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IMDbPro

Una Eva y dos Adanes

Título original: Some Like It Hot
  • 1959
  • A
  • 2h 1min
CALIFICACIÓN DE IMDb
8.2/10
298 k
TU CALIFICACIÓN
POPULARIDAD
844
733
Una Eva y dos Adanes (1959)
Trailer for the classic comedy Some Like It Hot, starring Tony Curtis, Jack Lemmon, and Marilyn Monroe
Reproducir trailer2:17
3 videos
99+ fotos
Buddy ComedyComediaComedia locaComedia románticaFarsaMúsicaRomanceSátira

Dos músicos son testigos de un crimen y se dan a la fuga disfrazados de mujeres en una banda femenina, pero las cosas se complican.Dos músicos son testigos de un crimen y se dan a la fuga disfrazados de mujeres en una banda femenina, pero las cosas se complican.Dos músicos son testigos de un crimen y se dan a la fuga disfrazados de mujeres en una banda femenina, pero las cosas se complican.

  • Dirección
    • Billy Wilder
  • Guionistas
    • Billy Wilder
    • I.A.L. Diamond
    • Robert Thoeren
  • Elenco
    • Marilyn Monroe
    • Tony Curtis
    • Jack Lemmon
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.2/10
    298 k
    TU CALIFICACIÓN
    POPULARIDAD
    844
    733
    • Dirección
      • Billy Wilder
    • Guionistas
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • Elenco
      • Marilyn Monroe
      • Tony Curtis
      • Jack Lemmon
    • 532Opiniones de los usuarios
    • 247Opiniones de los críticos
    • 98Metascore
  • Ver la información de producción en IMDbPro
  • Película con mejor calificación n.º 136
    • Ganó 1 premio Óscar
      • 11 premios ganados y 13 nominaciones en total

    Videos3

    Some Like It Hot
    Trailer 2:17
    Some Like It Hot
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like It Hot: Beach
    Clip 1:36
    Some Like It Hot: Beach

    Fotos294

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    Elenco principal87

    Editar
    Marilyn Monroe
    Marilyn Monroe
    • Sugar Kane Kowalczyk
    Tony Curtis
    Tony Curtis
    • Joe…
    Jack Lemmon
    Jack Lemmon
    • Jerry…
    George Raft
    George Raft
    • Spats Colombo
    Pat O'Brien
    Pat O'Brien
    • Detective Mulligan
    Joe E. Brown
    Joe E. Brown
    • Osgood Fielding III
    Nehemiah Persoff
    Nehemiah Persoff
    • Little Bonaparte
    Joan Shawlee
    Joan Shawlee
    • Sweet Sue
    Billy Gray
    • Sig Poliakoff
    George E. Stone
    George E. Stone
    • Toothpick Charlie
    Dave Barry
    Dave Barry
    • Bienstock
    Mike Mazurki
    Mike Mazurki
    • Spats' Henchman
    Harry Wilson
    Harry Wilson
    • Spats' Henchman
    Beverly Wills
    Beverly Wills
    • Dolores
    Barbara Drew
    • Nellie
    Edward G. Robinson Jr.
    Edward G. Robinson Jr.
    • Johnny Paradise
    Sam Bagley
    • Minor Role
    • (sin créditos)
    Brandon Beach
    • Party Guest
    • (sin créditos)
    • Dirección
      • Billy Wilder
    • Guionistas
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios532

    8.2297.7K
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    Resumen

    Reviewers say 'Some Like It Hot' is acclaimed for its humor, script, and performances by Curtis, Lemmon, and Monroe. Its cross-dressing theme and exploration of gender and sexuality add depth. The blend of comedy and drama, memorable lines, and Wilder's direction are praised. The lead actors' chemistry is a highlight. Despite some criticisms, its innovative approach and cultural impact are noted.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    darth_sidious

    Awesome, it really is!

    Sit back and enjoy this comedy, I don't believe in greatest this and that when it comes to films, but boy, this is superb.

    The acting here is fantastic, all actors, even Monroe are on top form.

