Demonio del sol

6 reasons why you should watch it?

1. Robert Clarke's quasi convincing performance during the "why me? Why Me? WHY ME?" scene. Quasi. 2. The worst fake-piano playing (by Trudy-Nan Peterson) in the history of cinema. Mind you, you don't notice it the first time round. You're too busy looking at something else. 3. Watch the Sun Demon slaughter a dog. Definitely not politically correct. 4. Does the Sun Demon make love with Trudy on the beach? We'll never know. 5. The Sun Demon's car. It's brilliant. Too bad we don't know the make. 6. The Sun Demon didn't really run over the policeman. Or did He?

I could go on but I don't want to spoil the movie.

I bought the movie and watched it yesterday..I thought it was above average for a B-movie..I have seen recent movies a lot worse then this..a little slow in parts but I felt kind of saddened for the guy/monster in the end for him,since he didn't ask for this radiation accident..but all in all I felt it was worth the money and to have it as a collection,since I am a huge fan of 50's science fiction movies.Just remember,you have to realize this was made back in the 50's..so the special effects aren't like they are computerized or anything like now,but I thought they did a good job with the costume as a lizard man.Actually it was harder work for everyone then to make a monster then now.There certainly where some very exciting/creepy/scary moments throughout the movie and making it black and white really added to the horror of it all.

1958's "The Hideous Sun Demon" marked the directorial debut of actor and star Robert Clarke, who was astonished that a small percentage on "The Astounding She-Monster" resulted in a tidy profit. Certain he could better than Ronnie Ashcroft on a larger budget (under $50,000) Clarke secured the services of student filmmakers at USC to shoot on weekends, the resulting film obviously lacking but nowhere near as bad as Ashcroft's opus. The impressive monster outfit featured fangs and good eye movement, built over a wet suit so the director would be drenched after each take. Dangerous radiation emanating from the sun, 'more deadly than cosmic rays,' are the result of earth satellite launchings, while the accidental exposure to a radioactive isotope sends Dr. Gilbert McKenna (Clarke) to the hospital for observation. Incredibly, they find no symptoms of danger present, yet during his convalescence McKenna transforms into a scaly reptilian beast when exposed to sunlight. Determining that an imbalance has occurred, a reversion before a fetus takes on the characteristics of a mammal, the afflicted scientist takes refuge in his mansion alone; unfortunately, the urge to go out for a drink only brings disaster, a pretty chanteuse (Nan Peterson) ensuring that her shady boyfriend become the first victim at the Sun Demon's hands. Dog fanciers won't appreciate the (unnecessary) killing of a German Shepherd (even a rat isn't safe between those claws), but various cops also bite the dust before the climax takes place atop a Long Beach oil well. Much of the film drags its feet as the would be lothario boozes his way into a girl's heart, though admittedly the well endowed Nan Peterson proves delicious eye candy. Most of the mayhem is saved for the final reels, perhaps not enough however to satisfy impatient viewers. Pacific International Pictures went belly up not long after its distribution, sinking any chance of Clarke turning a profit, thereafter remaining in front of the camera instead of taking a bath behind it (if some of the library music cues sound familiar it's because they were later put to good use by George Romero for his "Night of the Living Dead").

Memorable independently produced 50s monster fare has Clarke (who sci-fi fans will remember from the equally memorable "The Man From Planet X") as a scientist whose exposure to radioactive isotopes causes him to become a monster whenever exposed to the sun. The film is extraordinary in that its focus is on the effect the transformation has on Clarke's character, emotionally and morally; his excessive drinking and his search for nightlife exemplify this. Having been forced by his vampire-like condition to avoid the sun and the "good girl" he knows in town, he has no option but to live the other way. By taking a floozy out for a moonlit walk (she seems really surprised when he says he actually wants to take a walk, perhaps expecting a mere pickup) he shows how he wants to make his night world into a respectable one, but can't (the sun again turns him into the demon).

Good makeup, nice performances in the B-mode all around. If you're a fan of these kind of movies, this is the movie you're looking for -- one of the best of its kind.

Robert Clarke wrote, directed, and starred in this film about a scientist that is exposed to a special radioactive isotope that makes him change into a lizard-like man everytime he is touched by the rays of the sun. Clarke is the scientist that has a drinking problem and an overactive libido as well. The film is VERY cheaply made, and most of the actors(okay, all of the actors) could have really benefited from a few acting lessons. The film nonetheless is very entertaining. There are some scenes which will make you laugh and cry( a higher level of laughter) because of their ineptitude and improbability. The scene where our evolution from fish and lizards being described is a gem, as are the two scenes where Clarke really goes overboard screaming "Why Me!" and the like. There are some well-shot scenes too. The ending is very nicely done, and the scenes with Clarke and a little girl have some poignant moments. The gal playing Trudy, a night club singer that Clarke dates in the middle of an evening trying to help him forget his plight no doubt, is Nan Peterson and a REAL knockout! Peterson shows more than ample cleavage to keep even the most hardened of critics entertained. All in all required film viewing for the aficionado of le bad cinema.