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5.1/10
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Agrega una trama en tu idiomaA Greek soldier leads the fight against an invading Persian army.A Greek soldier leads the fight against an invading Persian army.A Greek soldier leads the fight against an invading Persian army.
- Dirección
- Guionistas
- Elenco
Mylène Demongeot
- Andromeda
- (as Mylene Demongeot)
Daniele Vargas
- Darius - King of Persia
- (as Daniele Varga)
Opiniones destacadas
This is an OK sword and sandal flick. Not the best I've watched and it doesn't have any super natural creatures involved so this is just human vs human. However, they really abuse the poor horses in this thing. 5 of 10, best if watched in a riffed variety like The Film Crew did which is pretty amusing (the team pre-Rifftrax). It's on the internet free as a regular film (bad copy) and on places like Tubi to watch riffed by The Film Crew.
What immediately catches the eye about THE GIANT OF MARATHON is the fact that it stars the one and only Steve Reeves, and is co-directed by none other than Jacques Tourneur and Mario Bava! Bava would go on to direct HERCULES IN THE HAUNTED WORLD, arguably, the best of the many Hercules movies.
Reeves is larger than life as Phillipides, who, after watching two oily wrestlers batter each other, must take one of them on. He makes quick work of the bloated behemoth. Lusted after by the beautiful Karis (Daniela Rocco), Phil is actually drawn to the lovely Andromeda (Mylene Demongeot), who is sworn to marry the treacherous Teocrito (Sergio Fantoni).
Meanwhile, Phil's Greeks are at war with Persia, putting a crimp in his love life. Can he get the Spartans to join forces with Athens to defeat the Persians? And, what about Phil and Andromeda? Will these two kids ever get together?
One of the more sophisticated films of its type, it contains far less cheeeze than most such productions. It also puts more energy toward the historically-based plot, characters, sets, etc., instead of focusing on one sweaty fight after another. The battles are actually huge in scope, unlike the constrained, horseback slugfests in other, lesser movies.
Don't worry, Phillipides does get a chance to start an avalanche, complete with tumbling, sofa-sized boulders! He also helps his comrades set an ingenious trap for the Persian fleet! The ensuing battle at sea is quite impressive.
Highly recommended for lovers of the genre...
Reeves is larger than life as Phillipides, who, after watching two oily wrestlers batter each other, must take one of them on. He makes quick work of the bloated behemoth. Lusted after by the beautiful Karis (Daniela Rocco), Phil is actually drawn to the lovely Andromeda (Mylene Demongeot), who is sworn to marry the treacherous Teocrito (Sergio Fantoni).
Meanwhile, Phil's Greeks are at war with Persia, putting a crimp in his love life. Can he get the Spartans to join forces with Athens to defeat the Persians? And, what about Phil and Andromeda? Will these two kids ever get together?
One of the more sophisticated films of its type, it contains far less cheeeze than most such productions. It also puts more energy toward the historically-based plot, characters, sets, etc., instead of focusing on one sweaty fight after another. The battles are actually huge in scope, unlike the constrained, horseback slugfests in other, lesser movies.
Don't worry, Phillipides does get a chance to start an avalanche, complete with tumbling, sofa-sized boulders! He also helps his comrades set an ingenious trap for the Persian fleet! The ensuing battle at sea is quite impressive.
Highly recommended for lovers of the genre...
A momentous collaboration between two (past and future) masters of the horror genre which should perhaps have been made in that particular field, especially since the overall effect (as with most Italian low-grade epics) is somewhat juvenile - unlike either's best work - but also because there are no monsters involved (unlike, say, THE GIANTS OF THESSALY [1960])!
Steve Reeves and Sergio Fantoni make for an above-average hero and villain; Daniela Rocca fares a lot better here than she would do in COLOSSUS AND THE AMAZON QUEEN (1960); and Mylene Demongeot is one of the loveliest heroines in all peplums, evoking memories of the early Brigitte Bardot - who had herself appeared in a supporting role in HELEN OF TROY (1955), one of many film versions centering around another legendary Greek battle (among them THE Trojan HORSE [1961], starring Reeves himself and which I watched later on in my peplum marathon!).
The slow-starting film (which, thankfully, features no intrusive comic relief) eventually picks up with the impressive battle sequence, which occupies about half its length! Bava's camera-work is exemplary and his special effects are apparent in the over-the-top violence, particularly towards the end.
Steve Reeves and Sergio Fantoni make for an above-average hero and villain; Daniela Rocca fares a lot better here than she would do in COLOSSUS AND THE AMAZON QUEEN (1960); and Mylene Demongeot is one of the loveliest heroines in all peplums, evoking memories of the early Brigitte Bardot - who had herself appeared in a supporting role in HELEN OF TROY (1955), one of many film versions centering around another legendary Greek battle (among them THE Trojan HORSE [1961], starring Reeves himself and which I watched later on in my peplum marathon!).
The slow-starting film (which, thankfully, features no intrusive comic relief) eventually picks up with the impressive battle sequence, which occupies about half its length! Bava's camera-work is exemplary and his special effects are apparent in the over-the-top violence, particularly towards the end.