    The direction by Wilder is superb, the guy's style in this picture is perfect. He directed this film in a very clever way, by using one camera for the majority of the scenes, he could easily edit the film together without studio interference.

    The script is well written. The dialogue between Lemmon and Curtis is beautifully balanced.

    Monroe is just too hot for the screen in this picture. Although, Monroe had major off-screen problems (83 takes to get things right) she is fantastic on-screen. She may not have the best lines, but what the heck! She plays the role very well.

    Overall, this is awesome, it really is.
    9EijnarAmadeus

    A Legendary Comedy

    With Billy Wilder's steady direction, the great casting, and Wilder/Diamond's sparkling script Some Like It Hot has become one of the most enjoyed comedies of cinema history. The story itself is pure comedy gold; the unhappy jazz-musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are witness to the St. Valentine massacre in 1929 and flees from Chicago with an all-girl-band who's headed for Miami, dressed up as "Josephine" and "Daphne". Soon both are hooked on Sugar Kane (Marylin Monroe), the band's lead singer - but things gets more complicated when arrived in Miami, Daphne attracts a elderly playboy and the gangster of Chicago arrives at the Floria-hotel to have a mafia-meeting.

    The work of the three participants in center is truly great; Marylin Monroe is at her most sexy and charming, Tony Curtis' brilliant control and Jack Lemmon is truly priceless at his peak. The movie paces fantastically throughout opening scenes of Chicago, onto the train-ride (features fantastically funny moments of brilliant comedy timing) and arriving at the hotel in Florida, and the situations that occurs with the band, with playboy Osgood Fielding III, Marylin Monroe and the mafia. And Billy Wilder shows his talent with keeping such a sparkling screenplay brilliantly paced and edited, never rushing itself - and Wilder sneaks in some fine moments of noir with the Chicago-gangsters brutality and cruelness. And the movie is a altogether different experience as a comedy than anything before it, the absurdity and quirkiness of Curtis and Lemmon in a transvestite-comedy is fantastically funny, and the final dialog between Osgood Fielding and Daphne/Jerry seemingly came out of the blue, and surprised me just as much today as it did back in 1959. Some Like It Hot is nothing less than a must-see in comedy, and cinema history.
    8hsm2310

    Some Like It Hot - The Classical Comedy

    There is always a thing about Classics, even before you absorb the first frame; you are burdened with huge expectations. But, Some Like It Hot is one of those jet planes where you got to tight your seat belt and forget everything else to enjoy the joyride or you would fall off your seat.

    I feel casting in a movie is one of the most under discussed elements of movie making amongst general public but it plays a very significant role in the success of a movie and SLIH is the prime example of it. Apart from Jack Lemmon, none of the protagonists were known for their superior acting skills and they would not have made the cut for a Billy Wilder piece. But, in retrospect, who other than Tony Curtis who had a boyish look and at the same time possessed sharp features could have played a saxophone playing woman charmer who could cross dress to be a part of a woman band. You can only get a flawless performance from a bad actor only if he/she is playing himself/herself and that is the exact reason why Marilyn Monroe wows you in every scene of Some Like It Hot. She is playing a dumb, vivacious and vulnerable damsel who can sing, doesn't mind sleeping with a charming guy whenever she gets a chance and then dips herself in a whiskey bottle when left all alone with herself. Jack Lemmon with a broad muscular jawline was surely the one who had a better chance of getting caught as someone not in the right clothes, but that is very small price to pay, as an actor of his caliber was indispensable to the cause of SLIH. He has an amazing sense of timing when it comes to humor; he is almost chaplinesque when it comes to expressions and the confidence with which he delivers his lines puts him right at the top of stack.

