El esqueleto de la señora Morales

This film is charmingly macabre, about a taxidermist with a sincere love and lust for life, and his terrible antithesis of a wife. The performances are absolutely convincing, and the pompous catholic padre is unforgettable during the confession at the end, as is the lead character. The attention to detail makes it a pleasure to watch this film again and again.

This is a very good crime/comedy/horror movie that's very straightforward, but remains well-made and entertaining throughout. It's about a taxidermist stuck in a loveless marriage who gets the idea one day that maybe he can pull off the perfect crime, and be rid of his wife for good. Naturally, things spiral out of control and get very chaotic from there.

There's less horror elements than I was expecting, for a movie with the word "skeleton" in the title. Taxidermy is creepy, and the house that most of the film takes place in looks unsettling, but it's probably more of a pitch-black comedy over anything else.

And as a dark comedy, it works well. The acting's all very good, and the otherwise dark story becomes more entertaining because of the film's interesting, surprisingly comedic tone.

I wasn't in love with the film overall, but for a straightforward, fairly short, darkly comedic crime movie, it worked well. I can imagine that if the Coen Brothers have seen this, they'd be pretty big fans.

I've seen quite a few cheezeball Mexican dramas. This is NOT one of those - it is a fine ensemble performance, with very high technical values. Most of the acting is top-notch. Some great 'Hitchcockian' camera angles and lighting- especially close-ups.

If I were to criticize this film mildly, it's that it views like a stage play. Perhaps it started this way? Anyway, I really enjoyed it thoroughly.

Master of the macabre Arthur Machen loosely based his novel 'The Islington Mystery' on Dr. Crippen's murder of his wife Cora. Although he retained some of the circumstances he changed the characters to Mr. & Mrs. Boale. In this adaptation by screenwriter Luis Alcoriza, they have become Dr. Pablo Morales and his wife Gloria.

There seems to be an unwritten law which exists to this day that when a wife is murdered or missing, presumed dead, the prime suspect is invariably the husband. Taxidermist Morales has more cause for murder than most as his wife subjects him to relentless mental and emotional torture whilst presenting herself as the victim to her hideous relations, his brutal brother and an over-zealous Catholic priest. Morales confides to a friend early on in the film that to commit a murder, be tried for it and acquitted is the ultimate achievement. Our hero almost makes it but of course there is always the unexpected............

This is definitely for those who like their comedies 'black'(apologies to the 'woke' patrol) The camera angles, lighting effects and Raúl Lavista's score add immeasurably to the film's gruesome nature.

It is the performance of Artúro de Cordova as Morales that carries the day. He has always excelled at characters with an 'edge' and his casting here is a masterstroke. This film was made as Mexico's Golden Age, of which he was one of the brightest stars, was rapidly coming to a close and he himself in his early fifties. Sadly incapacitated by a stroke in 1967, this is, to my knowledge, the last of his great roles. The part of his insufferable spouse Gloria is a difficult one to play and Amparo Rivelles convinces as a woman who must at some stage have been an engaging partner before disease and excessive piety took their toll.

Luis Alcoriza had a fruitful working relationship with Luis Bunuel which included 'Exterminating Angel' and 'El', the latter gifting de Córdova another marvellous role. Although Rogelio A. Gonzalez does a pretty good job here one cannot help but wonder how Bunuel would have handled this material.

Both this film and the works of Arthur Machen have had a strong influence on director Guillermo del Toro. One is hardly surprised.

Laced with morbid humour and effortlessly sustaining its macabre wit throughout, The Skeleton of Mrs. Morales is a pitch black comedy horror that's competently crafted, intelligently narrated & brilliantly acted as it takes its time to acquaint us with the taxidermist's charm & persona and also compels us to root for him after he takes his marital woes borne out of his overbearing wife to the extreme. As demented as it is amusing, the story is further enriched by crisp photography & steady pace while it captures the longstanding effects of a toxic marriage and despite turning dark, it never loses its funny side. One of the better examples of its genre(s) and surely amongst the finest works of Mexican cinema. Highly recommended.