El discípulo del diablo

Lancaster and Douglas had a rare and unique Hollywood relationship. Though they could easily have been rivals (and in some ways were), they formed a sort of onscreen "buddy team", working together many times and using their own traits of one-upmanship to lift various projects to a high level of achievement. Their competitiveness, paired with their mutual respect, led to some memorable movies. This is a lesser-known effort of theirs, but is, by no means, an inferior one. Lancaster is a gentle Revolutionary War-era minister, married to the lovely, but puritanical Scott. When the war reaches a fever pitch and local townsfolk begin to hang from the gallows, a roguish prodigal son (Douglas) returns to stir things up. Douglas and Lancaster form an uneasy alliance with each other until Douglas is arrested, mistaken for Lancaster who has buried a "rebel" without permission. The commanding British officer is Olivier, who knows that the war is hopeless, but continues to play it out with a sort of bemused detachment. Though the film contains a fair amount of action, it is really a witty, clever parade of words and thoughts (based on a George Bernard Shaw play) shedding a humorous and ironic light on a page in U.S. history. Lancaster is mellow for much of the film, but effective (and tan! The audience gets to see his muscular back in the film, though Scott is too demure to look upon it herself!) Douglas starts off VERY big, with distractingly dark and satanically groomed eyebrows. Fortunately, he overcomes this gimmick and turns in a solid performance. Olivier is very good, but doesn't really take the reigns of his role to the highest level (and has limited screen time in any case.) Andrews gives a very nice supporting turn as his exasperated right-hand man. Scott does some of her best work as the straight-laced bride who can't help but find herself drawn to the rough-hewn charms of Douglas, though the very idea tortures her. Her best moment comes when Douglas asks her to kiss him and she exclaims, "I can't!" (yet immediately thrusts herself onto him for a lengthy smooch!) As history, the film is dubious at best (and even recognizes this itself!), but, at a tight 83 minutes, it's a delightful diversion featuring a great combination of actors and stars. It doesn't overstay its welcome and has a light touch throughout. (Oh, and check out the stop-motion figures that show up during the voice-over narration! What a hoot!)

Sparkling adaptation of George Bernard Shaw's witty play set in American's revolutionary war. It has everything; a wonderful script (most of Shaw's play is let be), lively direction, and a top-notch cast. Kirk Douglas gives his lightest and most charming performance as the self-professed Devil's Disciple, there's no trace of the usual heavy-handed ham, he completely steals the film. Burt Lancaster doesn't have as much to work with in the part of a virtuous minister, but he does what he can and I consider a man who looks that great to be above criticism.

The only disappointment is Laurence Olivier as General Burgoyne. Olivier castigated himself in his autobiography for botching one of Shaw's most hilarious roles, his personal griefs were overwhelming him at the time. He's nervous and unfocused, line after wonderful line falls flat. (He returned to form shortly after in "Spartacus" and "The Entertainer")

So, this isn't just a fun film that can be enjoyed by any level of sophistication, it's something every film buff has to see... A movie where Kirk Douglas acts rings around Laurence Olivier!!! Surely the stars must have fallen out of the sky in pure shock!

Oddly enough, very few good films have been made about The American revolution, and this is one of them.Kirk Douglas and Burt Lancaster put in very fine performances, with Lancaster acting against type as the priggish, self-righteous minister who transforms himself into a dashing, wickedly, hero, and Kirk Douglas as the sardonic, cynical, Satanic, selfish, and utterly delightful Dick Dudgeon, who transforms himself inot an altruistic, self sacrificing hero. Laurence Oliviers performance is little too langourous and flat, until he delivers the films great punch-line, "history will lie, as usual." Of course, it may be that the films sharp-eyed, toughly ironic view of the revolution has militated against it ever gaining the popularity it deserves

"The Devil's Disciple" is based on a play by George Bernard Shaw. It recalls of a page in the history of the American Revolution. The play and this film interject considerable humor and satire in otherwise serious matters of the time. All of the cast are good in their roles.

Burt Lancaster is the Rev. Anthony Anderson. Kirk Douglas is a rogue patriot, Richard Dudgeon. Laurence Olivier is the epitome of the arrogant and unbending British general, Burgoyne. Janette Scot plays Anthony's wife, Judith Anderson. She's a conflicted woman after she meets Dudgeon. She loves her husband but also falls for Dudgeon, in his adventurous ways. But two can play at that, as she find outs with Anthony at the end of the film. Harry Andrews flourishes in yet another of his fine British uniform portrayals.

The story takes place in the days of leading up to and the start of the American Revolution. Shaw's sarcasm and cynical treatment of some of the beliefs of the time underlie the story. The film isn't exceptional, but Lancaster's production company pulled together a stellar cast for this humorous look at history and poking fun through the pen of G.B. Shaw.

This is the third film that Lancaster and Douglas made together. Most movie buffs should find the film amusing.

It has been years since I've actually seen the movie and was disappointed that it can't presently be found on DVD. Yet, while fiction, it is a tight, well acted piece of near dark comedy placed in a revolutionary war setting.

Lancaster's portrayal is akin to his as the somewhat self-righteous Wyatt Earp in O.K. Corral. Probably the wittiest scene is played between the prisoner Douglas and Sir Laurence (Gentleman Johnny Burgoyne) as a straight man with a bit of a twinkle in the eye. First with Olivier near whining to Kirk how he'd think better of him if he only knew how much he'd paid for his commission - a common practice in German George's British army.

Convicted and scheduled to hang, Douglas demands a soldier's firing squad only to talked out of it by Gen'l. Burgoyne decrying - with wry historical accuracy, the woeful state of marksmanship of the average Red Coat then serving in the Colonies. "Well then, by all means hang me !"

Delightful, well paced, funny, and even a tad dramatic with Burt, like Disney's Lambert the Bashful Lion, finally roaring to the height of minuteman steel in the final scenes.