on a short story by Robert Bloch (he's the man who wrote Psycho). It had a really neat twist at the end. They didn't use gory special effects on the show and a lot of big name stars got their start on it. They should put it out on video like they did with The Twilight Zone so a new generation can enjoy it and say "They don't do it like that anymore".
There's no doubt about it, that this show had some of the eeriest and most unsettling stories to ever be aired on network TV. However, it would (I feel), be naive to think this show was the best of its kind. Like other anthology shows of its genre (NIGHT GALLERY, THE TWILIGHT ZONE, etc.) it suffers from a hodgepodge of dull scripts, mixed in with some genuinely effective ones. While the good on this series could be really good, the weaker shows could be insufferably boring. As a horror/fantasy enthusiast, it's those shows which I enjoy the most from this series, but the non-horror, the crime "thriller"s, those are generally a disappointment.
That aside, the horror segments on this show are some of the best ever done for television. Very moody, atmospheric pieces, suitably filmed in black and white. I suppose one could say that this series is what THE TWILIGHT ZONE would have been like, had it been a horror show, or what NIGHT GALLERY would have been like, had it been in black and white. Boris Karloff introduces each segment, in his usual drawl, but although he does fairly well at that, he doesn't have quite the same eerie restraint that Serling had on his series'.
Among some of the better segments on this show, that I enjoy:
"The Weird Tailor": Extremely clever story, with perhaps the most chilling final moments of any of the THRILLER episodes.
"A Wig for Miss Devore": One of Patricia Barry's best roles, and one of THRILLER's best shows.
"The Remarkable Mrs. Hawk": Jo Van Fleet is great in this one, as is John Carradine. This plays like a dark comedy...twisted and fun.
"The Cheaters": Most remember the final moments from this episode, but the whole show is very well done.
Definitely a series worth checking out for horror fans, and those who appreciate quality television. It's a shame this series doesn't get enough of the credence it deserves. It's not perfect, but it's certainly not without its laurels.
That aside, the horror segments on this show are some of the best ever done for television. Very moody, atmospheric pieces, suitably filmed in black and white. I suppose one could say that this series is what THE TWILIGHT ZONE would have been like, had it been a horror show, or what NIGHT GALLERY would have been like, had it been in black and white. Boris Karloff introduces each segment, in his usual drawl, but although he does fairly well at that, he doesn't have quite the same eerie restraint that Serling had on his series'.
Among some of the better segments on this show, that I enjoy:
"The Weird Tailor": Extremely clever story, with perhaps the most chilling final moments of any of the THRILLER episodes.
"A Wig for Miss Devore": One of Patricia Barry's best roles, and one of THRILLER's best shows.
"The Remarkable Mrs. Hawk": Jo Van Fleet is great in this one, as is John Carradine. This plays like a dark comedy...twisted and fun.
"The Cheaters": Most remember the final moments from this episode, but the whole show is very well done.
Definitely a series worth checking out for horror fans, and those who appreciate quality television. It's a shame this series doesn't get enough of the credence it deserves. It's not perfect, but it's certainly not without its laurels.
¿Sabías que…?
- TriviaBesides serving as host in every episode, Boris Karloff had roles in five different episodes.
- Citas
Boris Karloff: And as sure as my name is Boris Karloff, this is going to be a thriller.
- ConexionesFeatured in Aweful Movies with Deadly Earnest: Thriller: The Prediction (1972)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Boris Karloff Presents
- Locaciones de filmación
- Revue Studios, Universal City, California, Estados Unidos(filmed in Hollywood at)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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