The Running Jumping & Standing Still Film

My main trouble with this film was that most of the gags sound a lot funnier in principle (and, presumably, in the minds of their creators) than they seem to come out in practice: it's only eleven minutes long, but I found my attention-span seriously flagging well before the end.

It is essentially a silent film, featuring a very basic soundtrack and some sound effects; in fact in its style it reminds me of the very early silent comedies (circa 1900) which basically consisted of random slapstick scenes cut together. I saw this in company with Cecil Hepworth's "Saturday Shopping" (1903), and in fact in some ways it's not dissimilar. On the whole it's what you might expect from a film that consisted of fooling about for a couple of Sundays in a field that cost the grand sum of five pounds to hire...

It's a pity, because a lot of the gags, if described, sound very ingenious (man uses woman as camera to photograph husband; clay-pigeon-shooter shoots down discus and engages in duel with the enraged discus-hurler). But somehow the execution seems so random and amateurish that I really didn't find it very funny: and in the absence of laughter, nonsense becomes extremely tedious.

This British comedy one-reeler, an Academy Award nominee, is renowned for being director Lester's debut and as one of the few films to showcase "The Goons" (represented here by Peter Sellers and Spike Milligan). A collection of silent and somewhat surreal skits, it obviously owes a lot to the likes of Chaplin, Keaton and Tati - yet, its irreverence also looks forward to the whole "Swinging Sixties" trend and the Monty Python brand of fooling that would be established a decade on. In that respect, it is something of a milestone as well, even if on the surface it appears both silly and amateurish!

In fact, the most inventive bit has Sellers wearing goggles and flippers while toting a hunting rifle which he intends catching fish with and the most amusing being Milligan acting as a human gramophone! By the way, Lester himself (recognizable, if anything, by his bald head) appears as an eccentric artist who labels his female model's face according to the colour of paint he will be utilizing on his canvas!; also on hand is Leo McKern - with whom the film opens and ends, for no very good reason....but such is the 'anything goes' attitude on display here!

This odd short was so beloved by The Beatles that they chose its director, Richard Lester, to direct their movie, A Hard Day's Night. Damned if I know why.

Basically this is a bunch of people running around in a field. While billed as a comedy, I was half-way through its 10-minute run before I laughed at anything. It wasn't just that there wasn't anything funny; there wasn't anything that indicated to me that it was supposed to be a comedy. It was more like an experimental avant-garde short.

Eventually there are a couple of funny gags, but those ten minutes crawled by. I don't know what the Beatles saw in it, but it escapes me.

I remember seeing this some years ago Spike Milligan had just bought a movie camera, and so they (The Goons) decided to make a film If you like off-beat humour, try and rent this movie

"The Running Jumping & Standing Still Film" is not a film as such, but it is a short series of clips with a comical slapstick theme. This 'film' got Richard Lester recognised and paved the way for him to direct the first Beatles film: 'A Hard Day's Night".

Richard Lester directed and wrote the music for his first film in 1959. This film was entitled The Running, Jumping, & Standing Still Film. It was intended to be viewed only by those who had aided in its production. Since the film was intended to be viewed by Lester and his partners alone, a small amount of money and time was invested. The sole purpose of this film is entertainment, but the main reason for its existence is the fact that it served as an experiment to work the camera. The film cost 70£ to make, and it was filmed in sepia-toned film stock in a field on a couple of Sundays. All of the shots that were filmed were included in the finished production; the finished production is eleven minutes in length.

The Running, Jumping, & Standing Still Film is a comedy about English Sundays and the small hobbies that people do to pass the time. All of the events in this film take place in a field. A few of these comical events include a woman scrubbing a lawn, a man running around a tree stump with a needle to play a record, a photographer developing film in a pond, an artist aided in painting by the numbers on a model's face, a man building a tent, an athlete running over the tent, and a duel between a man with a knife and a man with a gun. Not only does the film poke fun at the hobbies that people do to pass the time away, but it also pokes fun at English culture when compared to American culture. Another one of several events in this film includes a group of men and a kite, which has been constructed out of the flag of the United Kingdom. One of the men jumps inside the kite while the other men attempt to fly it, and the kite breaks. According to Neil Sinyard, author of The Films of Richard Lester, this event symbolizes the United Kingdom as lesser in power and technology when compared to the United States during the space age. According to this scene, the British fly primitive kites while the Americans, the world-power after World War II, fly highly-advanced rockets and space shuttles.