The Two-Headed Spy

First of all, thanks to DavidGPS of GB for rectifying what we already knew - that Germany pioneered magnetic tape in the late 1930s. Now lets get to this little-known Jack Hawkins film. Andre DeToth made some excellent movies in his time, but this true story was as gritty as it got in 1958. There are some very hard to stomach scenes of a tyrannical and evil police state at war - not for the squeamish or children, by any means. Among the greatest of WWII movies, Hawkins depicts General Schottland, a British native of German decent who came back to the Fatherland during WW1 and fought in the German ranks. As a result, he was able to infiltrate the German High Command and even became trusted by Hitler. As he became a valued and important source of information to the British, he also endangered himself and all those who helped him. There were some really great WWII movies, but this one has you on the edge of your seat and riveted to the screen for the entire duration. Definitely my favorite Jack Hawkins movie of all time, and hats off to DeToth for daring to be so bold as to show how ruthless the Nazis really were.

I have nothing much to add to the reviews already here, but that I loved the film. Stylish, beautifully paced, and remarkably suspenseful, it features an intriguingly controlled and flawlessly nuanced performance by Jack Hawkins, who makes you believe it possible that a British agent, hidden for twenty years, could exist undercover at the highest levels of the Third Reich. And as a sign of the 1958 that produced "The Two-Headed Spy," most revealing of the relationships between international film interests that the blacklisted Michael Wilson and Alfred Levitt were denied credit as scriptwriters in a British film because of its U.S. release by Columbia.

However, for the record, I would like to correct a remark made by oxbridgeup from New Hampshire, who took issue with the use of tape recording in a scene, stating that it was not invented until 1947. Tape recording had actually been invented in Germany in the 1930s; it was used extensively in radio stations and by the Gestapo, most effectively as a tool to issue simultaneous statements by Hitler to units at all the various military fronts to give the Fuhrer the illusion of omnipresence. 1947 is the year the technology was introduced in the United States, and was patented by a group funded by Bing Crosby, who saw the potential in the format. An American audio engineer who, while assigned to the U.S. Army Signal Corps, had absconded with two of the pioneering German Magnetophon recorders (and numerous IG Farben magnetic tapes) at WWII's end, presented the technology to MGM and Crosby. Before this forming of Ampex, Farben had held the rights for magnetic tape (originally patented in the '20s as a long paper strip with an iron oxide coating) and AEG for recording/playing decks and their improvements -- most significantly, AC tape bias and stereophonic recording. Farben was, of course, dissolved in 1945 because of its cooperation with the Nazi regime (and notorious production of Xyklon-B), thus leaving its patents for the taking. How the AEG patents were voided is a mystery to me, but perhaps some knowledgeable reader might enlighten us.

This is an exciting movie! I could not imagine that it can be so good. Jack Hawkins is incredibly good in the role of Gen. Alex Schottland and Gia Scala has charm and is very natural in the role of the singer Lily Geyr, some kind of Mata-Hari. A unique movie in the genre Drama, Thriller, War, an exceptional achievement from all points of view.

The opening scene of "the two-Headed Spy" has a script that dedicates the film. It reads, "To those men of the Intelligence Service who worked in secrecy. Who struggled and died in darkness. To those lonely and courageous men who risked their lives daily in the enemy camp. This picture is dedicated. And, to one of those men, Colonel A. P. Scotland, O.B.E., British Intelligence Service, whose exploits over the past half century inspired this story. We wish to express our thanks."

Indeed, the background of Alexander Scotland is very interesting. Here was an early implementer of interrogation methods, as well as a highly experienced spy. That's a story worth looking into. Scotland served as adviser for this film. While he had posed as lower ranking German officers and NCOs in World War I and at other times, he said he never was a high-ranking German official. Yet, when one notices some similarities in this film, it does raise a question.

This film stars Jack Hawkins in a fictitious plot as just such a British spy. Gen. Alex Schotland was a British agent who served in the German Army of WW I. But, unlike most in the espionage business, after the war he didn't come out. He stayed in Germany, kept his military affiliation and identity, and when the Nazis began a rise to power, he jumped on the train.

This is a very good and interesting look at how such high level direct espionage might have looked. One quickly comes to the conclusion that the best way to advance and get on the good graces inside the Nazi hierarchy was to agree with Hitler and promise that his every command could be carried out. Especially, if that went against the reasoned, experienced generals, regardless of how bad was Hitler's position. Anyway, that's how Schottland does it here.

A distant romantic connection is provided by Gia Scala who plays Lili Geyr, a renowned German singer and entertainer of troops. The story has an interesting ending. Scala made a few very good films and had a promising career in movies and television. But, she suffered from depression and began drinking heavily. She underwent frequent psychiatric treatment. On April 30, 1972, she died from an overdose of alcohol and sleeping pills.

I have never been very excited by this true story put on screen. I have never been interested by this story, anyway. I know why. I prefer Andre De Toth's last film PLAY DIRTY instead, ten times better for me. This one seems boring, predictable. If there is one film from the one eyed director that I dislike is this one. I prefer MAN ON A STRING from De Toth.