El diario de Ana Frank

Based on the play, the movie is about two families that go into hiding in Amsterdam during World War II. This movie has Millie Perkins starring as Anne Frank who has an excellent performance and a brilliant narration. Anne Frank also has chemistry with Peter Van Daan, a boy from the other family. The cinematography is great. I especially like how the camera moves up from floor to floor. The film is very suspenseful and keeps your eyes glued to the screen to see what happens next. The final reason why this is great is that it shows spirit and hope in dark times. I'm surprised that no one watches this movie that much today. It seems that it is a forgotten gem.

This worthwhile cinematic tribute to "The Diary of Anne Frank" offers a solid cast, some very effective settings, and a generally well-considered selection of episodes. No mere movie could convey the full force of the original diary, which no one who has read it can forget. But this movie version is good in its own right, and it does add some memorable, if sometimes non-historical, images to the story. The script does alter some details, and it's hard to see why they could not simply have filmed a selection of actual events, since that could have been more than effective enough. But, as a movie in its own right, it works well.

The Diary is most important for its record of the daily lives of real individuals who lived in constant fear because of the Nazis and their irrational persecutions. It puts names and faces on the kind of human disaster that is all too often described in terms of mere numbers. The movie does well in bringing out this aspect of the diary, making the characters come to life in settings that are interesting, detailed, and believable. The photography also makes good use of the settings and the details.

The other significant aspect of the Diary is its portrait of Anne herself. Her writings combine observations on the overall situation with observations about her own life and self, with a surprising degree of perception. This does not come out so much in the movie, though of course this would be much harder to accomplish. Millie Perkins projects a rather different image from the original Anne, but then again, there is nothing really wrong with her performance in itself. She does make a sympathetic and generally believable heroine. The supporting cast generally does a good job. The fine character actor Joseph Schildkraut gives the best performance, as Anne's father Otto.

Overall, if viewed with reasonable expectations and evaluated apart from the book, this adaptation is an interesting and worthwhile movie.

We had to watch this movie in Drama class my freshman year of high school. Problem was that I had Drama 1st period. I slept a lot 1st period (and sometimes 2nd). So a 3 hour movie that the teacher taped (with commercials) was turned in to a two week affair, or so it seemed. I got another shot to watch it late one night, 4 am or so, on Bravo. Problem was, unbeknownst to me, it was a two night deal. So I only took in the first half of it. Finally got the shot to see the whole thing on AMC this afternoon. Millie Perkins was just wonderful as Anne Frank, and a great cast all around. I knew Shelley Winters had won an Oscar but not what for. Sometimes a good story is so much better because it's a true story, like Apollo 13, and this is no exception. It's hard to imagine these things actually happened.

Go watch this sometime when you have 3 hours free.

8 out of 10 from me.

I had read the book as a child and was swept up in the depiction of lives lived hidden away in the attic of a factory in Amsterdam, the strong true voice of Anne in her diaries capturing a world of imprisonment, the only crime being that of the wrong religion. Anne's spirit is never quenched as she experiences all the trial and tribulations of burgeoning adolescence, difficulty with her mother and a slow falling in love with a teenage boy, Peter, who shares her quarters.

The book was made into a successful play and then transfered to the screen where it was shortened considerably from the original. And that is where I saw it first, on the screen, but the shorter version, not being aware of the original length.

The cast are amazing, particularly Millie Perkins, who was the least experienced of all the cast and has to be in almost every scene. She candidly shared her experience of the six months' filming when the cast was virtually in captivity and mentioned in passing that the most difficult time she had was not surprisingly with the director, George Stevens, who was extremely supportive but rather with Joseph Schildkraut, who plays Otto Frank, her father in it. He made her life hell on set and never let her forget she was totally inexperienced, unlike the rest of them, in the way of acting. I'm mentioning this as not an inkling of this tension comes across on screen, and Millie has to share a lot of loving scenes with Joseph. Only a gifted actress could overcome her distaste for the man and perform as she did.

The expanded version of the movie is remarkable. It engenders a claustrophobic feeling in the viewer and an overwhelming sadness, knowing that none of these characters, apart from Otto, will survive the madness of the camps.

Anne's positive spirit drenches every scene, she believes in the intrinsic goodness of everyone in spite of everything.

Shelley, as Peter's mother, deserved her Oscar, she conveys her unhappy marriage, her reliance on the material, her love for her son, so well. Diane Baker, as Margot, Anne's sister, hands in a great performance as does the above mentioned Joseph. Ed Wynn, breaking type, plays Dussell the dentist as an irritating busybody.

In the way of the Oscars, so many superb movies fail to attain the best picture of the year. This is one of them. That year, the best picture Oscar went to Ben Hur. This is a far superior movie.

9 out of 10. Superb, especially in the restored length. Not to be missed. B&W at its finest.

It's a pleasure to report that the long wait for George Stevens' THE DIARY OF ANNE FRANK to come to the DVD format has been worth the wait. The restoration is far better then the fine 1995 Laser Disc issue, which was the only previous release to include the Overture, Intermission and Exit Music for the film as well as the "roadshow", 170 minute version of the film. As Alfred Newman's score is one of his finest, the addition of the extra music is a true treat. Issued as one of Fox's "Studio Classics", the DVD shows that a great deal of tender care has gone into this outstanding release. The complete films is contained on one side. Side two is full of some nice extras, headed by a full-length documentary, "ECHOS FROM THE PAST", that is very informative. There is a nice excerpt from the documentary feature, "GEORGE STEVENS: A FILMMAKER'S JOURNEY", which was produced and directed by George Stevens, Jr. Stevens' son also provides the commentary track along with actress Millie Perkins for the film itself. There are two interesting previews included, one for the U.S. release after the film was taken off the roadshow run (and CUT by almost 20 minutes) and also the International version, which uses Newman's music over the scenes without any dialog from the film itself. Perkins' screen test, newsreel footage a number of excellent behind the scenes photographs and a restoration comparison round out the second side. The film and this DVD are HIGHLY RECOMMENDED.