X-7 rey del espacio

As a 12 year old, this was the most mind blowing movie of my childhood. Much more scary than the "A" movie, The Fly (great movie), released with it. I would always think that the mold would get into the house and eat me away (something like Necrotizing Fasciitis). Even though this movie is in B&W, the movie, for me, was much scarier than the BLOB. This is one of the two most psyche scaring movies of my childhood...the other being GOG. Honorable mention for this segment would go to the Crawling Eye, Invasion of the Saucermen, and War of the Satellites. My dad was a sci-fi nut as much as me and the two of us would see every new release as soon as they came out. These movies are very much part of my upbringing/childhood. I would love to get a copy of Blood Rust/SpaceMaster X7.

I can't give this film more than five stars, because it's just a standard, low-budget 50s horror flick featuring the usual gimmicks:

1. Phony narrator claiming this is a "true story" 2. Manmade spacecraft returning to earth with deadly virus/creature 3. Desperate attempt to control spreading of virus 4. Scientist who dies attempting #3

And really, it's not outstanding in its genre, because it has a clunky ending and it tends to veer from true SF to being a chase picture. Most of the middle of the picture has nothing to do with the evil spores from outer space.

BUT...where have you ever seen Paul Frees on camera before? I didn't see his name in the credits, but when Prof. Pommer started talking, I shouted, "That's Paul Frees!" Here's a man with hundreds of credits (and many uncredited roles) but they've almost always been for his voice. Even in this pic, he also "appears" as the announcer voice in the bus station. Space Master X-7 gives him a good reel or more almost by himself, as a scientist attempting to figure out what the virus is. He's not matinée idol material, but the film shows that he could act with more than his lungs.

AND...a couple of scenes with Moe Howard, down on his luck between the demise of Columbia's short film division, and the amazing comeback of the Stooges in the early 60s. When I saw the names Bernds and Maurer in the credits, I almost wondered if the film was going to be a parody, since they're the pair that did most of the Stooges' 60s features. Maurer kindly gave his father-in-law Moe a decent part as a cabby who helps police find the missing (spore-infected) woman.

It was fun to find this film on TV, since it had disappeared for decades. For fans of SF schlock, it's a must. But definitely for fans of Moe and Paul (Boris Badenov) Frees!

When I was kid, I used to sometimes see stills or brief mentions of this film in science fiction movie books or in the pages of "monster" magazines. But for some strange reason this film never turned up on TV, even though other science fiction offerings made by Fox from the same period often did. No one I knew had seen it except for older people who saw it when it was first released in 1958 to theaters. Having seen it recently on video, I can tell you that SPACE MASTER X 7 is no "lost" classic, but its a not bad low budget drive in feature with a slightly unusual menace and director Edward Byrnes deserves credit for trying hard to make a serious (sometimes he tries to hard) adult science fiction thriller. Done in a semi-documentary style, Byrnes sometimes slows down the films pace but overall its not a bad job.

One area of interest to film buffs is the films casting. We have Paul ("man of a thousands voices") Frees in a surprisingly large on screen role as a "heel" scientist who accidently unleashes the "blood rust". Of course the person often mentioned in this film is Moe Howard of the Three Stooges, in a rare character part as a cab driver who helps the feds track down a woman who was exposed to the deadly alien fungus. This film was made when the stooges career was in limbo; between the time Columbia dropped the stooges because it was no longer interested in making shorts, and the time before they boys returned to the screen for feature films. Director Byrnes began his film career directing 3 Stooges shorts, and was good friends with the boys, so it was he who probably got Moe a part in the picture.

Behind this bland, forgettable and indescriptive title is one of that decade's more interesting low budget items. "Blood Rust" was probably the script's original name, and this refers to the red coloring of Mars which, as is found out on the return of a space probe, is a fungal overgrowth that could easily thrive on the Earth. THE ANDROMEDA STRAIN, while not exactly a remake, shares both the panicky concept and something akin to realism in its approach. SPACE MASTER's an Edward Bernds quickie, no nonsense drive-in fare with logic secondary to pace, but there's a continual teetering on the edge of DETOUR-like brilliance that makes it, if not a classic, quite exceptional.

The strength of writing is ever evident, as the threat to humanity theme is subverted away from the usual conquering hero routine to documentary-like police procedural, the pursuers taking on near anonymity as our attentions, and sympathies, focus on the fleeing "Typhoid Mary". She's finely played by Lyn Thomas, a mature and intelligent 50s beauty in the Jan Sterling mode. We're told just as much as we need to know about her, that she once was involved in an S&M fling (I kid you not, it's ALL THERE in 1958) with arrogant scientist Paul Frees (Richard Deacon doing Clifton Webb, and does he deliver cutting lines!) Their unholy reliance resulted in a child that she now wants back in her new life of respectability. His experiments with the alien fungus result in his hideous death and the government, knowing that she was with him at the time, has to track her down so that she won't infect the world. However, they can't throw the public into panic (cover-up stuff, another first) by saying why they've put out an all-points bulletin out on her, so she goes into hiding and flees so that she won't be framed for his murder! Now I ask you, how often do you run into plot intricacies (as opposed to absurdities) like this during your typical monster movie round-up?

At the same time SPACE MASTER X-7 is as frustrating as it's intriguing, because get-it-out-on-schedule Bernds never quite takes that extra step ahead of his time. There's a beautiful scene involving Miss Thomas and a cop the predates PSYCHO, where you're rooting for her to get away and the world's fate be damned, and though this perversion of empathy carries on the irony of it is somehow lost in the climactic shuffle. Said climax, stunningly prepared for in both mood and pacing, aboard a threatened air liner complete with children on the threshold of death, is shied away from in terms of intensity when it could've become a Hitchockian runaway carousel. One feels, by the movie's end, that something truly magnificent just didn't quite break free from the shackles of its period's conventions.

I think this one's ripe for a remake and hopefully by someone with brains and taste. It certainly has a plot, very friendly to updating, that doesn't sit still. One thing that gets this film footnoted out of the collective amnesia is the presence of Moe Howard as a cab driver. He's funny as can be but plays it straight, as a regular Joe who finds himself in the midst of things, and makes one wish that, like brother Shemp, he and the rest of those Stooges would've done a little more dramatic character work.

Space fungus menaces planet earth. Okay, everything else was menacing the besieged 1950's planet, so why not a creepy fungus. Well, it's actually a bloody slime from outer space that spreads like a dirty carpet, and unless trackers can catch up with the shapely blonde Typhoid Mary (Thomas) carrying it, we're all one big toadstool. I'm trying hard, but I just don't recall this epic from 1958, and I rarely missed one of these drive-in specials. According to IMDb, TCF didn't syndicate the film, which is why, I guess, it's gone unseen for 50 years.

Actually, the movie's pretty well produced for its kind. The location shots lend at least some credibility to the wacky plot. And catch those early versions of protective Hazmat suits in the train yard scene. Williams and Ellis do well as the bloodhounds, but why Ellis remains a lowly Pfc with his officer-level credentials seems odd. Also, I really like the unheralded Lyn Thomas as the nervous blonde.

Note that brilliant screenwriter Dan Mainwaring, e.g. Invasion of the Body Snatchers (1956), Out of the Past (1947), collaborated on the screenplay. I'm guessing that promising trapped-in-the-airliner concept came from him. Too bad the full potential of those scenes is not realized by director Bernds. At the same time, the movie ends all-too-abruptly, as though the production suddenly ran out of money. I get the feeling that with better backing and a more perceptive director, this drive-in programmer could have turned into an uptown smash on the order of Alien (1980).