Suresh Sinha, un famoso director, descubre una noche lluviosa a Shanti, un diamante en bruto. La carrera de ella progresa mientras la de él se viene a menos.Suresh Sinha, un famoso director, descubre una noche lluviosa a Shanti, un diamante en bruto. La carrera de ella progresa mientras la de él se viene a menos.Suresh Sinha, un famoso director, descubre una noche lluviosa a Shanti, un diamante en bruto. La carrera de ella progresa mientras la de él se viene a menos.
- Premios
- 2 premios ganados en total
Opiniones destacadas
This movie sums up the genius of Guru Dutt. A reclusive and introvert man portrayed in the movie was Dutt himself. Too bad the movie went over the heads of Audience in the 50s, however, its charisma has given it the status of a cult classic. Waheeda Rahman was beautiful as ever and acted much better than she did in Pyaasa. I rate this movie better than Pyaasa personally. Kaifi Azmi's lyrics are at their best with "Waqt ne kiya" song topping everything out! I think the beginning is extremely maudlin and same for the ending. He enters the studio as an old and broken man, only to be jeered at by his ex colleagues. A must watch with outstanding Music!!!!
Why is Guru Dutt hailed as one of the all time best directors in the world? See this film and you'll get an answer. Guru Dutt never got his due from the audience or the critics when he was alive. After he died, he was suddenly hailed as this best thing to have happened to Hindi film industry. And today, he is universally regarded as one of the best Hindi film directors. This film too is resplendent with that same irony, hypocrisy and tragedy. There are films and then there is this. 'Kaagaz Ke Phool' is Guru Dutt's extremely personal and almost poetic take on the trials and tribulations of a life of fame and glamor; and especially the aftermath of it. Guru Dutt plays a successful director Ajay Sinha who is looking for a new face to cast as the leading lady in his next film. In the midst of all this, he has a strained marriage wherein his wife leaves him to live with her parents along with their daughter. On a certain rainy day, he meets a girl (Waheeda Rehman). They meet again in the studio.
Immediately,Guru Dutt realizes that Waheeda's is THE face he had been looking for and promptly casts her in his next film. Eventually he falls in love ith her but she doesn't reciprocate. Meanwhile, he isn't allowed to eet his beloved daughter too through a court order. As a last straw, his next film is a colossal failure and he suddenly finds that the ones who pretended to be his well-wishers and friends now seem to hate and ignore him. Thus Waheeda, his discovery, goes on to become a successful star while he begins his downward spiral into the deep darkness of ignominy. Subsequently and ironically, after many years, he dies on the same director's chair It is not a perfect film by any means. The screenplay is sometimes indulgent and probably isn't as good as say Guru Dutt's 'Pyaasa' (his other classic). Plus, the whole track involving Johnny Walker is somewhat irrelevant to the film and hence could have been shortened. However, it was incidentally, India's first film to be shot in Cinemascope and hence makes good use of technique but essentially KPK remains a very humane film which moves us without being preachy or overtly sentimental. SD Burman's haunting music and Kaifi Azmi's poignant lyrics add to the mood of this film
Ironically, the film was a commercial disaster upon its release (eerily similar to the protagonist Sinha's last film). So, the claims of it being an Autobiographical film also started being made. But, I think it is a case of life imitating art than vice- versa. Having said that it is a fact that Guru Dutt died shortly after making this film and thus KKP remains his last masterpiece and I think its commercial failure can be attributed to one of those rare occasions when the AUDIENCE got it wrong as the film may have been ahead of its time and has since been widely considered to be one of the best and most important films made in India The obvious comparisons with Fellini's 8 ½ are to be expected but to my mind they are unwarranted. Both were different films made for very different audiences. This is a great film in its own right- one of the best Hindi films ever- a bona-fide masterpiece by the prodigiously talented albeit flawed genius called Guru Dutt
Immediately,Guru Dutt realizes that Waheeda's is THE face he had been looking for and promptly casts her in his next film. Eventually he falls in love ith her but she doesn't reciprocate. Meanwhile, he isn't allowed to eet his beloved daughter too through a court order. As a last straw, his next film is a colossal failure and he suddenly finds that the ones who pretended to be his well-wishers and friends now seem to hate and ignore him. Thus Waheeda, his discovery, goes on to become a successful star while he begins his downward spiral into the deep darkness of ignominy. Subsequently and ironically, after many years, he dies on the same director's chair It is not a perfect film by any means. The screenplay is sometimes indulgent and probably isn't as good as say Guru Dutt's 'Pyaasa' (his other classic). Plus, the whole track involving Johnny Walker is somewhat irrelevant to the film and hence could have been shortened. However, it was incidentally, India's first film to be shot in Cinemascope and hence makes good use of technique but essentially KPK remains a very humane film which moves us without being preachy or overtly sentimental. SD Burman's haunting music and Kaifi Azmi's poignant lyrics add to the mood of this film
Ironically, the film was a commercial disaster upon its release (eerily similar to the protagonist Sinha's last film). So, the claims of it being an Autobiographical film also started being made. But, I think it is a case of life imitating art than vice- versa. Having said that it is a fact that Guru Dutt died shortly after making this film and thus KKP remains his last masterpiece and I think its commercial failure can be attributed to one of those rare occasions when the AUDIENCE got it wrong as the film may have been ahead of its time and has since been widely considered to be one of the best and most important films made in India The obvious comparisons with Fellini's 8 ½ are to be expected but to my mind they are unwarranted. Both were different films made for very different audiences. This is a great film in its own right- one of the best Hindi films ever- a bona-fide masterpiece by the prodigiously talented albeit flawed genius called Guru Dutt
"Kaagaz ke Phool" (Paper Flowers) is an agonizing, self-reflexive look at a filmmaker who, because of martial, societal and economic pressures dissolves into alchoholism. It's a common theme among Indian movies, but in this film, there's autobiography to back it up. From what I understand, the course of this film paralells Guru Dutt's life who died by his own hand.
