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The film is based more on Verne's vision of the future world than on a particular Verne story. There are pedal powered aerial-bicycles, aeronefs (including Robur's "Clipper of the Clouds"), formidable steam locomotives, massive canons, and, of course, submersibles. The plot follows the kidnaping of a scientist on the verge of a breakthrough in explosive technology (hint: it involves heavy water), who is taken to an aristocratic pirate's secret volcanic lair, and the attempts by his heroic assistant to escape, or at least to warn the outside world of the pirates' infamous plans. The film is a fascinating and surreal mélange of live action and animation, with much of the imagery based on the 19th century engravings that illustrated the original books. At times the animation resembles Georges Méliès' pioneering science fiction shorts (such as "Conquest of the Pole", 1912) and likely inspired the iconic Terry Gilliam images seen a decade later in "Monty Python's Flying Circus" (1969). "The Fabulous World of Jules Verne" is well worth viewing, both for its imaginative self as well as for its cinematographic novelty. I watched a fairly low-res version on You-tube but there may be a digital version available that would do justice to the intricate imagery.

Truly unique and stunning film of Jules Verne's "For The Flag" by the Czech master director Karel Zeman.Although the story is enacted in a rather understated late Victorian style, the visuals are a knockout. Zeman uses animation, graphics, painted sets, model animation combined with live action to create the atmosphere of Verne that the reader associates in his mind. The style resembles the steel engravings of Dore and Bennet and Riou that illustrated these stories with a healthy dose of Georges Melies added.Photographed in beautiful black and white the animation is of the highest order and not of a Saturday morning variety. There are underwater sequences where the fishes swimming about are so accurately drawn they can be used in a field guide.There are images of ships ,submarines, flying craft, castles,and machinery that are drawn in such accurate detail that one must have a freeze frame on his VCR or DVD to pause the scene and study the remarkable detail that went into this production.The late Victorian atmosphere is designed to look like this world that never was and delight us in the magic of science that made Verne the great father of the genre. If this is not enough, there also is the film score that probably is one of the best ever created for a fantasy or sci-fi film.Truly a forgotten classic, this one is worth hunting down and buying. Always one of my favorite films of all times, it is sure to be one of yours too. And remember- this was done decades before CGI or computer animation. Kudos to the great artists who obviously put their heart into it. It shows. Jules Verne himself would be proud of this movie.A film that deserves to be better known, but those who have seen it love it-and treasure it. An outstanding achievement , this remarkable film just gets better every time you watch it. A true cinematic work of art from a visionary director.

This is one film that I wish they would start showing on television again. When I was a child, I really was knocked out by the special effects. I'm a sucker for any film that combines live action with animation and this film is no exception. What really made me take notice was how the sets reminded me of the pages of a book and how the characters were almost like the illustrations come to life. This is definitely a lost classic and I hope one day that it will be shown on television once again.

Some movies used to be shown so often on television, due to crazy broadcast schedules or rental packages. Back in the 1960s and 1970s (early 1970s) this film popped up usually on Channel 9 in New York City. Sometimes another film like this, THE ADVENTURES OF BARON MUNCHAUSEN, would pop up as well. Both were made in Czechoslavakia in the late 1950s. The director designed the films to look like a 19th Century "moving" picture book (the sort that the reader, usually a child, would move by shifting small paper switches by pulling or pushing them. The film's backgrounds looked like the illustrations in Verne's novels, by illustrators like Edward Riou. Only the actors were real actors. Among moments that remain in my memory are the sinking of a ship by a submarine (a la TWENTY THOUSAND LEAGUES UNDER THE SEA), and a battle between two submarines. I say moments in my memory because I have not seen any rebroadcast of this film on television since the early 1970s, and it has not come out on Video (or DVD for that matter).

Although it borrows from other novels of Verne's the basis for this film is an 1896 novel, which in English is titled FACING THE FLAG. The only edition of the novel that has appeared in recent years was published by ACE books back in the late 1970s, under the editorship of Verne scholar I.O.E. Evans, and retitled FOR THE FLAG. Evans explains that the novel was influenced by Verne's knowledge of a controvertial French scientist named Turpin who got into legal problems when he could not sell an explosive to the French Government, and then tried to sell it abroad. The anti-hero in the novel, Thomas Roche, has gone mad when his proposed weapon, called "the Fulgarator" is rejected (and he is laughed at) by the French authorities. He is being watched by a government agent, as the government slowly reevaluates it's position. But Roche and the agent are kidnapped by one of the last pirates on the globe (Count Artigas in the story). The Count helps Roche build a working model of the weapon (which is a type of missile, that flies off a track after a rocket fuel is added). The Count intends to use it to blackmail governments around the globe. The crisis at the end of the novel is whether the bitter and mad Roche will be willing to use his weapon against the ships of his homeland, France.

It is not a major Verne tale, but it is readable (not all of his novels are still readable). And the basic plot is followed in this film version. It is a wonderful movie to watch - and one hopes one day to see it on television, video, or DVD again.

This is even better than Jules Verne (albeit some minor Verne works) with not only the stories and some of the dialogue but period engravings surrounding live actors, animation magic to boot and uncountable other technical tours de force. It is rather cool, perhaps, with the characters rather distant from the viewers but they take second place to the virtuoso special effects. And what effects they are! The drawings are so real they pop off the screen and the music is absolutely wonderful - full Twentieth Century in this case. This is rather like the most elaborate of magic shows: we are willing to sit back and be amused - and amazed. Bravo Karel Zeman and bravo to the whole team! Curtis Stotlar