Traición en el alto mando

A Touch of Larceny (1959)

Oh, it would be easy to brush off this film as a trifle. But it's so nicely constructed, so perfectly acted in a very cinematic and restrained British manner, and the plot is a joy, you really should give this a chance. And it gets only better as it goes.

The ploy here is two-fold. First there is the love affair that might or might not happen. James Mason in the lead has taken a liking to Vera Miles as the desirable but rather strong and disinterested female. Mostly. Then there is the political intrigue, much more lighthearted than a Hitchcock mixture of romance and intrigue, but giving an edge of suspense, or at least surprise, to the results. The third character in what is never quite a love triangle is the inimitable George Sanders who, like the rest of the cast, is very Old School. In fact, the American woman and the rather charming international Brit in the form of Mason are the two exceptions to the feel of the acting and the accents.

You do get a sense that some of these old sorts are being made fun of, but only in a loving and appreciative way. The war, meaning (for Britain) WWII, is now 14 years past, and these military types are hanging on to a foggy past keeping their chairs warm and rather enjoying an easy ride on the government's paycheck. We are, after all, about to enter the 1960s, and we all know how dated this world will seem once Love Love Me Do rolls over the AM radios of England.

So, a glimpse of a time, and a clever and fun and truly lightweight story, too. But well done enough to pull you in. You'll be rooting for someone or other by the end. And expect a twist, whether or not you get one.

By the way, the director, Guy Hamilton, is thoroughly British in his feel for films and humor (though born in France of British parents), and he went on to greater fame doing four James Bond movies (including "Goldfinger") and several others that have had some respect beyond their pop culture roots. It shows here. "A Touch of Larceny" could have been a painful flop, but it has the touch of three great actors and an up and coming big name director.

...yet I still remember liking it enough to want to get it IF it ever comes out on DVD. ( I think this is the movie that made me a life-long "fan" of James Mason.)

It is basically his ( Mason's ) character portrayal that makes the whole thing work. His "touch of larceny" actually succeeds but to say more would be a spoiler. There is one scene toward the end of the pix whereby he is confronted with a direct question which appears to have him "caught." By then your kinda rooting for the rouge -and- Mason carries it off with a 'touch of class' ...as a mid-teen I remember feeling something of a bit of admiration for the character portrayed.

For all I know all the prints and master may regrettably have already disintegrated, yet, if an opportunity ever arises I'd recommend it to anyone whom can enjoy a movie for the story it tells.

I thoroughly enjoyed "A Touch of Larceny" starring James Mason, Vera Miles, and George Sanders.

Mason plays Cmdr. Max Easton, who works for the government in a boring job. He meets the fiance Virginia (Miles) of Sir Charles Holland (Sanders) and decides he must have her for himself. One problem: he's broke.

He insists that Virginia meet him for lunch and a sail. While sailing, he tells her he could make a lot of money if he disappeared, was taken for a traitor, and, as soon as the newspapers had libeled him enough, come back and sue them for everything they had.

Then he does it, after making sure his coworkers see him talking with a Russian at a party, and he makes a big scene on a dock about finding the ship the Karl Marx.

Once he figures he's been skewered enough, it's time for him to come back. That's when his problems begin.

Very good film with a marvelous performance by Mason, who plays a man whose latent conmanship appears. And just when you think he can't con any more -- you'll love the end of the film.

**** out of 5...No violence and no special effects, just droll and urbane humor and WIT. More in the spirit of "How To Steal A Million" or "The Thomas Crown Affair" rather than "The Sting," this British comedy has lots to like. Begin with a thoroughly winning, playboy-rogue characterization by James Mason. Mix in a perfect snob played by the inimitable George Sanders (as only he can). Simmer with the last half, which builds into one of those reversal-on-reversal, can-you-top-this endings. I caught it at 3AM on a local station and, fortunately, taped it.

I first saw this film on TV as a teenager. It has stuck with me and it is a quintessential James Mason film. I keep waiting for it to come on cable. It is fun, relaxing, with just a little suspense to add spice, and thoroughly enjoyable.