Fairly decent Greek epic starring none other than the great Steve Reeves.
I've first read about Steve Reeves in Arnold Swartzenegger's book that he was the first modern body builder with perfect body symmetry. This is the first movie of his I've seen knowing that it's Reeves who's acting on the screen. I may have seen his other movies without knowing that it was him, because I've seen many Hercules movies as a child, and he might have been in it.
I could see that he was a ground breaking talent who was good looking enough to be an actor even if he wasn't the Adonis that he was.
Do I dare say that the Italians knew how to make male exploitation films done in good taste ? Reeves' masculine beauty is highlighted to its max in this movie. I'm sure this was not accidental.
It's a pretty feel good movie, that's not a pure clash of the muscle men type of production.
Steve Reeves was all that he was said to be. A great natural body builder who also had beautiful appearance.
I've first read about Steve Reeves in Arnold Swartzenegger's book that he was the first modern body builder with perfect body symmetry. This is the first movie of his I've seen knowing that it's Reeves who's acting on the screen. I may have seen his other movies without knowing that it was him, because I've seen many Hercules movies as a child, and he might have been in it.
I could see that he was a ground breaking talent who was good looking enough to be an actor even if he wasn't the Adonis that he was.
Do I dare say that the Italians knew how to make male exploitation films done in good taste ? Reeves' masculine beauty is highlighted to its max in this movie. I'm sure this was not accidental.
It's a pretty feel good movie, that's not a pure clash of the muscle men type of production.
Steve Reeves was all that he was said to be. A great natural body builder who also had beautiful appearance.
Giant Of Marathon is a cut above the peplum films of the Italian cinema, being directed by Jacques Tourneur. The film concerns the activities of one Phillipides, played by Steve Reeves who goes running around all of Greece as an ancient Paul Revere arousing the populace with the sum and substance cry of 'The Persians Are Coming'. Indeed they were.
The ancient histories beginning with Herodotus tell of the athlete/runner who brought news of the Greek victory and then promptly died as his body gave out. Here Tourneur opted for a happy ending, but the film is still good with some very nicely staged battle scenes.
Phillipides was probably the first celebrity athlete in the history of the world. As the winner of one of those original Olympic games he was a sports celebrity figure back in those ancient times. And because of that he's the guy sent on a diplomatic mission to Sparta to get those rival city states working together to beat back the Persians.
Of course Phillipides does just that, but Athens is facing some problems from what would later be called fifth columnists in the city. Phillipides has to deal with them as well.
Steve Reeves as athlete is not shown as a runner, he's shown heaving a discus which would be more in line with the kind of a support his upper body would be an asset for. In fact as a runner all that weight on top would be quite the liability. But he sure looked good.
Giant Of Marathon would not be considered a great film in most quarters. But it is Citizen Kane next to some of the peplum films I've been viewing lately.
The ancient histories beginning with Herodotus tell of the athlete/runner who brought news of the Greek victory and then promptly died as his body gave out. Here Tourneur opted for a happy ending, but the film is still good with some very nicely staged battle scenes.
Phillipides was probably the first celebrity athlete in the history of the world. As the winner of one of those original Olympic games he was a sports celebrity figure back in those ancient times. And because of that he's the guy sent on a diplomatic mission to Sparta to get those rival city states working together to beat back the Persians.
Of course Phillipides does just that, but Athens is facing some problems from what would later be called fifth columnists in the city. Phillipides has to deal with them as well.
Steve Reeves as athlete is not shown as a runner, he's shown heaving a discus which would be more in line with the kind of a support his upper body would be an asset for. In fact as a runner all that weight on top would be quite the liability. But he sure looked good.
Giant Of Marathon would not be considered a great film in most quarters. But it is Citizen Kane next to some of the peplum films I've been viewing lately.
¿Sabías que…?
- TriviaDirector of photography Mario Bava was called to step in as director (uncredited) to finish the film, as Jacques Tourneur did not wish to extend his ten-month contract. Galatea Film decided to reward Bava by giving him a chance to develop his own project as a solo director, La máscara del demonio (1960).
- ErroresAt 44:17, the stunt rider meant to represent an enemy attacker is much darker than the actor he's doubling.
- Créditos curiosos[U.S. poster] In Daring Color!
- Versiones alternativasThe version now being seen in the USA was taken from the Lux (French) release version. It has been modified with the main title in English (the remainder of the credits are in French) and the English dialog track. It also contains shots of graphic violence that were deleted from the original US version that was released to theatres by Metro-Goldwyn-Mayer in 1960.
- ConexionesEdited into Alexander the Great (1963)
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- How long is The Giant of Marathon?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The Giant of Marathon
- Locaciones de filmación
- Titanus, Roma, Lacio, Italia(Studio)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,335,000
- Total a nivel mundial
- USD 2,735,000
- Tiempo de ejecución1 hora 30 minutos
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was El gigante de Maratón (1959) officially released in India in English?
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