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IMDbPro

Passport to Shame

  • 1958
  • 1h 26min
CALIFICACIÓN DE IMDb
6.5/10
434
TU CALIFICACIÓN
Passport to Shame (1958)
CrimeDrama

Agrega una trama en tu idioma

  • Dirección
    • Alvin Rakoff
  • Guionista
    • Patrick Alexander
  • Elenco
    • Diana Dors
    • Eddie Constantine
    • Herbert Lom
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    434
    TU CALIFICACIÓN
    • Dirección
      • Alvin Rakoff
    • Guionista
      • Patrick Alexander
    • Elenco
      • Diana Dors
      • Eddie Constantine
      • Herbert Lom
    • 18Opiniones de los usuarios
    • 4Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos46

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    + 41
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    Elenco principal37

    Editar
    Diana Dors
    Diana Dors
    • Vicki
    Eddie Constantine
    Eddie Constantine
    • Johnny McVey
    Herbert Lom
    Herbert Lom
    • Nick Biaggi
    Odile Versois
    Odile Versois
    • Marie Louise 'Malou' Beaucaire
    Brenda de Banzie
    Brenda de Banzie
    • Aggie
    Robert Brown
    Robert Brown
    • Mike
    Elwyn Brook-Jones
    • Heath
    Cyril Shaps
    Cyril Shaps
    • Willie
    Percy Cartwright
    • Registrar
    James Ottaway
    James Ottaway
    • Assistant Registrar
    Denis Shaw
    Denis Shaw
    • Mac
    Joan Sims
    Joan Sims
    • Miriam
    Pat Pleasance
    • Sally
    Steve Plytas
    Steve Plytas
    • Cafe Boss
    Charles Price
    • Nick's Chauffeur
    Lana Morris
    Lana Morris
    • A Girl
    Jackie Collins
    Jackie Collins
    • English Girl
    Margaret Tyzack
    Margaret Tyzack
    • June
    • Dirección
      • Alvin Rakoff
    • Guionista
      • Patrick Alexander
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios18

    6.5434
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    Opiniones destacadas

    9mls4182

    Dors rhymes with ...

    Diana Dors was stunning. Tight sheath dresses, a pretty face and cotton white hair. She didn't have to act. All she had to do is show up with an attitude, "I am here. Be grateful."

    The movie doesn't need a plot. You'll be too busy staring at Diana and wondering how she got a comb through that dry, bleached hair.

    She plays an entertainer.

    "What does an entertainer do?" "I entertain."
    8christopher-underwood

    What a wonderful surprise!

    What a wonderful surprise! I was hopeful but not particularly expectant of good things here but it seemed worth a look with a warning preface from 'Fabian of the Yard', a starring role for Herbert Lom and appearances from Diana Dors and Eddie Constantine. In the event this turns out very well, nothing like as scandalous today as it would have been back in the late 50s but still fairly tough and uncompromising. Constantine, a veteran of 'B' pictures whose real claim to fame would come a few years later when Goddard would utilise his rugged looks in Alphaville plays an heroic taxi cab driver against Herbert Lom who plays the baddest of men in charge of a vice ring. Both men are particularly effective and the film, directed and lit like a noir, serves them both well. Also served well is Diana Does, her magnificent full on appearance at the start and the comment about belonging in the gutter as she smiles makes it see she may be limited to this wondrous cameo but no, she puts in a great performance throughout, the seeming excess of make-up probably more down to the fantastic clarity of the new Blu-ray. Vivid but hard to identify west London location predominate with most seeming in the Bayswater area. There is one particular scene, very unusual in British films, showing a whole area of a smart looking street with numerous ladies of the night arranged about and approaching passers by and a close-up of an ultra smart looking Whiteleys of Queensway. The seeming romantic interludes are probably a little overdone but from start to finish this is a fast moving and, if not as exploitative as suggested, certainly more lurid than might have been expected for a 60+ year old film shot on the streets of London and Walton on Thames.
    9cxszf

    old film better than new films for exposing vice

    This old movie is incredibly current .... more relevant now to what goes on in london now than it was when it was made. There are no modern movies that show the intricacies of how these people work better than this marvellous old movie...
    7killercharm

    immediately engrossing

    I fully expected this to be as lurid as its title but watched it anyway, probably because I first found it under its much cooler name, Room 43. Glad I did; it's immediately engrossing. A sweet French waitress is framed into prostitution. The first step is to set her up as a "thief" at her place of work. Then the madam, who works for the pimp, swoops in to "save" her and whisk her off to England. Once there they tell her she needs to marry a brit to stay there, enter our hero cabbie. This is all in service of forcing her into the life. There are some wonderfully 50s bombshells to contrast against her innocence which is underscored by her finding and adopting a kitten, as well as and other beauties of the era.
    6howardmorley

    AKA "Passport To Shame"

    Diana Dors was at her Marilyn Monroe like physical voluptuous peak in this 1958 film drama about prostitution in London.Playing a "tart with a heart" she is only on the game to earn enough money for plastic surgery to save her younger sister's face from a previous acid attack by her vicious pimp (played by Herbert Lom) when her sister had previously refused to go "on the game".A shining white knight appears on the scene, not on a horse but in the form of a London taxicab driver (and his loyal cab mates)- a Canadian war veteran played by Eddie Constantine.Herbert Lom deceitfully involves both the new naive blonde girl (played by French actress Odile Versois) into his group of girls for hire and the taxi cab owner into his debt.

    In the light of sex & violence graphically shown in 2014 by the media, this film will seem rather tame but I'm sure it had an X certificate at British cinemas in 1958 for its adult themes.There is also a drug scene, another taboo subject at the time.For Dors fans, a companion to this film would be "Yield to the Night", aka "Blonde Sinner" the latter film loosely based on the celebrated case of Ruth Ellis the last woman to be hanged in 1955 in Britain.I voted "Passport to Shame" 6/10 as I felt "Blonde Sinner" had slightly the stronger story line and better production values.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Michael Caine and Ann Reid appear uncredited as a young bride and groom.
    • Errores
      Vicki (Diana Dors) needs money for her sister's operation. Healthcare has been free in the UK since 1948.
    • Conexiones
      Featured in The London Programme: Prostitution in London (1982)
    • Bandas sonoras
      Never, Never More
      Music by Jeff Davis

      Lyrics by Geoffrey Parsons

      Performed by Eddie Constantine

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    Preguntas Frecuentes13

    • How long is Room 43?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de diciembre de 1958 (Alemania Occidental)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Room 43
    • Locaciones de filmación
      • Courtfield Gardens, Kensington, Londres, Inglaterra, Reino Unido(girls' place of business)
    • Productora
      • United Co-Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 26 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.66 : 1

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