    I am not sure when was the concept of black humor introduced in the world of cinema, but, SLIH has to be one of the better examples from the old times where black humor is integrated in the comedy. The black humor is there only to make its presence felt and nothing more. Other than that SLIH is a fun filled journey of Gerald (Lemmon) and Joseph (Curtis), two musicians on the run from dangerous Chicago gangsters who are after their lives. They find their safe house in an all-woman band that is off to Florida for a string of performances. This is where they meet the gorgeous Sugar (Marilyn) and try their luck on flattering her. It is all about how Joseph manages to get ahead in the race and Gerald like a true friend tags along without any explaining or pleading by Joseph. This is what makes SLIH sweet. The necessary salt is added to the movie by little moments like women having a party on train, Sugar hiding whiskey in her stocking, Fielding (Joe Brown) hitting on Dalphe (Gerald disguised as a woman) and further complications that set in because of these. What makes this classical comedy special is the fact that it makes you laugh at so many occasions without being slapstick or cheap or using the chaos technique. And when it doesn't make you laugh, it makes you smile. Most importantly, the movie stays with you.

    The manner in which the movie begins, it suddenly makes you wonder - that's too much of real car chasing and shooting for a black and white movie of 40's and then you realize it's done in 1959 and the movie was intentionally produced in black and white. The first scene itself is a cracker and will create a cocktail of emotions, with words like liquor, crime, party, death, music all floating around at the same time. There are plenty of scenes where the camera pans out from one object to another capturing multiple things with different moods and complexion in the same scene and that is a technique which I guess wasn't used quite frequently back then. Make-up job of Curtis and Lemmon is too good for those times and it would have been so important for that to have been correctly done as that is absolutely central to the whole plot. Marilyn's costumes are way modern and she carries them effortlessly.

    Some Like It Hot is without any doubt a classic but, probably in no other movie would have the last line played such an important role as in this. The finishing frames where Joe Brown utters the unexpected leave you pleasantly surprised and I am sure it would have had far better impact on the audience 50 years back.
    9silva-w-pius

    Marilyn Monroe. Enough said.

    "Movies should be like amusement parks" filmmaker Billy Wilder once said "People should go to them to have fun". So If Some Like It Hot was an amusement park: it would Thorpe Park, mixed in with Legoland, added with a dash of Disney land. Some Like It Hot is the granddaddy of comedies, the Godfather of laughs and the Mike Tyson of punch lines. Heck! Watching this film is like getting into the ring with Muhammad Ali, as you're constantly hit with fast paced gags. Even when you're least expecting it you're hit with a punch line so funny it leaves your side aching, or a piece of slapstick comedy that leaves your eyes running. Even the fade out line has been regarded as the funniest and most famous in history. Once you hear it, you'll guarantee never ever, ever to forget it. Trust me, it's hilarious!

    After playing witness to a routine gangland shooting, two penniless Chicago musicians, Joe and jerry decide it is the perfect opportunity, to remain safe and get paid a easy buck when they decide to take up residence in an all girl band heading to Florida, crossed-dressed as Josephine (Tony Curtis) and Daphne (Jack Lemmon). But with the only simple aim of getting paid and avoiding the mob, things soon get a little more tricky when a ditsy singer named Sugar (Marilyn Monroe) captures the heart of' Josephine' and a eccentric playboy millionaire falls for 'Daphne'.

    Some Like It Hot is one of those rare occasions, where everyone involved is at the very peak of their powers. Billy Wilder's directing is subtle but instrumental in loading every scene with comedic material ready to pop out like a wound up jack in the box. The writing is excellent, it constantly moves at a furious pace. Imagine Usain bolt on roller blades with jet pack attached to his back, and still that's not even as fast as how the dialogue rips through every scene. People may say that the comedy is too high concept, but for me that's the very reason it's so damn funny , as well a begin genius, because it means that the jokes will stand the test of time and span all generations because it's so easy to understand. Anyway who likes having jokes explained to them? No one!

    But you can't talk about Some Like It Hot, without mentioning Tony Curtis and Jack Lemmon, who were absolutely perfect for their roles, each adding a feeling of assuredness to theirs, as well as bucket full's of originality with every facial expression as well as every line. Initially I was not convinced by Marilyn Monroe, as I felt she was slightly overrated, but in her role as Sugar, she brings a lot of composure to the role adding balance to the high energy of Tony and Jack, but still getting her laughs not through straight jokes but by simply being able to deliverer every air headed line with great delivery and timing. Whilst still being able to remain sweet, helpless and innocent, even as she plunges picks into a solid cube of ice with great fury, as she talks about her weakness for Saxophone players.

