The Flesh and the Fiends

John Gilling's (The Mummy's Shroud) film is listed as a horror film, but it is really an exciting thriller about an anatomy teacher (Peter Cushing) and grave-robbers (Donald Pleasence - Halloween, Dracula, & George Rose).

Billie Whitelaw (Hott Fuzz, The Omen), with two BAFTA wins and four more nominations, plays a prostitute that falls for one of the medical students (John Cairney).

The grave-robbers find that it is easier just to kill someone and sell them, than to dig them up. It wasn't long before Mary (Whitelaw) had a spat with Chris (Cairney) and fell into the clutches of the murderers.

Imagine Chris' surprise when she shows up on the slab in class the next day.

Soon, the grave-robbers were committing murders to cover up their murders.

Excellent performances by Pleasence, who got what he deserved in a weird sense, Cushing, and Dermot Walsh, as Cushing's assistant. A fascinating story that is supposedly based upon a true event.

Solid, well-crafted but rather patchy cinematic treatment of the saga of notorious 19th Century "Resurrectionists" Burke and Hare and their unorthodox employer Dr. Robert Knox; in the vein of Hammer horror (featuring two of their most notable participants in Cushing and Gilling) though the lack of color makes it seem a half-hearted attempt (even if, with an eye on the low-budget, it was probably a conscious choice by the film-makers as the intentions were clearly of a serious undertaking)!

Anyway, the best thing about the film - apart from the vivid recreation of the era - are the performances of Peter Cushing (as the cold Dr. Knox, not unlike Baron Frankenstein), Donald Pleasance (an impressive early performance as the oily but quick-thinking Hare - his come-uppance is especially eerie) and Billie Whitelaw (as the proverbial "tart with a heart of gold" who ends up as one of the victims); Burke is played as a scurrilous but jovial brute (but who murders with the apparent complicity of his own wife) by character actor George Rose. Dr. Knox's condescending attitude towards his fellow colleagues also provides a number of entertaining confrontation scenes (my favorite line is during their face-off at his house, when he brusquely terminates the discussion by instructing them to "incline their heads slightly to the left...{in order to} observe the door...{and could they} please use it!"); Cushing, of course, is equally commanding while addressing his lectures or when scrutinizing the newest corpse.

The film makes a fine, though essentially unpleasant, companion piece to the more literate and subtle THE BODY SNATCHER (1945); the theme was again handled (by another horror veteran, Freddie Francis) a quarter of a century later in THE DOCTOR AND THE DEVILS (1985) - while Gilling himself had contributed to the script of an earlier variation, THE GREED OF WILLIAM HART (1948), starring Tod Slaughter! By the way, the producing team of Robert S. Baker and Monty Berman (who doubled as cinematographer) also brought to the screen the nefarious deeds of other historical figures such as JACK THE RIPPER (1959) and THE HELLFIRE CLUB (1961; upcoming on DVD from Dark Sky Films).

Image's DVD also includes the "Continental Version" which contains about a minute of more explicit violence and nudity (in the many tavern sequences) - though this only helps render it even more unsavory than it already is! The prints are distractingly soft throughout, and the severe widescreen ratio (2.35:1) hampers somewhat the viewer's complete involvement (at least on a normal T.V. screen); the "Continental Version" fares even worse, showing more damage and having rather scratched audio to boot! Unfortunately, the liner notes by Jonathan Sothcott were not available with my copy: it's probable that the disc was initially released as a snapper-case (with the essay on the inner sleeve) but was then dropped when re-issued in the more manageable keep-case!

Nice film boasts a main and support cast are frankly magnificent , here standing out the starring trio : Peter Cushing and Donald Pleasence, George Rose , doing equally compelling turns . A suspenseful and interesting terror romp about two men go into business supplying Edinburgh medical college with cadavers by robbing graves . Good Horror flick with with excellent dark and light atmosphere creating an eerie and ghastly scenario . It is set in 1828, Edinburgh , Scotland, murderers William Hare (Donald Pleasence) and William Burke (George Rose) provide corpses to surgeon Dr. Knox (Peter Cushing) who does medical research on cadavers he buys them , without questioning the unethical procurement methods .Meanwhile , an obstinate officer begins to suspect the origin of the numerous corpses Hare and Burke deliver . The peculiar couple of no-count grave robbers and murderers who are supplying fresh anatomical specimens to esteemed professor Dr. Knox of the Edinburgh Medical College in 19th century Scotland by embarking on a lucrative killing spree . Along the way, one of Knox's students, Chris Jackson (John Cairney) , meets barmaid Mary Patterson (Billie Whitelaw) when he goes to the tavern to pay off the grave robbers and become involved with her . As Burke and Hare decide to embrace and continue a proactive approach and embark on a grisly slaughter more and more horrible . Then Dr. Geoffrey Mitchell (Dermot Walsh) starts suspecting the weird origin of the several bodies from Hare and Burke . Murder was their business!.Coffins Looted! Cadavers Dissected! No Job Too Small. No Body Too Big. No Questions Asked. They're making a killing. True love costs an arm and a leg. The pimps and the prostitutes and the body-snatchers. The brothels and dens of iniquity.

