El arquero misterioso

Título original: The Son of Robin Hood

1958
Approved
1h 21min

CALIFICACIÓN DE IMDb

TU CALIFICACIÓN

El hijo de Robin Hood se pone las famosas mallas de su padre. Desafortunadamente, no es ni de lejos tan bueno como lo era su padre, así que los hombres alegres buscan al otro hijo de Robin.El hijo de Robin Hood se pone las famosas mallas de su padre. Desafortunadamente, no es ni de lejos tan bueno como lo era su padre, así que los hombres alegres buscan al otro hijo de Robin.El hijo de Robin Hood se pone las famosas mallas de su padre. Desafortunadamente, no es ni de lejos tan bueno como lo era su padre, así que los hombres alegres buscan al otro hijo de Robin.

Dirección
- George Sherman
Guionistas
- George W. George
- George F. Slavin
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

4.7/10

217

TU CALIFICACIÓN

Dirección
- George Sherman
Guionistas
- George W. George
- George F. Slavin
Elenco

Ver la información de producción en IMDbPro

Fotos11

+ 4

Más como esto

Argumento

Editar

¿Sabías que…?

Editar

Trivia
Al Hedison had to have 3 stitches put in a deep cut in his sword hand sustained in a duel with David Farrar and for a lot of the film he was hobbling from a foot injury which he got while rehearsing a fight scene with a stuntman.

Errores
Throughout the film there are scenes featuring an exterior shot of the front of Des Roches' castle. Every time we see this, there is a horse and rider standing near the main entrance. This horse never moves and is always in exactly the same position, revealing it to be part of the painted backdrop.

Opiniones de usuarios10

Opinión destacada

4/10

The end it is not good

And neither is the beginning or the middle as the story of Robin Hood gets the AT SWORDS' POINT treatment, with a bunch of little-known actors -- except for George Couloris, David Farrar and Marius Goring -- under the direction of George Sherman, who spent most of his career, properly, directing B westerns.

June Laverick, a pretty young blonde, plays the daughter of Robin Hood, who spends most of her time hiding behind David 'Al' Hedison, who pretends to be her -- him -- that is, Robin Hood's son, leading Robin's old and graying Merry Men. The whole thing is directed with little of the silliness that attended AT SWORDS' POINT, but the whole thing is handsomely shot in wide screen. Unhappily, the prints were definitely not Technicolor, but have aged poorly, casting a gloomy and pink sheen over the entire proceedings. The score is also a nice variation on Korngold's score for the Errol Flynn version. You can skip this one.