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IMDbPro

The Black Orchid

  • 1958
  • Not Rated
  • 1h 36min
CALIFICACIÓN DE IMDb
6.4/10
1.3 k
TU CALIFICACIÓN
Sophia Loren and Anthony Quinn in The Black Orchid (1958)
Anthony Quinn and Sophia Loren star as longtime widower Frank and recently widowed Rose, lonely hearts who discover something special in The Black Orchid.
Reproducir trailer2:22
1 video
21 fotos
DramaRomance

Agrega una trama en tu idiomaAnthony Quinn and Sophia Loren star as longtime widower Frank and recently widowed Rose, lonely hearts who discover something special in The Black Orchid, a sensitive comedy romance directed... Leer todoAnthony Quinn and Sophia Loren star as longtime widower Frank and recently widowed Rose, lonely hearts who discover something special in The Black Orchid, a sensitive comedy romance directed by Martin Ritt (Norma Rae, Murphy's Romance).Anthony Quinn and Sophia Loren star as longtime widower Frank and recently widowed Rose, lonely hearts who discover something special in The Black Orchid, a sensitive comedy romance directed by Martin Ritt (Norma Rae, Murphy's Romance).

  • Dirección
    • Martin Ritt
  • Guionista
    • Joseph Stefano
  • Elenco
    • Sophia Loren
    • Anthony Quinn
    • Peter Mark Richman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Martin Ritt
    • Guionista
      • Joseph Stefano
    • Elenco
      • Sophia Loren
      • Anthony Quinn
      • Peter Mark Richman
    • 27Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Videos1

    Trailer
    Trailer 2:22
    Trailer

    Fotos21

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    Elenco principal73

    Editar
    Sophia Loren
    Sophia Loren
    • Rose Bianco
    Anthony Quinn
    Anthony Quinn
    • Frank Valente
    Peter Mark Richman
    Peter Mark Richman
    • Noble
    • (as Mark Richman)
    Virginia Vincent
    Virginia Vincent
    • Alma Gallo
    Frank Puglia
    Frank Puglia
    • Henry Gallo
    Jimmy Baird
    • Ralph Bianco
    Naomi Stevens
    Naomi Stevens
    • Guilia Gallo
    Whit Bissell
    Whit Bissell
    • Mr. Harmon
    Robert Carricart
    Robert Carricart
    • Priest
    Joe Di Reda
    Joe Di Reda
    • Joe
    Jack Washburn
    • Tony Bianco
    Ina Balin
    Ina Balin
    • Mary Valente
    Barbara Aler
    • Girl at Wedding Shower
    • (sin créditos)
    Maria Andre
    • Aunt Millie's Daughter
    • (sin créditos)
    Larry Arnold
    • Wedding Guest
    • (sin créditos)
    Angela Austin
    • Blondie
    • (sin créditos)
    Rose Barbato
    • Flower Woman
    • (sin créditos)
    Majel Barrett
    Majel Barrett
    • Luisa
    • (sin créditos)
    • Dirección
      • Martin Ritt
    • Guionista
      • Joseph Stefano
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios27

    6.41.3K
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    Opiniones destacadas

    dbdumonteil

    Bland melodrama.

    Martin Ritt has always been a director concerned by social problems:racism,illiteracy,the lot of workers and trade unionism,juvenile delinquency.And some of his works are commendable:"Stanley and Iris","Norma Rae" "edge of the city" to name but three.

    This is the latter subject we find here:Ralphie ,whose late father was a gangster has been sent to a reform school.His mother (Loren) wants to marry an honest man (Quinn).But they've got to reckon with the guy's offspring who's not prepared to accept that.We deal with a "serious" sitcom which drowns out Ralphie's character.Sophia Loren 's portrayal is minimal,and Quinn cannot make up for it.The supporting cast,particularly Quinn's daughter,her fiancé and her confidant,has no presence at all.

    Get Douglas Sirk's "imitation of life" instead if you think melodrama can be great art!
    6ma-cortes

    Remarkable and intelligent account about a mature couple , being well directed and wonderfully performed

    Patchy weeper with terrific and enjoyable performances , in which a businessman Frank Valente (Anthony Quinn) romancing criminal's widow named Rose Bianco (Sophia Loren) and the principal problem results in convincing their children that marriage will make all their lives better . As the Italian Frank wooing a mobster's widow that leads to unexpected consequences . Both of whom are strongly involved with their sons , as Frank has to convince his sternly moralising daughter (Ina Balin) about marry herself to Noble (Peter Mark Richman) , while Rose must convince her little boy Ralph (Jimmy Baird) who usually is locked at remand home like in N.Y. State Farm .

    This is a plain and simple film with plenty of interesting drama , Soap opera , emotion and a sensitive as well as unexpectedly tender romance . Filmmaker Martin Ritt has got a considerable success in delineating their troublesome roles in this fabricated Soaper . Various character-studios furnish the basis for this agreeable drama and it results to be a superb piece of acting . Excellent interpretation by protagonist duo , as Anthony Quinn as the bungling businessman romancing a moll's beautiful widow , this was the first of Anthony's European roles leading to his hit five years later in ¨Zorba the Greek¨ . And Sophia Loren playing magnificently the mature but attractive crook's widow , though she was 23 years old during filming, only 10 years older than the actor playing her juvenile son . The picture also established Loren's claim as a player of some worth and paved the way for her Acadeny Award-winning success three years later in ¨Two women¨ and her triumph in ¨The Cid¨ . It is a mostly staged drama in which the two main actors spend the majority of the movie attempting to persuade their children that all will be better if they marry and it can work out . Nice screenplay by Joseph Stefano dealing with sensitive themes such as the disintegration of a family , an enticing love story , rebellious childhood and including engaging dialogs . Evocative cinematography in VistaVision by Robert Burks , he's a classic cameraman and Hitchcock's usual . The music is sparse, but it's potent and lively every time it appears , it was composed by Alessandro Cicognini .

