El monstruo submarino

There were many "giant-monster" films from the 50's . Some were terrible. Most were good, including this one. Yeah, if one were picky they could say the stop-motion effects (from King Kong effects man Willis O'Brien) are not as well done as Ray Harryhausen's or the pacing is a bit slow at times. For the most part, the actors do a credible job although Gene Evans (Dr. Karnes) overplays his part a bit. There is enough action to sustain interest and the story is pretty good (if not original). This monster just isn't in a talking mood! It's not only radioactive but has an electric charge that sends out the radiation. There is some decent stock footage as well. If you're a fan of 1950's sci-fi films, give this one a try.

Now, let me tell you I could be a little biased here with my scoring. For this film lit the light of remembrance and melancholy within me. As it took me back to my childhood. There was a time when the good old BBC would play these movies on a Saturday afternoon: On BBC2 while BBC1 had Grandstand. I remember watching these Sci-Fi monster flicks with my Nan on cold and wet winter days, usually in front of a warm gas fire. Those were good days. So, I thank the makers of the film for giving me this memory.

What you have is a pretty bog-standard tale of nuclear radiation mutation... as was par for the course in the fifties. Here though, not only does it mutate a creature to an enormous size, but apparently resurrects a long-dead dinosaur. This then goes on the rampage through London. Though what makes this a little better than the average film in this genre is the extra details. We don't start in London but in a little fishing village in Cornwall where strange things have been occurring; a man being burned with 1st, 2nd, and 3rd degree burns, shoals of dead fish washing up on the beach, and strange lights under the surface of the sea. This pulls the viewer in with the mystery. There's also the brilliant usage of the radiation because if you get too close to the creature then you burn. When we arrive at the rampage, the director uses parts of London not fully rebuilt after the war to create an atmosphere that works well. Also, the large amount of extra's running from the monster is just right - not one or two people, but a hole streets worth of men and women.

The director is very good at his work. He sets the pace of this film perfectly. There's a small crescendo at the beginning when Marine Biologist Steve Karnes' is warning the government about the possible side effects of radiation on the oceans and their populace. Then drops to a steadier pace with the mysterious happenings. Building up slowly to the rampage at the climax. Spot on perfect.

The special effects, for their time, are not quite as good as others. However, they are passable. It's nice the puppeteer changed out to a fully automated Behemoth for the later scenes as the fixed mouth version that attacked the ferry looked a little silly. I have to admit I really loved the part where the Behemoth walks through the dockyards. The part where he wrecks one crane by tearing it apart with his teeth and the other by simply walking through it is one of the better stop animation sequences I've seen. I liked the fact the director filmed it from the position of the pavement, which had the effect of giving size to the creature.

This was a very enjoyable flick, to say the least. The story and the filming were solid as too was the acting. Everybody put their skills into making this a very watchable movie. Not remembering the movie fully, I thought that the two main characters in the fishing village section Jean (Madison) and John (Turner) would be in the whole show, their acting is that good. However, when we leave the village we never see them again.

If you've never caught a '50's sci-fi monster flick then this one would be a nice place to start. And if you are a fan of the genre, then find a copy and watch this once more, it's worth it.

BEHEMOTH THE SEA MONSTER is a British version of the classic GODZILLA story, although it's more closely linked to THE BEAST FROM 20,000 FATHOMS with whom it shares a director in the Russian-born Frenchman, Eugene Lourie. A youthful Douglas Hickox (THEATRE OF BLOOD) is also credited as co-director in British prints.

I always find British monster movies to be a lot of fun and this one is no exception; the cast is full of decent, stiff upper lipped types who instantly band together to tackle whatever great menace is coming their way. And BEHEMOTH THE SEA MONSTER tells a very typical storyline for its era, following a specific template that sees a slow and gradual build-up in the first half lead into some all-out monster action in the second.

The film features a likable imported American star in Gene Evans, backed up by some heavyweight British talent in the form of a tough Andre Morell and the likes of Jack MacGowran. Film fans will be delighted to see some brief snippets of stop motion effects contributed by the one and only Willis O'Brien at the tail-end of his career, although a cheesy model also bolsters the action. And I enjoyed the way the action plays out in a particularly grim fashion, with the monster readily offing men, women, and children thanks to that radioactive death ray.

Essentially a remake of THE BEAST FROM 20,000 FATHOMS with the dinosaur emitting radiation instead of a deadly disease this is still a good film. Originally the monster was supposed to be invisible (hence the scene where it does not show up on radar) but the producers said that would never do and a monster must be seen by the audience! So Willis O'Brien and Pete Peterson were brought in late in the game to do some effective stop motion effects. The low budget shows. Notice how the monster steps on the same car 3 times and seems to take forever to walk up a single street. When the Behemoth attacks the ferry watch carefully and you will see the wooden base the rubber head is attached to come out of the water! Other scenes are very good though, like the beast "attacking" the high tension wires and when he strolls by the houses of Parliament you almost cannot tell the old British landmark is just a blown up photograph! B-Western stalwart Gene Evans is pretty good as the hero and Andre Morrell, a one time Dr. Watson opposite Peter Cushing's Sherlock Holmes, is good too. Not much time is wasted on a romantic subplot . . .thank goodness! Allegedly when director Eugene Lourie's young daughter saw this film she chided her father "Daddy, you're bad! You killed the beastie." her comment stayed with Lourie and a few years later when he directed GORGO he . . .well . . .that's another story for another review. See you then.

This film was made before the days of cgi and therefore must seem painfully dated to younger viewers but to us who grew up in the atomic monster age it is both scary and charming. We do not look with judgment on the film but rather on the times in which it was produced. Fond memories of drive-in theaters and Saturday night scarfests with friends. Carefree times of youth and adolescence. That said "Behemoth" is ultimately more entertaining with it's challenging fx than many of our modern day films which completely lack any charm. Simply filling a film with eye catching Cgi does not a movie make. Willis O'Brian's painstaking stop-motion effects and Eugene Lourie's talent with a minuscule budget unite to make a scary premise very entertaining and certainly fondly remembered.