Pociag

This is a film which is a privilege to watch, I don't understand why Criterion collection doesn't have this issued yet. If you didn't watch it make yourself one of the biggest favors and watch it right away. I won't describe the movie, I won't spoil your pleasure. This is not a great movie in the sense that other great movies from the same period are considered masterpieces by critics but when we come to watch them they impress us very little. This is a treat, a delight, a thrill, by any modern standards, you have just to find some good subtitles not the lousy ones available on the web and translated online word by word by translation websites. I myself have watched the movie with this kind of subtitles and still I managed to be impressed to tears by this gem. A big bravo to Jerzy Kawalerowicz!

A man named Jerzy (Leon Niemczyk) is taking a Night Train along the Baltic coast, he wears dark sunglasses and by his body language we can tell he wants to be alone and to this end, he books a sleeping compartment all to himself, .But on entering his compartment he finds a young blonde woman named Marta (Lucyna Winnicka) occupying it, she refuses to leave even when the train inspector is called, but when the inspector threatens her with the police, Jerzy says forget about it and he lets her stay, suspicious behaviour as the very overcrowded train is awash with talk of the local murderer who is on the run from the police, Marta also seems to have something to hide and is being chased by a young suitor travelling in standard classic, in a train full of different character, could the killer be on board?Jerzy calls a truce with Marta and soon their conversation begins to open up, a bond gradually grows between the two but is interrupted when the police hunting for the killer, board the train in a remote area and immediately arrest Jerzy, can he prove his innocence on the remaining journey? Jerzy Kawalerowicz perhaps best known as the director of the superb tale of possession, Matka Joanna od aniolów (1961) here produces a Hitchcockian type thriller set on a train with equally successful results. Set to a jazzy score Andrzej Trzaskowski, which adds immensely to the atmosphere while also perfectly suiting the motion of the train, we are gradually introduced to many of the different characters on board, a large group on a pilgrimage, the desperately flirtatious wife of a Polish solicitor, intent on getting some attention from whoever will listen, the young priest travelling with his elderly Monsiegnor, we even get to know the train staff intimately. Jan Laskowski's cinematography is beautiful and captures the claustrophobia of the overcrowded train, but yet still retains a sense of movement in a confined space. The killer being chased at dawn across cold open fields by all on board is a highlight, it finishes with the killer's capture in a rundown graveyard. The films ending is quite apt and somewhat downbeat as all the travellers return to their own lives at their destination, after the excitement of the previous night.

Night Train is the first film I've seen from highly rated Polish director Jerzy Kawalerowicz and it's a highly impressive film too! The film takes on a Hitchcockian style, although Kawalerowicz' directorial style is more sombre than Hitchcock's and the film straddles the line between thriller/mystery and drama excellently. As the title suggests, the film is set aboard a train, and the director really makes good use of this setting as the claustrophobia of the vehicle is constantly imposed, and other elements such as the chance of meeting strangers on a train and the idea of a lot of different people being together in one place also come into play. The film focuses on Jerzy; a mysterious man who boards a train on course for the Baltic coast. It soon becomes apparent that the man has a high need for privacy, and this is disrupted by Martha, a woman who he finds in his compartment. At first he seems keen to get rid of her, but later reluctantly agrees to let her stay. It later transpires that the police are on the hunt for a man who murdered hid wife...and Jerzy finds himself under suspicion.

The film is stylishly shot and Kawalerowicz' style reminded me somewhat of the "Nouvelle Vogue" style that was popular in France around the early sixties. The black and white picture helps to impose a dark atmosphere on the film and this in turn helps to build the mystery surrounding the central character. The characters themselves are all interesting and the way that the director feeds us more information about each one as the film progresses is well done and helps to keep the audience interested in the film. The acting courtesy of Leon Niemczyk and Lucyna Winnicka in the central roles is excellent and both performers give their characters plenty of credibility. The murderer plot often feels like something of a spare wheel to the other things going on in the film, but I think this was intended as by not putting the full focus on this plot, more time is given to developing the characters. The results of this plot are stunning, however, and the sequence that finally sees the murderer chased down is well shot and highly memorable. As the film winds down, Jerzy Kawalerowicz gives us an interesting take on the twist ending and this helps to separate Night Train further from the majority of other thrillers. Overall, this is a fascinating little thriller and comes highly recommended!