Geeta Gutt and Mohammad Rafi sing on the soundtrack penned by S.D. Burman, which is wonderful as can be expected considering the people involved (and, if anyone has a lead on where I can find it on lp or cd, be in touch!) The movie is beautifully shot, and the play of light on Guru Dutt's face (he acts in the lead role, as well as directing) as he enters an alchoholic stupor will bring a grown man to tears (I've seen it happen.)
There's more misery and abjection here this side of Fassbinder or Jerry Lewis, so this is perfect for a cold, rainy, lonely evening.
Geeta Gutt and Mohammad Rafi sing on the soundtrack penned by S.D. Burman, which is wonderful as can be expected considering the people involved (and, if anyone has a lead on where I can find it on lp or cd, be in touch!) The movie is beautifully shot, and the play of light on Guru Dutt's face (he acts in the lead role, as well as directing) as he enters an alchoholic stupor will bring a grown man to tears (I've seen it happen.)
There's more misery and abjection here this side of Fassbinder or Jerry Lewis, so this is perfect for a cold, rainy, lonely evening.
Kaagaz Ke Phool Was Directed As Well As Produced By Guru Dutt...Written By Abrar Alvi...This Was First Indian Cinemascope Film.. Story Revolves Around Suresh Sinha A Famous Director....He Is Looking For A Lead Actress For His Current Movie...Meanwhile His Married Life Is Not Going Well...Wife Has Left With The Daughter...He Is Not Allowed To Access His Daughter....One Day He Meets A Lady Shanti...After Few Days He Realize... She Is The One Whom He Was Looking For ...So He Casts Her In His Movie ....Shanti & Sinha Come Close ..They Built A Liking For Each Other....Which Leads To Various Situations Which Changes The Life Of The Director Sinha....
Guru Dutt Was Amazing Director ...But A Fine Actor Too...He Does Well As Director Sinha...Waheeda Rehmaan As Shanti Gives Better Performance.....Johny Walker Is Good ...Baby Naaz Is Fine But The Character Is Not Well Written...Script Of The Movie Is Good ...But It Gives More Importance To Sinha & Shanti Chemistry...
Music Of The Movie Was Composed By S.D.Burman ....It Has The Most Beautiful Composition "Waqt Ne Kiya Kya Haseen Sitam" By Geeta Dutt...One Of The Best Song By Her...We Have "Dekhi Zamane Ki Yaari" By Rafi Is Again A Classic ...Altogether Music Is Good...
Everything Was Fine...But Movie Was Such A Disaster At The Box Office...That Guru Dutt Decided Never To Direct A Movie ...Hence It Was The Last Movie Directed By Guru Dutt...People Never Understood The Concept...So It Was On The Cards....Now The Movie Is Considered A Classic ...One Of The Best Work By Guru Dutt & His Team....
Overall A Excellent Movie ....Must Watch For Averyone...:)
Guru Dutt Was Amazing Director ...But A Fine Actor Too...He Does Well As Director Sinha...Waheeda Rehmaan As Shanti Gives Better Performance.....Johny Walker Is Good ...Baby Naaz Is Fine But The Character Is Not Well Written...Script Of The Movie Is Good ...But It Gives More Importance To Sinha & Shanti Chemistry...