    This understatement motion picture was well produced by Carlo Ponti , Sophia Loren's husband , and professionally directed by Martin Ritt, who worked with Paul Newman in three Westerns : ¨Hombre¨ , ¨Hud¨ and ¨Outrage¨. Ritt was an expert on dramas such as ¨Stanley and Iris¨ , ¨Nut¨ , ¨Norma Rae¨ , ¨The front¨, ¨The Sound and the Fury¨ , though also directed films of all kind of genres such as : ¨The Spy Who Came in from the Cold¨ , ¨The Great White Hope¨ , ¨Mafia¨ and ¨Molly McGuire¨ . This ¨Black orchid¨ film will appeal to drama enthusiasts and Anthony Quinn/Sophia Loren fans . Rating : Above average, well worth watching ; along with ¨Hud¨ ,and ¨Outrage¨ being one of Ritt's best movie.
    6esteban1747

    the relationship of a Woman and a Man, both widows

    Martin Ritt was a very good director, but this film is not his best. Probably because the film was one of those he directed after being accused of being communist during the McCarthy's hunt. Two stars like Sophia Loren and Anthony Quinn together again for the second time (They were acting together in "Attila" 1954) made the film a good entertainment with a very happy end. Quinn's daughter is too egoist with his father because she does not want to share him with any other woman, and once noticed the new relationship with Sophia, a widow of a presumably maffia man, who also has a son sitting in farm school for children with problems of behavior. Sophia solved the problem Quinn had with his daughter (too simple way of solution) and Quinn was able to get the sympathy of her son and to take him back with them. I wish life could be like it was shown here, it was so simple and easy.
    dougdoepke

    A De-glamorized Loren

    To this point in her American career, Italian actress Loren had starred mainly in big budget, Technicolor productions—e.g. Legend of the Lost, The Pride and the Passion, Boy on a Dolphin, (all 1957). Of course, such a format showed off her ample proportions for that mammary obsessed decade. I suspect this little b&w production was intended to help establish her as more than a sex goddess. And it does.

    She's quite good in the de-glamorized role of an embittered working widow, Rose. Despite her resistance, she's being intensely courted by prosperous business man, Frank (Quinn). Trouble is Frank's daughter Mary (Balin), is very possessive of dad and also thinks Rose is undeserving of him. So Mary creates problems that jeopardize not only dad's engagement but also her own—to nice guy Noble (Richman). If this sounds like tangled relationships, it is, especially when Rose's delinquent son (Baird) is added to the mix.

    Fortunately, the movie's well acted and directed (Ritt), which helps what turns out to be something of a soap opera. The first part comes across as mainly a character study as the hardened widow Rose fends off Frank's persistent gambits. However, once the relationships begin to spread and conflict, the screenplay takes on a more conventional tone. Also, looks like the movie was shot entirely on the Paramount lot. Thus, I expect they were able to squeeze it into her hectic schedule. Note too how subtly actress Loren expresses emotions with her eyes. That's probably something guys like me never noticed before.

    Despite the obscurity in Loren's canon, the film works as an engaging showcase for the two leads, and is not without its moments.
    6moonspinner55

    Quinn gives the Italian histrionics some substance...

    The soon-to-be-married daughter of a handsome widower is furious when her father starts dating the widow of a gangster. Anthony Quinn and Sophia Loren are quite good as the older lovers whose romance hits a family obstacle (Quinn, in particular, is well-attuned to his role), but the stereotypical Italian characters get to be a bit much. One can understand why Quinn's daughter is reluctant to let go of her papa (she's been mother and daughter to him for years), but her overwrought behavior--not to mention her over-acting--creates an hysterical mood which nearly undermines the love story. Martin Ritt directed, staging the piece with sensitivity yet never allowing the characters and their emotions to bloom. **1/2 from ****

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    Argumento

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    • Trivia
      Sophia Loren earned her first acting award with this movie (she picked up the Best Actress award at the Venice Film Festival). Many more would follow.
    • Errores
      A police car with siren sounding pulls up in front of Rose's house and a policeman calls at her door to inform her that her juvenile son has run away from the Work Farm and asks to search the house to see if he is hiding there. The police only use their car sirens for emergency situations and when in pursuit of other vehicles, etc. - not when making routine house calls. And even if her son were hiding at the house (which, in terms of the movie's plot, he wasn't), the blaring siren would have alerted him that he was being sought by the police, causing him to flee into the backyard to make his escape before the policeman entered the house.
    • Citas

      Frank Valente: Working at night? Even God doesn't work at night.

      Rose Bianco: To make a living people do many things God doesn't do.

    • Conexiones
      Featured in The Hollywood Collection: Anthony Quinn an Original (1990)

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    Preguntas Frecuentes16

    • How long is The Black Orchid?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de febrero de 1959 (Italia)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • También se conoce como
      • Die schwarze Orchidee
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 36 minutos
    • Color
      • Black and White

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