    Some Like It Hot it like a magician of comedy, you never know what to expect next, as with every new scene you so excitedly anticipate what piece of comedic magic it will pull out of its sleeve. For me Some Like It Hot is the funniest comedy film I have ever seen, even though it is almost 55 years old, its comedy is still so accessible and funny too!
    psionicpoet

    A gender-bending comedy ahead of its time

    What Jack Lemmon and Tony Curtis do in "Some Like it Hot" would be par for the course in modern movies – every other month, similar fish-out-of-water movies premiere with men posing as women ("Tootsie"), women posing as men ("The Associate"), black people posing as white people ("White Chicks"), and on and on. What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.

    Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne. Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).

    Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).

    The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities. The movie's surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie's creation. The many smart double-entendres and plays on words are very well-written, and alternate between lowbrow and highbrow comedy,

    The films only fault might be a couple of overlong musical numbers, performed either by the whole band or soloed by Sugar Kane. Though to be expected in a Marilyn Monroe film, these musical acts are literal "show stoppers" that bring the comedic momentum of the film to a screeching halt. However, it is easy to over look these minor defects in the movie as a whole, because by and large it is quite funny – no wonder it s considered a classic – and after all, "nobody's perfect".

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    Los caballeros las prefieren rubias
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    Argumento

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    • Trivia
      Years after the film's release, a movie reviewer asked Tony Curtis why his "Josephine" was so much more feminine than Jack Lemmon's "Daphne." Curtis explained he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language.
    • Errores
      Early in the movie, Joe talks about the Brooklyn Dodgers, a name not officially used until 1932. From 1914 to 1931 the Brooklyn baseball team was the Robins, not the Dodgers. However, the Dodgers had been an unofficial nickname since 1895, and the World Series program from 1920 even referred to them as the Dodgers instead of the Robins.
    • Citas

      [last lines]

      Jerry: Oh no you don't! Osgood, I'm gonna level with you. We can't get married at all.

      Osgood: Why not?

      Jerry: Well, in the first place, I'm not a natural blonde.

      Osgood: Doesn't matter.

      Jerry: I smoke! I smoke all the time!

      Osgood: I don't care.

      Jerry: Well, I have a terrible past. For three years now, I've been living with a saxophone player.

      Osgood: I forgive you.

      Jerry: [tragically] I can never have children!

      Osgood: We can adopt some.

      Jerry: But you don't understand, Osgood! Ohh...

      [Jerry finally gives up and pulls off his wig]

      Jerry: [normal voice] I'm a man!

      Osgood: [shrugs] Well, nobody's perfect!

      [Jerry looks on with disbelief as Osgood continues smiling with indifference. Fade out]

    • Versiones alternativas
      Video version contains extended exit music after the film.
    • Conexiones
      Edited into Vida conyugal sana (1974)
    • Bandas sonoras
      Runnin' Wild
      (1922) (uncredited)

      Music by A.H. Gibbs

      Lyrics by Joe Grey and Leo Wood

      Played during the opening credits

      Played by the girls on the train and Performed by Marilyn Monroe

      Performed also a capella by Tony Curtis

      Gene Cipriano (tenor sax for Tony Curtis) and Alton Hendrickson (ukulele for Marilyn Monroe)

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    Preguntas Frecuentes27

    • How long is Some Like It Hot?Con tecnología de Alexa
    • What is 'Some Like it Hot' about?
    • Is "Some Like it Hot" based on a book?
    • Where do Joe and Jerry get the clothes, wigs, and makeup to dress up as girls?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de octubre de 1959 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Some Like It Hot
    • Locaciones de filmación
      • Hotel del Coronado - 1500 Orange Avenue, Coronado, California, Estados Unidos(Seminole Ritz Hotel)
    • Productoras
      • Ashton Productions
      • The Mirisch Corporation
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,883,848 (estimado)
    • Total a nivel mundial
      • USD 208,786
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 1 minuto
    • Color
      • Black and White
    • Relación de aspecto
      • 1.85 : 1

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