Music Of The Movie Was Composed By S.D.Burman ....It Has The Most Beautiful Composition "Waqt Ne Kiya Kya Haseen Sitam" By Geeta Dutt...One Of The Best Song By Her...We Have "Dekhi Zamane Ki Yaari" By Rafi Is Again A Classic ...Altogether Music Is Good...
Everything Was Fine...But Movie Was Such A Disaster At The Box Office...That Guru Dutt Decided Never To Direct A Movie ...Hence It Was The Last Movie Directed By Guru Dutt...People Never Understood The Concept...So It Was On The Cards....Now The Movie Is Considered A Classic ...One Of The Best Work By Guru Dutt & His Team....
Overall A Excellent Movie ....Must Watch For Averyone...:)
Apparently Guru dutt stopped directing movies after the failure of Kaagaz ke phool at the box office. What a pity! If only he had considered the holes in the plot, being the perfectionist he is, he would definitely have made at least one more film. And Indian Cinema surely needed more from a director of his calibre and taste.
Kaagaz Ke phool ( paper / artificial flowers ) is the story of a brilliant director who gets trapped into a downward spiral of self destruction. As soon as the titles roll down to the tune of "waqt ne kiya", we hear a poignant background song by Rafi , written by Sahir Ludhianvi and composed by S.D. Burman. An old and battered Suresh Singh is seen looking at the studios forlornly. And soon ensues the flash back about how this brilliant director goes through a roller coaster ride, suffers the pangs of a bad marriage, misses his daughter, discovers a star, meets an understanding friend and companion, and how he becomes a victim to the whims of society and loses everything.
There are a few flaws in the plot, especially around the events related to the turning point in the life of the protagonist, which may put off some audience.There is a comedy track, which may not gel well with the present day viewers. However, if the viewer is willing to be generous with his suspension of disbelief, he is in store for an audio-visual treat of a kind that is rarely seen among the annals of Indian Cinema. Guru dutt and Waheeda Rehman do well in their respective roles and most of the cast give good support. But what stand out are the music, the songs and the cinematography. Lyricist Sahir Ludhianvi is a master and "waqt ne kiya" proves it beyond any doubt. And what to say about S.D. Burman? He is an acknowledged genius and here he composes music that captures the spirit of the movie so wonderfully. The cinematography is a lesson for photographers. Some of the scenes,where conversation between the actors is picturized with the actors alternately fading in and out of the focus, have a wonderful effect on the feel of the film.
On the whole, be kind towards a few flaws, and you will not regret watching the movie.
Kaagaz Ke phool ( paper / artificial flowers ) is the story of a brilliant director who gets trapped into a downward spiral of self destruction. As soon as the titles roll down to the tune of "waqt ne kiya", we hear a poignant background song by Rafi , written by Sahir Ludhianvi and composed by S.D. Burman. An old and battered Suresh Singh is seen looking at the studios forlornly. And soon ensues the flash back about how this brilliant director goes through a roller coaster ride, suffers the pangs of a bad marriage, misses his daughter, discovers a star, meets an understanding friend and companion, and how he becomes a victim to the whims of society and loses everything.
There are a few flaws in the plot, especially around the events related to the turning point in the life of the protagonist, which may put off some audience.There is a comedy track, which may not gel well with the present day viewers. However, if the viewer is willing to be generous with his suspension of disbelief, he is in store for an audio-visual treat of a kind that is rarely seen among the annals of Indian Cinema. Guru dutt and Waheeda Rehman do well in their respective roles and most of the cast give good support. But what stand out are the music, the songs and the cinematography. Lyricist Sahir Ludhianvi is a master and "waqt ne kiya" proves it beyond any doubt. And what to say about S.D. Burman? He is an acknowledged genius and here he composes music that captures the spirit of the movie so wonderfully. The cinematography is a lesson for photographers. Some of the scenes,where conversation between the actors is picturized with the actors alternately fading in and out of the focus, have a wonderful effect on the feel of the film.
On the whole, be kind towards a few flaws, and you will not regret watching the movie.
¿Sabías que…?
- TriviaThis was India's first widescreen film; it used the CinemaScope process.
- ConexionesFeatured in Century of Cinema: And the Show Goes On: Indian Chapter (1996)
- Bandas sonorasDekhi Zamaane Ki Yaari, Bichhde Sabhi Baari Baari
Sung by Mohammad Rafi
Music composed by Sachin Dev Burman
Lyrics by Kaifi Azmi
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- How long is Paper Flowers?Con tecnología de Alexa
Detalles
- Tiempo de ejecución2 horas 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Kaagaz Ke Phool (1959) officially released in Canada in English?
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