Sadly, I can't agree with most people who find this film to be Hitchcockesque in its representation of a thriller.

To say this would be to say that your Jaguar is just like a Mercedes. They might both be fine cars, but they are in no way alike.

The really quite simplistic plot travels at a slow and in many ways, inexplicable pace. There is little tension built up, and, for the most part, little mystery to be found.

However, don't take any of this to be a retrograde description.

The various small character subplots and interactions are wonderful. The whole journey has a quite haunting feel to it, which I find I am at loss to explain, because if I analyse the film, there is no real reason to this feeling. And yet, there it is.

The beautiful and mysterious Lucyna Winnicka is utterly mesmerising.

In so many ways this film shouldn't work with anything like the power it achieves, but somehow it does. If it captures you in the way it has me, then it will stay with you long after the event, from the strange individual passengers right down to the oh so ethereal soundtrack.

I am without explanation, but I truly hope it gives you the feeling of something wonderful it gave me.

This is definitely one of the greatest, and at the same time, one of the most under-appreciated movies in the history of Polish cinema. Jerzy Kawalerowicz is a true master craftsman in the country's film world, and with Night Train he once again proved that this statement is perfectly true. It's a shame that the movie is sometimes cruelly omitted when talking about fine post-war cinema, because it is certainly worth a watch.

Night Train is different from other various Polish movies that came out in the 50's and later, as it doesn't present the social problems that the country had to fight with during the difficult period of Communism.

It reminds me of the movies directed by the Master of Suspense, Sir Alfred Hitchcock, as it contains the recurring themes of murder, suspenseful mystery, the wrongly accused man and a search for the real criminal.

It also reminds me of the great noir movies produced in the United States or Italy throughout the 20th century. It possesses a deeply sombre tone and claustrophobic ambiance created by the particular scenery, in which it takes place - a train. All of this is complemented with an eerie music playing in the background.

Aboard the train, which goes from Lodz to the seaside in Poland, there are many unusual, strangely mysterious, and overly suspicious passengers. One of them is Jerzy, the main character, played brilliantly by Leon Niemczyk. Strolling around in his classy dark glasses he seems like he needs to hide from something or someone. Unfortunately, due to some peculiar circumstances, he has to share the sleeping cabin with a pretty lady, Marta. However, as time passes by, the two are starting to have a connection, because of the seemingly similar life experiences and peculiar interests.

In the neighboring compartment we can find an unnamed man with his nosy wife, who quickly starts to flirt with distracted Jerzy. She looks so unhappily married that she resolves to flirting with almost all of the co-travelers.

Then there is also Staszek, the boy, who is deeply in love with Marta, but, due to some unmentioned previous occurrences, she doesn't want to be with him any more.

All those characters' affairs intertwine at various points in the storyline. Great and clever dialogues accompany every scene. And in the middle of it all there is the tranquil search for the murderer. However, as important as it may seem sometimes, it isn't actually the main topic of Night Train.

The hunt for the killer occurs in the climax of the movie, when an angry mob runs through the train cars and into the woods to finally catch him. What happens next – the public execution (however not deadly) reminded me of the great western The Ox-Bow Incident. The will of the majority always wins, no matter if someone is legally found guilty or not.

The final scene beautifully reflects what had happened on that night - the compartments are empty, and look somehow pure, but the scattered belongings and open windows give the sequence an obscure touch.

All in all, Night Train is truly a fantastic Polish movie with many suspenseful twists, romance and a huge emphasis put on various characters' personalities, in order to show that anonymity is omnipresent and everyone can almost hide in its shadow if he wants to.