¿Quiere usted bailar conmigo?

The murder mystery plot is pretty limp, but Bardot is at her ripest and performs a joyous mambo. The gay subplot would have been unthinkable in a Hollywood film of the time; here the treatment is relatively casual and benign. The title song is a finger-snapping delight; how could it have escaped Bobby Darin's attention?

I just want to take note of the great Serge's Gainsbourg stunning appearance, short but classic! "L'homme a la-Tete-De-choux" enters with class, sets his line, and the rest is history...Check out Gainsbourg the artist: jazzman, musician, singer, poet, provocateur, precursor of rap, pop idol, eighties cult, through his musical career. Not to mention Brigitte Bardot in all of her splendor, a must see for any BB fan (check out the song "Bonnie and Clyde" for another Bardot/Gainsbourg collaboration). Good stay-at-home and somewhat suspenseful movie. Worth watching. I found this movie very enjoyable, definitely not a classic, but reminiscent of the pre-60's French thrillers.

Brigitte Bardot was so completely feminine, playful, beautiful, and witty, she couldn't miss connecting with the male sector of any movie-going audience. And the women must have hated her, or at least envied her to tears.

Bardot's face is so luminous, focusing upon it is more stimulating than seeing close-up, revealing body shots of her contemporaries such as Eckberg and Lollobrigida. She could take a mediocre, or in this case, convoluted plot, and save a film which would have been a dud with just about any other female star.

The film is fast-paced, and suspenseful, in so far as the futility of trying to guess the culprit's identity, prior to the odds and ends being tied up neatly, in the end. And it far surpasses Bardot's collaboration with director Michel Boisrond, in "Mme. Pigalle," produced three years earlier. That one is filled with artifice and "mannerisms." such as fake auto rides, background landscape fakery, lip-synch singing, fake piano playing, and the stereotypical bumbling, "moronic cops" syndrome, so prevalent in films of the time. This film contains no artifice, or editing "tricks," whatsoever, and while it lacks for substance, it is entertaining, and the Bardot charisma at this most appealing stage of her life, stays with one, long after the curtain rings down.

Henri Vidal, in his final role before his untimely death at age 40, is well-cast, as Bardot's husband who is being blackmailed by femme fatale Dawn Addams, herself a red-headed stunner who exits the film much too soon to suit the male voyeur contingent.

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Brigitte Bardot lights up the screen (while keeping her threads on mostly) as a wife who plans to clear her husband's name while working at a dance studio..and she can really mambo. Very complicated plot, but well-paced. Hits some night spots which few films did at the time (cross-dressing) with overall decent acting and beautiful color.

A 6 out of 10. Best performance = BB. The guy who played BB's husband (the dentist) died right after this. He was married to Michele Morgan, I believe. Brigitte is sexy, intelligent, fun, dilligent, and focused in this surprising little gem (without being art). Dawn Addams is an added treat. The DVD copy I watched was clear as a bell which many of Ms. Bardot's film transfers are not. Seek it out for an interesting and fun surprise.

After a discussion with his spoiled wife Virginie (Brigitte Bardot), the playboy dentist Hervé Dandieu (Henri Vidal) goes to a bar where he meets the sexy dance teacher Anita Flores (Dawn Addams). She invites Hervé to dance with her and while dancing, his father-in-law arrives in the place and Hervé sneaks out with Anita. Hervé drives Anita home, and she invites him to have one last drink; Anita seduces him and they kiss each other on the sofa, while her hidden partner takes pictures of the intimacy of the couple. Hervé leaves Anita without having sex, but is blackmailed by her. She schedules a meeting with him in the dance school, but Virginie listens to their conversation and believes that Hervé is cheating her. Virginie is snoops Hervé in the dance school, and he finds Anita dead and becomes the prime suspect of the police. Virginie asks for a job in the dance school and decides to investigate the case by her own.

The silly and naive "Voulez-vous Danser Avec Moi?" has a predictable screenplay and is supported by the charm and beauty of Brigitte Bardot. Dawn Addams has a minor participation, but she is astonishing with her blues eyes and beauty. In the end, forget this flawed story and enjoy Brigitte Bardot acting like a detective and Dawn Addams that you will have a nice entertainment. My vote is six.

Title (Brazil): "Quer Dançar Comigo?" ("Do You Want to Dance with Me?")