A scary and violent yarn about two heinous grave-robbers providing dead bodies for illegal medical research in charge of Dr. Knox , including terrific acting from Donald Pleasence and George Rose as sinister gravediggers , they create authentic macabre set pieces as well as displaying frightening and panic. This true story has been adapted a number of times , in fact this engaging tale was adapted by prestigious writer Robert Louis Stevenson himself in the novel The Body Snatcher . In Burke and Hare (2010) medical experimets meet terror movie with extreme violence and nudism at the time. Tension , horror, thriller , and eerie scenes appear lurking , menacing in graveyard , dark slums , home stairs , rooms and cementery . All characters in the story are present and partially correct , with Donald Pleasence and George Rose actually doing very well as the eponymous and disturbing duo and both of whom share compellingly the astonishingly creepy as well as sadistic scenes together . And Peter Cushing is on hand to ham it as the stubborn scientist Dr Knox. This pair really convey the whole sleaziness/perversity of the subject, and do so in a fun way , too ; it's a good double-act . As Donald Pleasence and George Rose give deliciously hammy portrayals , displaying a lively and engaging chemistry as our titular gruesome twosome, while Peter Cushing is perfect , as always as Dr. Robert Knox . And enjoyable secondary cast contributing likable turns , such as : Billie Whitelaw lending appropriate support as the shrewish Mary Patterson , June Laverick as Martha Knox , Renee Houston as Helen Burke , Dermot Walsh as Dr. Geoffrey Mitchell , John Cairney as student Chris Jackson , Melvyn Hayes, among others . The film gets the adequate and evocative atmosphere in luxurious black and white , thanks to cameraman Monty Berman. Being well produced by Robert S. Baker and Monty Berman who financed a lot of terror movies with their company : Triad Productions . The motion picture was competently directed by John Gilling . He was a good craftsman , a notorious writer/producer/director with a long career who made movies of all kinds of genres such as : The Gilded Cage, The Guilty Person, The Embezzler, Double Exposure, Escape by Night, Recoil , Deadly Nightshade , The Voice of Merrill, The Frightened Man , The Quiet Woman ; but he standed out in Horror genre , such as : The Plague of the Zombies, Panic , The Mummy's Shroud , The Gamma People, Mother Riley Meets the Vampire , Devil's Cross, The Reptil and The Flesh and the Fiends.

This Buke and Hare story has been also rendered in the following films : ¨The Body Snatcher¨ (1945) by Robert Wise with Boris Karloff , Bela Lugosi, Henry Daniell ; ¨The Flesh and the Fiends¨ (1960) by John Gilling with Peter Cushing, June Laverick , Donald Pleasence , George Rose ; ¨Burke & Hare¨ (1972) by Vernon Sewell with Darren Nesbitt , Harry Andrews , James Hayter , Yutte Stensgaard . And Burke & Hare (2010) by John Landis with Simon Pegg , Andy Serkis , Tom Wilkinson , Michael Smiley, Tim Curry , Bill Bailey , among others.

"The Flesh And The Fiends" of 1960 (other sources say 1959) is a grim, creepy, terrifying and often sad masterpiece of British Horror cinema, that no lover of the genre could possibly afford to miss. John Gilling's film is based on the true case of William Burke and William Hare who supplied the surgeon Dr. Robert Knox with fresh corpses in Edinburgh of the 1820s. The film has a very creepy, chilling Gothic atmosphere, and yet it accomplishes to seem frighteningly real. The story is incredibly macabre, and what makes it even more frightening is the fact that the morbid events in this film actually took place. In Edinburgh of the 1820s, the Medical University is supplied with too little corpses to properly instruct its students. Determined to provide the best possible conditions for research, the ambitious and brilliant Dr. Knox (Peter Cushing) engages corpse-snatchers to supply his University with fresh bodies. Two of the grave robbers, William Hare (Donald Pleasence) and William Burke (George Rose), however, have their very particular methods to bring in corpses that are especially fresh...

Aditionally to the terrifying and fascinating story and the gloomy atmosphere, "The Flesh And The Fiends" also profits from a brilliant cast. The great Peter Cushing, was doubtlessly one of the most remarkable and brilliant actors the World of Horror has ever seen (and ever will see), and he is once again excellent in the role of the dedicated scientist - a role that is familiar to Cushing, who is probably most famous for his portrayal of Baron Victor Frankenstein in the Hammer films. Dr. Knox is not a bad man as such, but his obsession for the good cause makes him forget most of his scruples. The arguably greatest performance in this film, however, comes from Donald Pleasence (another favorite actor of mine), who delivers an ingenious portrayal of evil as the unscrupulous Willaim Hare. Equally great is George Rose in the role of the more simple-minded part of the murderous duo, William Burke. The great black and white cinematography provides a gloomy general mood. The cinematographic style of the film is often compared to earlier Horror classics of the 1940s rather than to those of the late 50s and early 60s, and one can see why. The film's theme, however, and the uncompromising manner it is brought to screen, is unspeakably macabre for its time. The film provides terrifying Horror as well as tragic Drama and a very realistic insight in early 19th century society. I guess I am not standing alone when i declare Peter Cushing and Donald Pleasence two of my favorite actors. "The Flesh And The Fiends" is arguably the most brilliant film in either man's career, which is saying quite something regarding the variety of ingenious films Cushing ("Dracula", "The Curse Of Frankenstein", "Horror Express" etc.) and Pleasence ("Phenomena", "Prince Of Darkness") have been part of. Along with another Historical Horror masterpiece, Michael Reeves' "Witchfinder General" (starring Vincent Price), "The Flesh And The Fiends" is probably the most mature, serious and sophisticated British Horror film ever brought to screen, and an absolute priority for every Horror lover to see. 10/10

Now that this film has been restored for DVD by Image Entertainment, it is a joy to watch -- nice but not flashy photography and directing, and masterful but not overbearing acting make this a good find. But it's not quite as satisfying as "The Body Snatcher" on the same Burke/Hare theme because it doesn't engage the dark undertones of the human psyche through its sadistic "graverobbers" as much as the Karloff film, but instead dwells more on the scientific ethics issues. Still, some sick, slightly scary scenes with Pleasence. Cushing is excellent as always. If you saw this on video or TV, you might want to give it a second look (like I did) on DVD because it looks a whole lot better.