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An interesting movie based on three of Jules Verne's novels. Considering the special effects and computer enhanced animation of today, this movie stands as an historic marker of cinematic resourcefulness and imagination. Karel Zeman has brought to life the lithographic images of the original Jules Verne texts. this is a must see for classic science fiction and history buffs.

I give this movie 9 out of 10. Enjoy!!

Some movies used to be shown so often on television, due to crazy broadcast schedules or rental packages. Back in the 1960s and 1970s (early 1970s) this film popped up usually on Channel 9 in New York City. Sometimes another film like this, THE ADVENTURES OF BARON MUNCHAUSEN, would pop up as well. Both were made in Czechoslavakia in the late 1950s. The director designed the films to look like a 19th Century "moving" picture book (the sort that the reader, usually a child, would move by shifting small paper switches by pulling or pushing them. The film's backgrounds looked like the illustrations in Verne's novels, by illustrators like Edward Riou. Only the actors were real actors. Among moments that remain in my memory are the sinking of a ship by a submarine (a la TWENTY THOUSAND LEAGUES UNDER THE SEA), and a battle between two submarines. I say moments in my memory because I have not seen any rebroadcast of this film on television since the early 1970s, and it has not come out on Video (or DVD for that matter).

Although it borrows from other novels of Verne's the basis for this film is an 1896 novel, which in English is titled FACING THE FLAG. The only edition of the novel that has appeared in recent years was published by ACE books back in the late 1970s, under the editorship of Verne scholar I.O.E. Evans, and retitled FOR THE FLAG. Evans explains that the novel was influenced by Verne's knowledge of a controvertial French scientist named Turpin who got into legal problems when he could not sell an explosive to the French Government, and then tried to sell it abroad. The anti-hero in the novel, Thomas Roche, has gone mad when his proposed weapon, called "the Fulgarator" is rejected (and he is laughed at) by the French authorities. He is being watched by a government agent, as the government slowly reevaluates it's position. But Roche and the agent are kidnapped by one of the last pirates on the globe (Count Artigas in the story). The Count helps Roche build a working model of the weapon (which is a type of missile, that flies off a track after a rocket fuel is added). The Count intends to use it to blackmail governments around the globe. The crisis at the end of the novel is whether the bitter and mad Roche will be willing to use his weapon against the ships of his homeland, France.

It is not a major Verne tale, but it is readable (not all of his novels are still readable). And the basic plot is followed in this film version. It is a wonderful movie to watch - and one hopes one day to see it on television, video, or DVD again.

I first saw this film I think about 1963 as a 12 year old on KHJ TV in Los Angeles and was totally hooked on it. years later I realized that it was pretty much based on a combination of Verne tales....The Czech title being "A Dangerous Weapon"....I love it!

I was a graduate of Occidental College in LA...Terry Gilliam proceeded me by some 12 years......Why do I comment on this? - Well, if you watch this film it has Gilliam's shtick written all over it....I only wish I'd had the chance to question him at the college bicentennial in 1986.....I have little doubt that he'd deny that Zeman's films had had any influence on him, but it's a obvious as the nose on your face! Anyone notice that?

I love the Professor Serke, the Count's number one quiz kid. If I didn't know better, I'd swear that he was a character right out of the much later "Wild Wild West"...Couldn't you see him as yet another evil genius out to take over the world?. Victorian gadgets galore!

This film makes me feel as thought I'm part of that era, it makes all of it seem so alive!

Oh yeah, the film would not have had nearly the impact that it's had on me were if not for Lisko's fabulous musical score...It emotes the charm of the Victorian era in a manner I've not seen before or since. It's also interesting that his music has certain synthesizer-Esq qualities as used for sound effects.

Has anyone ever noticed the obvious similarities in the small reconnaissance submarine to Professor Fates' craft in the much later "The Great Race"?.......I doubt it!

Captain Spade........Were he and Bluto twin brothers separated at birth?

I'd never heard of this film until I saw it scheduled at the Museum of the Moving Image in Queens. I'm so glad I saw it -- this movie has everything! Guileless inventors, ruthless pirates, a winsome heroine, hot-air balloons, a villain's lair in a volcano, submarines with duck-foot paddles, roller-skating camels, a giant man-eating octopus, and the most charming production design this side of Edward Gorey's sets for "Dracula." I look forward to the steampunk movement's embrace of this film, assuming they don't already know about it. Even if they have, they should check out this restoration, which is crisp, clear, and gorgeous.

The film is based more on Verne's vision of the future world than on a particular Verne story. There are pedal powered aerial-bicycles, aeronefs (including Robur's "Clipper of the Clouds"), formidable steam locomotives, massive canons, and, of course, submersibles. The plot follows the kidnaping of a scientist on the verge of a breakthrough in explosive technology (hint: it involves heavy water), who is taken to an aristocratic pirate's secret volcanic lair, and the attempts by his heroic assistant to escape, or at least to warn the outside world of the pirates' infamous plans. The film is a fascinating and surreal mélange of live action and animation, with much of the imagery based on the 19th century engravings that illustrated the original books. At times the animation resembles Georges Méliès' pioneering science fiction shorts (such as "Conquest of the Pole", 1912) and likely inspired the iconic Terry Gilliam images seen a decade later in "Monty Python's Flying Circus" (1969). "The Fabulous World of Jules Verne" is well worth viewing, both for its imaginative self as well as for its cinematographic novelty. I watched a fairly low-res version on You-tube but there may be a digital version available that would do justice to the intricate imagery.