El monstruo submarino

Essentially a remake of THE BEAST FROM 20,000 FATHOMS with the dinosaur emitting radiation instead of a deadly disease this is still a good film. Originally the monster was supposed to be invisible (hence the scene where it does not show up on radar) but the producers said that would never do and a monster must be seen by the audience! So Willis O'Brien and Pete Peterson were brought in late in the game to do some effective stop motion effects. The low budget shows. Notice how the monster steps on the same car 3 times and seems to take forever to walk up a single street. When the Behemoth attacks the ferry watch carefully and you will see the wooden base the rubber head is attached to come out of the water! Other scenes are very good though, like the beast "attacking" the high tension wires and when he strolls by the houses of Parliament you almost cannot tell the old British landmark is just a blown up photograph! B-Western stalwart Gene Evans is pretty good as the hero and Andre Morrell, a one time Dr. Watson opposite Peter Cushing's Sherlock Holmes, is good too. Not much time is wasted on a romantic subplot . . .thank goodness! Allegedly when director Eugene Lourie's young daughter saw this film she chided her father "Daddy, you're bad! You killed the beastie." her comment stayed with Lourie and a few years later when he directed GORGO he . . .well . . .that's another story for another review. See you then.

This film is a pretty good "big monster" movie, especially since the British only did a few during this period. It has some good acting and once the creature comes to the surface the stop motion is not bad. The only real problem I found was that the first time you see the creature is when it attacks a ship in the Thames. Throw the effects book out the window, all you see is a plastic serpent hitting a model. The head doesn't move, nothing. Its just a tub toy hitting another tub toy. Doesn't ruin the movie, but it will either make you laugh or groan.

This is one of the last films on which Willis O'Brien worked. If his name isn't familiar, he's the guy who brought King Kong to life through the miracle of stop-motion cinematography. His work led to the likes of Ray Harryhausen and it's quite enjoyable to watch his creatures come to life. However, I must point out that technically speaking, this is far from O'Brien's best work. In fact, I think the story is far better than the stop-motion special effects.

The story is about a giant marine dinosaur that seems to have been created through the typical menace in 50s films--nuclear radiation. At first, the monster appears in an isolated fishing village and its radioactivity kills or maims. Some (especially Evans) take this very seriously. Everyone does after it attacks London! Will the Brits be okay or are they all destined to be gobbled up like a stack of freshly baked scones?!

This film stars a rather unlikely actor--Gene Evans. Evans was hardly the handsome leading man type and is probably most famous for his gritty sergeant character from Sam Fuller's "Steel Helmet" as well as appearing in Fuller's "Shock Corridor". So, seeing him playing the intellectual scientist was a bit odd but it worked well enough. In fact, the acting all around was very good--no complaints. However, the special effects, at times, looked pretty bad--such as when the creatures is swimming underwater.

By the way, the ending was rather clever. Make sure not to miss it.

Director Eugene (Gene) Lourie made three similarly-themed giant monster flicks, beginning with 1953's 'Beast From 20,000 Fathoms' to 1961's 'Gorgo', with 'Behemoth' sandwiched in between. The story line is much like a myriad of other films of the era (and very much like 'Beast...") but this one is a cut above. This time, the irradiated creature (weren't they all during the 50s?) turns up in British waters. Unlike 'Beast' and 'Gorgo' (as well as Godzilla and the others), this Behemoth not only was a huge creature, but also had the ability to project 'electrified fields of radiation', causing people to literally burn to death. Scenes with Behemoth climbing out of the Thames, destroying buildings and burning people to death (even kids aren't spared) is pretty exciting. While close-ups of Behemoth are not realistic (compared to Ray Harryhausen's work in 'Beast'), the full-body scenes done by Willis O'Brien are very effective. The acting, untypical of these films, is actually pretty well done. Character actor Gene Evans and Hammer Films regular Andre Morell do splendid jobs, and the supporting cast is fine too. One can quibble over which of these films is the best, but I agree with an observation made in Psychotronic Encyclopedia of Film that The Giant Behemoth was "the scariest giant monster-on-the-loose film ever made." At least up to that point, anyway. Well worth having if you're a fan of old sci-fi & horror films.

When it comes to this film, some people love it, while others despise it. There seems to be no middle ground. Actually, BEHEMOTH, THE SEA MONSTER (aka THE GIANT BEHEMOTH) is not a bad giant monster on the loose flick. I enjoyed it when was a kid and I have this film on video and I still enjoy viewing it today. The special effects are pretty good for a quickly made low budget picture, the cast including Gene Evans turn in solid performances and Eugene Lourie's direction is quite good. The radiation scarred victims of the behemoth's radioactive aura (?) shocked me as a kid.

However, the main problem with this film is that we have seen it all before. The film is almost a remake of Lourie's BEAST FROM TWENTY THOUSAND FATHOMS. The original script for this film was about an invisible radioactive monster that dwelled in the ocean. The backers of this film turned the script down, saying they didn't like the idea of an invisible monster. So Lourie went with a radioactive dinosaur and simply rewrote BEAST FROM TWENTY THOUSAND FATHOMS.

The special effects are pretty good. The stop motion effects by Willis O'Brien and Pete Peterson look pretty good for a low budget picture. The main problem is that O'Brien and Peterson had done much more impressive work elsewhere. The effects are not bad, but the effects here are not up to the work O'Brien and Peterson did in KING KONG or even THE BLACK SCORPION. The mechanical and pyro-technical effects by Jack Rabin and Irving Block are pretty ambitious for a picture of this nature.

BEHEMOTH, THE SEA MONSTER is a decent late fifties monster on the loose picture. It is just that we have seen this before and the people who made this film had done better work elsewhere.