La grande guerra

I've only seen it twice, and it's already one of my favorite Italian movies of all time.Directed by legendary Mario Monicelli, this excellent comedy is set during WWI, when the Italians had to defend the river Piave from the Austrians.Two of the Italian soldiers happen to be really lazy cowards:Giovanni Busacca(Vittorio Gassman) from Milan and Oreste Jacovacci(Alberto Sordi) from Rome.They would rather spend their time at home with the mates and the ladies instead of fighting for their country.The only fights they have are with each other, both insulting the other one with their particular accents and dialects (you probably have to be Italian yourself to really appreciate most of the gags). The most interesting thing is perhaps how the two actors handle their roles: Sordi is very calm, controlled and "normal", while Gassman just can't stop being nervous, shouting and gesticulating all the time.

Just like La Vita è Bella, this movie's purpose is to blame the horrors of war as well as making you laugh as much as you can.

For those who like Italian cinema, La Grande Guerra is a must-see.

To the ghost of Mario Monicelli,

Ciao ancora! The Great War/La Grande Guerra is the second movie directed by you that I watched over the last two weeks. I come from a patriotic country. And the only war films I have seen are mostly the American and British ones and the awful Indian ones. But your film was unique compared to all of them. It is almost a film which a commercial film audience could enjoy though I guess the hardcore patriots would not identify with the two cowardly lead characters. But they are characters anyone with a soul could relate to. Your film hardly ever had a dull moment. It was hilarious. There were so many instances when I laughed my ass off.

The traitorous deserting characters were so tongue in cheek. The characterization is pure genius. The Destouches character from Celine's Journey to the End of the Night came to mind while I watched Oreste and Giovanni stumble through their life in the army. You did a great job portraying the horror of war despite the antics of the two protagonists. It is always the poor and the wretched who are doomed to fight the wars of the rich. Not an original message, but your treatment of this theme was unique.

Vittorio Gassman is such an amazing actor. In India, someone who looked like him would never play a loser. Now I have watched three movies where he plays total losers.

I will be stealing more of your movies over the next few weeks, Mario.

Best Regards, Pimpin.

Winner of the Golden Lion at the Venice Film Festival in 1959, this film deserves more attention from movie lovers all around the world. Some critics regard "The Great War" as Monicelli's finest work - and they might be right. Set in Northern Italy during World War I, of course the film is definitely antiwar. As Monicelli once said in an interview : "I wanted to show things as they were -- as usual, badly conducted and led, and no one wanting to fight, or knowing what they were fighting for." It is history from the point of view of the humble people, with a good deal of irony. Starting as a light comedy, "The Great War" ends on a very poignant note, while it doesn't hide any of the horrors of trench warfare.

To me, Mario Monicelli and Dino Risi were the masters of Italian (tragi)comedy back in the 50s and 60s. Their best films (like this one) offer a combination of levity, social criticism and black comedy which is extremely appealing and unique. That said, Monicelli and Risi would never have done such great films without great actors. Here, Gassman and Sordi are a wonderful pair as two army mates caught in a conflict they don't really care about. The film also features beauty queen Silvana Mangano in a small but important part as Gassman's love interest.

A classic, unmissable.

La Grande guerra is a real lucid vision of the war that's because the point of view is moved on two characters of the common people with real emotions and feelings, so their military adventures at first creates a sense of funny but step by step everything becomes more dramatic because the war shows absurdities and contradictions that creates real human destruction. The maximum point is touched at the end. Because of this antimilitary soul in 1959 the movie was a real proof of intelligence.

I think this is one of the italian masterpieces of all times, disguised as a "comedy", just because the main characters are the best italian comedians of all times, Sordi and Gasmann. I would call it the "Divina Commedia" of comedy and of deep feelings against war but for the defense of one's country.